35 pages • 1 hour read
Amar watches guests arrive to his sister Hadia’s wedding in the hotel's grand hall. He nervously shakes hands with people he hasn’t seen in three years. Since his sister had called to invite him, he hopes that he will be accepted as the dutiful brother of the bride. Hadia is shocked that he has come, as the family had not heard from him at all during those three years. Hadia asks her sister Huda to keep an eye on Amar.
Meanwhile, their mother Layla keeps an eye on guests and periodically checks Amar’s face to make sure he’s happy. She is worried that her husband Rafiq will fight with Amar, so she makes Rafiq promise he will not go near their son. Still, she feels immensely proud of the children that she and Rafiq raised together; she is confident the ceremony will go well and that her daughter is marrying a good man.
Before the ceremony starts, Huda summons Amar back to where Hadia is getting ready. The siblings have a restrained but gently teasing conversation about the lies Amar has been telling their father’s old friend and other guests about his career (he’s a painter; no, an ornithologist; and so forth). Hadia tells Amar that his actions, which disappointed their parents, made it easier for her to choose her husband-to-be Tariq over a traditional arranged marriage. Amar gives his sister a small gift and tells her not to open it.
After nervously killing some time at the hotel bar, Amar returns to the ceremony’s concluding festivities and runs into Amira Ali at the buffet table. He and Amira were once romantically involved, and the moment is tense. Still, they exchange greetings, and Amar is sad to know they can still read each other’s gestures.
The central theme of Part 1 is the conflict created by familial expectations and obligations versus personal choices and desires. Where Hadia feels mild guilt that she has chosen her own betrothed, she is proud of proving that she is a strong and independent woman. In contrast, Amar does not seem as secure in his choices—distancing himself from his family for several years without any contact, as well as losing contact with the young woman he once loved—despite the freedom and independence they have permitted him. Huda and Layla are secure and content in their devotion to their siblings and husband, respectively. They guarantee that everything is perfect on Hadia’s wedding day, to the point of ensuring that Rafiq will not clash with Amar. This pervasive, multifaceted, interpersonal tension remains mostly unresolved for the time being.
Where characterization is concerned, the strongest focus falls on Amar, as the action primarily unfolds from his point of view. Most of his interactions are spent with other wedding guests, telling them outlandish versions of what he’s done with his life (painting, ornithology, and so forth), not wanting to confirm what they all know to be true. While it’s eventually revealed that Amar is usually only dishonest out of necessity or a strong desire to please, this gives an impression of his character that initially leads readers to think that his estrangement from his family is due to questionable morality. As for his sisters and mother, their reactions to him muddy our perception of Rafiq as a husband and father. They all seem concerned about and for Amar and with keeping Rafiq away from Amar at all costs.
The setting adds to the sense of urgency and confusion, as there are so many people milling about the grand hall and the broader expanse of the hotel. Characters only have brief encounters and exchanges before they’re whisked off in various directions. The chaos of the setting mirrors the internal, emotional chaos experienced by Amar, Hadia, and Layla in particular. Because we are not party to Rafiq’s perspective at this stage, it is difficult to tell what he’s feeling.
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