45 pages • 1 hour read
After Will’s death, Abbie keeps herself busy with family and housework. She often feels that Will is still with her in spirit as she moves around the house. Abbie relies on her son John’s labor on the farm. But at age 18, John has other dreams for his life; he wants to study law. When John and Isabelle move away for school, Abbie sells some of her land, but she refuses to give up her farm and land completely.
Mack gets married to the Lutzes’ daughter, Emma, whom he’s known since childhood.
At 46 years old, Abbie still dreams of being an artist. She has long given up on singing and now hopes to become a writer.
Grandma Deal arrives unexpectedly. She announces that she is in Cedartown to move in with Abbie. She criticizes Abbie, just as she did decades ago when Abbie moved in with her as a newlywed. Abbie is annoyed by Grandma Deal, but she remembers her love for Will and devotes herself to his mother, sacrificing her desires once again.
Grandma Deal shows Isabelle the large sum of money she intends to give Abbie when Grandma Deal dies. Not long after this, Grandma Deal dies, and Abbie returns to her childhood home in Iowa to bury her. After many decades of being away, Abbie doesn’t find herself at home in Iowa and misses the prairie. She meets Ed’s wife and recognizes that she is well beyond thinking about her past.
Abbie travels to Emma to help her through the birth of her son. John graduates from law school and moves to Iowa. Isabelle studies piano and voice at a music academy.
With all her children doing well, Abbie decides to finally try writing. At 49 years old, “Abbie was finding her first opportunity to take time from duties which had always confronted her, to carry out this old ambition” (187). Abbie finds writing difficult at first, even though she has so much to say. She is disappointed that her writing doesn’t fully capture the nuances and beauty of her life experiences.
When the Spanish-American War of 1898 begins, John joins the National Guard. Isabelle elopes, but shortly after her secret wedding, her husband Harrison joins the military too. Both men survive the war. When they return, John moves to his own new frontier in Alaska. Harrison and Isabelle move to Chicago. Abbie has always worried more about John than her other children, but she’s not sure why. With John so far away in Alaska, Abbie is anxious about his well-being. Abbie is shocked when Isabelle tells her that she and Harrison are choosing never to have children.
John moves back to Cedartown and sets up a legal practice there. He marries a teacher he met in Iowa named Eloise. Abbie sells the majority of her farmland, keeping only the land with her house, barn, and orchard. This means less work for Abbie and also gives her some funds to help her youngest child Grace go to university to become a teacher. When Grace prepares to leave home for school, Abbie’s children encourage her to sell the rest of her land and big house. Abbie considers it, but she likes that there is one home that all her children and grandchildren can return to: “An old home ought always to stand like a mother with open arms. It ought to be here waiting for the children to come to it,—like homing pigeons” (207).
Eloise and John welcome a baby boy, followed by another child from Mack and Emma. Mack buys an automobile, impressing and shocking Cedartown.
In 1909, Grace graduates from university and becomes a teacher. She tells her mother she’s not sure if she ever wants to be married. Abbie finds Grace to be disrespectful about the original pioneers in Cedartown, such as Christine, who helped save Grace’s life in childbirth but whom Grace judges as not being good enough to be part of high society.
Now 66 years old, Abbie finds contentment with the other original pioneer women of the town, Sarah and Christine. Abbie has six grandchildren, and her entire family is doing well.
By 1915, the society around Abbie, now 70, has changed. Her children and grandchildren bring up the possibility of her moving again because they’re worried the large house is too much work and stress for her. Abbie refuses to move.
When John’s wife gives birth to another baby, Abbie brings their four-year-old daughter Laura to live with her to help John and his wife. Abbie “was happy almost to the point of excitement. No, Abbie Deal would never get over being a mother” (222).
When the United States enters World War I, Abbie’s two eldest grandsons enlist in the military. Abbie continues to worry that Grace doesn’t want to get married. John is elected to the state legislature. Mack is promoted to vice president of a bank. The years go on, and Abbie is proud of her family’s success. Grace wants to take Abbie abroad to see the world, but Abbie thinks she is too old to go. Abbie is satisfied with not having seen the world because she has been a witness to history.
Abbie is 78 years old and happy to spend time with her family. Her children increase their success. Abbie is closest with her granddaughter Laura, who writes verses that she shares with Abbie. Abbie tells Laura the story of Ed’s proposal but realizes that, with all the decades gone by, she’s forgotten some details.
In chapters 22 through 29, Abbie undergoes significant character development. Will’s death forces Abbie to think mostly of herself, but it also highlights that even in losing her partner, Abbie has an interiority is rich enough to ensure that she will not become lonely. Abbie discovers that “much of the time Will did not seem to be away. Whether the phenomenon were of the spirit world […], she did not know. She accepted the solace in blind faith and with soul-filled gratitude” (171). Will’s continued presence in her mind and heart after death is a symbol of her connection with him. They loved one another and worked together so well over the decades that even death can’t separate them. Her life-long commitment to Will also characterizes Abbie as the ideal pioneer woman, who embodies The Pioneer Spirit: the admirable American woman whose devotion to her husband is boundless.
With Will gone and the farm in good standing, Abbie’s life is stable enough for her to engage in artistic pursuits. Though Abbie’s dreams of becoming a singer never happen, she is characterized throughout the novel as inherently an artist. This emphasizes the theme of The Power of Art. Her identity as an artist doesn’t receive the stimulation or space that it deserves, but she still looks for creative outlets. When it comes to self-expression, “It was something she could do. She vaguely sensed her power to construct the scenes in writing, knew that she possessed the emotions which one must feel before he can transfer those feelings to another” (178). Abbie is characterized as having a depth of emotion befitting an artist. She has witnessed history, but she has also become wise and observant, and has never let go of being moved by art. A major moment of character development occurs when Abbie resolves to commit herself to art, as she sets out to write her life’s story. Despite her best intentions, Abbie never completes her art projects. The novel, therefore, emphasizes that external conflicts such as responsibility to one’s family sometimes supersede one’s internal aspirations and need for self-expression.
Abbie’s character development and characterization as an artist are further complicated by her revelation that art is much more difficult to produce than she had thought. In comparison with her daughter Isabelle, Abbie hasn’t had years to devote to art. It’s much more difficult for her to begin in her older years, still encumbered by her many responsibilities: “She had tried to tell of the journey over the uncharted sea of grass, of the nights under the star-filled sky […]. But the words she had set down had not told it. Only the memory of it remained in her heart, like a song that would never be sung” (189). It is ultimately impossible for Abbie to distill her nuanced and eventful life into words. This sets up the foreshadowing that her granddaughter Laura will be the one to honor Abbie’s legacy and life through stories.
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