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Summary
Chapter Summaries & Analyses
Character Analysis
Themes
Symbols & Motifs
Important Quotes
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Every day at La Force, the guards call out the names of those who will be tried that day. The prisoners say their goodbyes amongst themselves, and those remaining behind return to their daily routines. The “society” of prisoners is now entirely different than the one that first welcomed Darnay, since all of those people died in the September Massacre.
On this particular day, Darnay’s name is read, and he is taken to a courtroom packed with spectators sporting red hats, tricolored cockades, and (in many cases) weapons. He notices Monsieur and Madame Defarge, the latter of whom is knitting and “seem[s] to be waiting for something with a dogged determination” (293).
The prosecutor reads the charges against Darnay, who responds that he isn’t truly an “emigrant,” having “voluntarily relinquished a title that was distasteful to him” (293) long before the Revolution began. He cites Theophile Gabelle and Doctor Manette as witnesses, explaining that he is married to the latter’s daughter, and the crowd—which had previously been calling for Darnay’s head—immediately becomes sympathetic. Gabelle, who was released when Darnay himself was imprisoned, testifies to the truth of Darnay’s story. Finally, Doctor Manette takes the stand and dispels any remaining doubts the crowd has about where Darnay’s sympathies lie.
When the jury unanimously finds Darnay innocent, the crowd rushes towards Darnay in excitement and carries him through the streets, cheering and dancing:
In wild dreamlike procession, embracing whom they met and pointing him out, they carried him on. Reddening the snowy streets with the prevailing Republican colour, in winding and trampling through them, as they had reddened them below the snow with a deeper dye, they carried him thus into the court-yard of the building where he lived (296-97).
The crowd disperses, and Darnay carries Lucie (who is near fainting) upstairs. As the family celebrates Darnay’s acquittal, Darnay urges Lucie to thank her father for securing it. Lucie therefore embraces her father, who reassures her that he has “saved” (297) Darnay.
Despite her father’s assurances, Lucie remains anxious, aware of how many innocent people are being put to death every day. She repeatedly warns Miss Pross against speaking disparagingly, even in their own home, of the chaos in France. Miss Pross, however, insists that as an Englishwoman, “[her] maxim is, Confound their politics, Frustrate their knavish tricks, On him our hopes we fix, God save the King!” (300). She is impatient to leave France, but Doctor Manette says that it wouldn’t be safe for Darnay to leave so soon after his trial.
Miss Pross and Jerry Cruncher (whom the Manettes are employing in place of a servant) leave to do the day’s shopping. Not long after they’ve gone, there’s a knock on the door, and Lucie panics, begging her father to “hide Charles” (301). Manette once again reassures her that the danger is past, but when he opens the door, he is met by “four rough men in red caps, armed with sabres and pistols” (301) who call for Darnay’s arrest. The men refuse to answer any questions about the new charges Darnay will face, but when Manette presses them, they eventually admit that the charges come from Saint Antoine. Specifically, Darnay has been “denounced” (304) by the Defarges and one other person. They will not tell Manette who this other is but give him a “strange look” (304) and tell him he will learn at the trial the next day.
Avoiding crowds and overtly patriotic shops, Miss Pross and Jerry Cruncher enter a relatively quiet-looking wine-shop. As they wait to place an order, Miss Pross notices the man in line in front of them and screams: it’s her long-lost brother Solomon.
Solomon is irritated to see his sister and, pulling her outside to a secluded area, tells her to leave him alone: he is a government official and fears exposure. Meanwhile, Cruncher has also recognized Solomon, although he knows him by the name “John,” and claims he was a spy at the Old Bailey. Cruncher can’t recall the rest of Solomon’s alias, but Sydney Carton, who appears at that moment, says that it was “Barsad.” Carton explains that he arrived in Paris the night before, but that he decided not to come forward “unless [he] could be useful” (309). To that end, he wants to talk to Barsad, who is employed as a prison spy.
Barsad reluctantly agrees, and after escorting Miss Pross home they head to Tellson’s, where Carton reveals to Lorry that Darnay has been arrested again. Carton says that while he hopes Doctor Manette’s influence will once again save Darnay, he has also devised a back-up plan: “Now, the stake I have resolved to play for, in case of the worst, is a friend in the Conciergerie. And the friend I purpose to myself to win, is Mr. Barsad” (312).
Carton then reveals his “cards”—his knowledge that Barsad is employed under a false name, and that he used to spy on behalf of the English government. This leads Carton to believe that Barton is still working for the English government, and he threatens to expose him as a spy. Barsad takes these threats seriously; he is in an even more precarious position than Carton knows, having also spied for the deposed French monarchy.
Nevertheless, Barsad resists until Carton reveals one final “card.” He believes Roger Cly is also serving as a spy in the French prisons. Barsad denies this, producing a certificate of Cly’s burial. Cruncher, however, is growing increasingly more agitated, and finally reveals that Cly’s coffin contained only “paving-stones and earth” (316)—he brushes aside questions of how he knows this. Barsad is therefore forced to admit that he and Cly fled England to escape public outrage, and he agrees to do what Carton asks provided it doesn’t place him in serious danger. Confirming that Barsad has access to the prison keys, Carton asks Barsad to follow him into another room where they can talk privately.
As Carton and Barsad talk, Lorry threatens to fire Cruncher for his graverobbing. Cruncher points out that this is hypocritical, since Tellson’s freely serves the doctors that use the bodies Cruncher provides. He says that events in France have caused him to reevaluate his life, and he is considering taking up work as a regular gravedigger.
Carton and Barsad reemerge, and once Barsad has left, Carton explains that Barsad will allow him to visit Darnay if the trial goes badly. He also asks Lorry not to tell Lucie about any of this for fear of troubling her but urges him to go to her and comfort her.
The discussion of Lucie causes Carton to grow thoughtful, and he speaks to Lorry “wistfully” about the latter’s long life of “useful” (322) work, remarking that Lucie will surely mourn him when he dies:
If you could say, with truth, to your own solitary heart, to-night, ‘I have secured to myself the love and attachment, the gratitude or respect, of no human creature; I have won myself a tender place in no regard; I have done nothing good or serviceable to be remembered by!’ your seventy-eight years would be seventy-eight heavy curses, would they not? (322).
After escorting Lorry to the Manettes’, Carton wanders the streets of Paris. He pauses where Lucie used to wait outside La Force and chats with the wood-sawyer, who talks excitedly about the number of people beheaded that day. He then goes to a chemist’s shop and buys substances the chemist warns him not to mix together. Finally, he wanders the streets aimlessly but with a “settled manner,” recalling his parents’ deaths, the deaths of those executed in Paris every day, and the Biblical passage read at this father’s funeral—“I am the resurrection and the life, saith the Lord” (325).
Carton continues to walk until morning, watching as the sun rises. After sleeping for a while on the riverbank, Carton returns home, dresses, and goes to court.
The prosecutor reads the charges against Darnay and reveals the three people who have denounced him: Monsieur and Madame Defarge, and Doctor Manette. Manette protests, but is forced to be quiet as Defarge testifies, revealing that he found a piece of paper in Manette’s former cell on the day the Bastille fell. The judge orders the paper to be read as Madame Defarge watches Darnay as though “feasting” (330).
Dickens’s novels are known for their coincidences, and the revelation that Barsad is actually Solomon Pross, Miss Pross’s brother, is a good example of this. Within the context of A Tale of Two Cities, however, it’s also a reminder of the limitations of our ability to fully know others—in this case, because some people are quite literally not who they claim to be.
Meanwhile, the fact that Roger Cly “died” only to resurface in France once again underscores the novel’s interest in resurrection. It does so, however, in a satirical way that contrasts with the truly life-and-death stakes at play in the very next chapter. Although the details of Carton’s plan are still not entirely clear at this point, Dickens heavily implies that it involves his own death. This is apparent not only in his unusually thoughtful mood as he speaks to Lorry, but also (and more specifically) in the question he poses about whether Lorry remembers his childhood; Lorry replies that as he draws closer to the end of his life, he seems to “travel in the circle, nearer and nearer to the beginning” (323)—something Carton, despite his young age, claims to understand. The implication is that Carton’s life is also drawing to a close.
That said, the exchange also suggests that Carton is thinking of death not as an end but as a beginning—that is, as a rebirth into childhood innocence. The related idea of resurrection dominates the rest of the chapter, culminating in the narrator’s description of dawn ending “Death’s dominion" (327). In other words, Carton’s impending death paradoxically allows him to truly live for perhaps the first time in the novel; he is hopeful and purposeful throughout Chapter 9 in a way he never has been before, and even Lorry notices the change in his demeanor. Moreover, what’s at stake isn’t simply Carton’s personal redemption; the narrator also positions Carton himself as a Christ figure. This is most obvious in Carton’s recitation of John 11:25—a passage that precedes Jesus’s resurrection of Lazarus—as he wanders the streets of Paris. Carton also takes on a Christ-like appearance, dressing in white and wearing his “long brown hair, all untrimmed, […] loose about him” (321).
Given Carton’s moral ambiguity throughout much of A Tale of Two Cities, these parallels are unexpected, and raise the question of who or what Carton is sacrificing himself to save. The literal answer to that question is of course Darnay, but by the final pages of the novel, Carton’s death takes on much broader symbolic significance, perhaps even atoning for the crimes of both the Revolution and the regime that preceded it.
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By Charles Dickens