51 pages • 1 hour read
When Miuko reappears, a boy and his fiancée are cowering in fear as a girl by the name of Senara is threatening them with a knife. Senara is confronting the boy, who was meant to marry her, who ruined her by sleeping with her, but decided to marry the other girl. She tells Miuko to kill him, but Miuko cannot bring herself to do it. Hawi and his fiancée run away, leaving Senara devastated. Miuko rings Naisholao’s bell and calls her emissary. A talking white weasel appears, and Miuko requests Senara’s help and convinces her to follow her on her journey because if she remains in her village, she will be ostracized. They climb on the weasel and take off.
They travel for a whole day and night, and Nogadishao emerges from Miuko’s pocket. Miuko almost slips from the weasel’s back, but Senara saves her and asks after Miuko’s story. Miuko realizes that she has lived dreams by being almost a demon and that there is value to her journey. The weasel drops down and leaves them on an uninhabited island. The water becomes turbulent and something rises from the water.
Afaina appears before them as a gargantuan young man with a crown of stars. The island is part of Afaina and they are standing on him. Afaina tells her that she has never left her confrontation with the doro yagra at the House of December, and Miuko tries to bargain for his help to return. He says that every one of his thousand eyes on his body can see a different timeline, and the possibilities are infinite. Miuko, therefore, has nothing to bargain with. Remembering the tseimi in her pocket, Miuko offers the shadow cat to the God of Stars as an immortal friend—something he has never had. When he is about to accept it, Senara points out that Afaina was there during her confrontation with the doro yagra. He admits to it and explains that he intervened because of the cat and because in four seconds she will agree that it was for the best. Indeed, after four seconds of reflection, Miuko realizes that, had she not been transported to the past, she would not have had the means to stop the doro yagra. Afaina then sends everyone back where he believes they will be needed, and Miuko once again finds herself confronting the doro yagra at the House of December.
On the docks of the House of December, the kyakyozuya still holds Geiki hostage, Meli is further behind Miuko, and the doro yagra still waits for her submission. With Miuko still see-through, the doro yagra realizes she has undergone a journey. She tries her second spell to bind him, but the doro yagra already tattooed a fresh spell over his heart, imprinting himself on the doro’s body. Seeing the tattoo, the kyakyozuya finally understands that the doro is possessed and tries to fight him. Miuko saves Geiki and realizes that the December priests all have the vermillion sashes she instructed Beikai to give them. The doro yagra overpowers the kyakyozuya. As the priests advance with their warding spells, the doro yagra retreats and warns Miuko that if he cannot have her, no one can have anything.
Miuko and Geiki reunite as he and the kyakyozuya receive treatment for their wounds. Miuko is lost on how to proceed since the binding spell will not work. As they talk, the kyakyozuya tells them the body and spirit naturally belong together, and if they want to push out the Tujiyazai from the doro’s body, they need to find Omaizi Ruhai. Meli says she knows an old ritual that can help them locate him.
They all deliberate on who has the biggest connection to the doro, and eventually Miuko is chosen to go through the ritual. They proceed to the moon door, a pool of water in an old part of the temple. Miuko wades through the water as the priests chant, and her human soul is then sucked into the spirit realm.
On the other side of the moon door, Miuko’s human soul searches for Omaizi Ruhai. Miuko’s demon body that she left behind becomes aggressive toward the priests. Miuko concentrates on finishing her task as quickly as possible. Since Omaizi Ruhai has not been ousted from his body for very long, she is able to follow his journey through Ana. She sees that he is a good man throughout his interactions. Eventually, he heads for Udaiwa. Meanwhile, Miuko’s demon body has almost reached the priests and wants to absorb their lifeforce. As Miuko refocuses on Omaizi Ruhai, she sees the ghosts around Nihaoi capture him and bring him into an old manor Miuko recognizes. She resurfaces and returns to her body just in time to stop it from harming the head priest. She informs her friends that they must travel back to Nihaoi’s mayoral mansion to save the doro.
Meli provides Miuko and Geiki with extra bespelled vermillion sashes before they leave to find Omaizi Ruhai’s spirit. As they fly over the landscape, they can see the damage caused by the doro yagra, who is leaving a blazing trail behind him as he makes his way to Udaiwa. Miuko wonders how the doro yagra is traveling so fast. The answer comes the next day when they are attacked by a spirit-turned-yasa and see him riding it. As Miuko and Geiki try to escape by flight, they are taken down by humans who believe them to be monsters.
The seven men who shot them down encircle Miuko and Geiki and do not believe Miuko when she tries to explain that she is not the enemy. The men attack them, and Miuko retaliates until Kanayi and her horse, Roroisho, emerge from the trees. Kanayi wants to leave Miuko behind but Roroisho is adamant about staying with Miuko and Geiki. Miuko protects Kanayi and the men eventually leave. Nogadishao and Senara appear and Miuko realizes they are in the daigana’s forest. She invites Kanayi to come with them to stop the doro yagra, but she refuses and leaves for Izajila.
As Nogadishao transports the group toward Nihaoi, Geiki leaves to take care of his flock in Kotskisiu-maru and warn them of the doro yagra’s destruction. He returns before they arrive at Nihaoi. Miuko feels the recently renewed power of the village’s spirit gates and she believes the village to be safe. But as bodies are seen floating in the river, Kanayi appears to warn them that the doro yagra is nearby and his powers are already affecting the village. As her companions promise to do their utmost to save the villagers, Miuko leaves for the old mayoral mansion to find Omaizi Ruhai.
Miuko searches the manor and finds him in a storeroom guarded by a single Ogawa soldier. She notes how, compared to the doro yagra who wears his body, there is a gentle kindness about the doro’s face. She decides to impersonate an Ogawa soldier to escape with him but fails to convince the guard. She recognizes the guard as the Ogawa soldier who compared her to a teapot with a missing lid. She runs and throws her last remaining vermillion sash onto the doro to protect him, just as the guard begins to morph into a yasa because of the doro yagra’s power. As he begins to rampage, Miuko binds him to a rock using the spell that was meant for the doro yagra. She cries because binding the soldier means she will have to kill the doro yagra to get rid of him and lose her human soul in the process.
As Miuko informs the doro of their current predicament, Omaizi Ruhai accepts Miuko’s plan to confront the doro yagra and regain his body. The doro is to hide from the doro yagra until an opportunity arises where he can take him by surprise. Miuko is once again struck by how genial the doro is compared to the doro yagra. As Miuko enters Nihaoi, she finds the body of the teahouse proprietor and fears for her father. The doyo yagra emerges from her family’s inn and greets her.
Miuko tries to convince the doro yagra that she is there join him, as she no longer has hope. The doro yagra is unconvinced, and to persuade him, she removes her vermillion sash, which allows his power to affect her. When the doro yagra believes he has her under his control and boasts about his superior strength, Miuko retorts that her strength is in having companions. Omaizi Ruhai then rushes the doro yagra and penetrates his body through his heart.
Tujiyazai, the demon and no longer the doro yagra, partially emerges from the doro’s body. He tells her that if she kills him, she will become a demon like him, but Miuko is willing to make the sacrifice. Just as she’s about to kill him, he grips her and begins to suck away her power. The indigo of her skin begins to retreat, and Miuko’s father calls out to her as Tujiyazai tries to take her life. She is furious with Tujiyazai because he proves he had the power to remove her curse at any time and chose to let the curse spread to exploit her. She yanks Tujiyazai the rest of the way out of the doro’s body, and he dies on the Old Road.
Miuko stares at her hands; one is human, and the one Tujiyazai held is still blue. She tells her friends and father to stay away, but her father embraces her anyway. She is pleasantly surprised to notice that her demon self no longer acts on its violent hunger, though it does have a mind of its own. She is now neither human nor demon, good nor evil; she is both. Her father begs her for forgiveness, which she gladly imparts. Her friends come to meet with her, and Omaizi Ruhai asks if he can be counted among them. For the first time in her life, Miuko feels like she has claimed her full identity.
After Tujiyazai’s death, Omaizi Ruhai leaves to settle the devastation caused by the demon. Nihaoi is reconstructed over several months, as is the Old Road. Kanayi becomes the doro’s stablemaster, while Nogadishao takes part in the village and becomes less feral. Geiki attends to his flock and digs up old Ogawa soldier skeletons with Miuko to put them to rest. The villagers come to accept the changes, especially those that pertain to the expectations placed on women. Many women move to Nihaoi and begin to take on roles that were previously denied to them. Heisu also come to live in the village, as do girls like Meli, and with Senara’s help, they settle well within Nihaoi. When the reconstruction is finished, Miuko decides to embark on a new adventure to discover more of the world, knowing that she will have a home to return to should she ever need it.
In the conclusion of her narrative, Chee links the duality of Miuko’s human and demonic natures with the notion of sacrifice to resolve her journey of self-discovery and self-acceptance. Part Two showcases Miuko at her most dangerous. Though Miuko could be powerful in full demon form, the extent is only revealed when she confronts the doro yagra for the second time, and he amplifies her power with his own. When Miuko was a child and was so loud, priests thought she’d caused an earthquake and believed she needed to be exorcised. There was a kernel of truth to their fears, as they foreshadowed that without her humanity, Miuko could literally remake the world into a dystopia. Miuko’s persistent humanity safeguards her, her loved ones, and the world, and proves itself of equal strength to her demon nature. It is a delicate balancing act, one that creates a dilemmic irony. Forced to kill the doro yagra to prevent him from further destroying Awara, Miuko needs to sacrifice her humanity and become a shaoha, where she will crave the very same destruction as Tujiyazai, emphasizing the complexities of The Makings of a Monster.
The novel never indicates the possible outcomes of such a situation, since Tujiyazai absorbs most of Miuko’s demonhood before dying. Miuko’s history of willing self-sacrifice has been key to elevating her beyond her original status as a girl from the serving class. The final half of Part Two is the culmination of Miuko’s maturation and the final step of her coming-of-age journey. It demonstrates how acquiring the ability to straddle the line between demon and human and mix the benefits of both natures has led Miuko to escape social confines, find her own strength, and achieve legendary feats.
Chee echoes how Miuko’s mother also dreamed of adventures but ultimately sacrificed her family to achieve them. By linking the fates of mother and child through the word “dream,” Chee explains to her audience that Miuko has not only achieved everything her mother longed for, but she did so without leaving anyone behind. Her motivation to persevere and to fight a great evil comes from the love she feels for her family and friends. Miuko embraces a plethora of roles by the end of the narrative, highlighting her Unconventional Acceptance in Liminality: not quite demon, not quite human, loving daughter and woman. She also becomes an embracer of unconventionalities, and “for the first time in her life, […] wholly, unabashedly herself” (378). It is in this final stroke of Miuko’s development that Chee argues for a nuanced understanding of women, specifically that a woman’s full potential and power lie in the claiming and realization of her many facets.
Plus, gain access to 8,800+ more expert-written Study Guides.
Including features:
9th-12th Grade Historical Fiction
View Collection
Action & Adventure
View Collection
Appearance Versus Reality
View Collection
Asian American & Pacific Islander...
View Collection
Beauty
View Collection
Books on Justice & Injustice
View Collection
Books that Feature the Theme of...
View Collection
Books that Feature the Theme of...
View Collection
Challenging Authority
View Collection
Class
View Collection
Class
View Collection
Daughters & Sons
View Collection
Diverse Voices (High School)
View Collection
Equality
View Collection
Family
View Collection
Fate
View Collection
Fathers
View Collection
Fear
View Collection
Feminist Reads
View Collection
Forgiveness
View Collection
Friendship
View Collection
Good & Evil
View Collection
Grief
View Collection
Hate & Anger
View Collection
Japanese Literature
View Collection
Loyalty & Betrayal
View Collection
Mythology
View Collection
Order & Chaos
View Collection
Power
View Collection
Pride Month Reads
View Collection
Pride & Shame
View Collection
Revenge
View Collection
Safety & Danger
View Collection
Teams & Gangs
View Collection
The Best of "Best Book" Lists
View Collection
Trust & Doubt
View Collection
Truth & Lies
View Collection
Valentine's Day Reads: The Theme of Love
View Collection