43 pages • 1 hour read
The book opens with a very brief introductory paragraph, which situates the novel’s plot as the last stage in Jamaica’s long history dating back to prehistoric times when the island rose above and fell into the ocean.
The story begins on a hot July Sunday in 1958 during mango season. The Savages: James Arthur or Boy, his wife Kitty, and two daughters, Clare and Jennie, are preparing to attend the weekly morning service at John Knox Memorial Church, a middle-class white and Black place of worship. There is no choir at the church; instead, a Scottish schoolteacher plays Presbyterian songs on an out-of-tune harpsichord. After the service, the family returns home for a Sunday dinner prepared by their Black servant, Dorothy. After eating, the Savages go for a weekly seabath at Tumbleover beach. Mr. Savage believes he is touched by a shark and swears to never go into the sea again, despite Kitty’s assurances that it is safe to do so.
A few weeks prior, Clare finds a fossil on the beach. This leads to her father’s explanation about the insignificance of human civilization in comparison to the long history of the world. Such conversations with her father lead Clare to believe that he treats her as if she is his son. Mr. Savage is fascinated by “myth and natural disaster” (9), and he believes that, since everything is connected to a divine plan, nothing is the “achievement of human labor” (9). While waiting for the end, he drinks, gambles his money at the racetrack and is adulterous. In contrast, his wife is thrifty with her income from the downtown hotel and prays daily.
This chapter also sets the stage for the socio-political situation in Jamaica in 1958. While predominantly Black and Colored, as a British colony, the island has a white governor and a “rather plain little white woman”—the queen (5).
After the shark incident, the Savages return home and prepare for the second service of the day at the Tabernacle of the Almighty Church. This is a smaller and more modest place built on land leased from the nearby grocery store belonging to Mr. Chin. Mostly Black women attend the church, and it has its own choir accompanied by an organ. Habitually during the service, one or two people, usually women, are “seized by the spirit” (12). The minister, brother Emmanuel, preaches against dancing, drinking, gambling, and going to the movies, which all lead to sinning. However, his services have little effect because “the space the temptation entered could not be filled by hymn-singing or sermons” (16). Black men, who receive minimal pay for menial work, live “from week to week” (16). Black women find some solace in their children and relatives, as well as the weekly church services, but they often work as live-in servants, forcing them to stay apart from their families.
In addition to the two churches, Clare learns a third way of worship in the house of her maternal grandmother, Miss Mattie, who lives deep in the countryside. Clare’s grandmother is the daughter of Judith, a white woman who ran away with one of her family’s servants, Mas Samuel. In old age, Judith, known as Granny, became a “bitter old woman,” while Clare’s great grandfather remained a “sweet brown man” “beloved by all around” (13).
Miss Mattie hosts a weekly Sunday prayer group, which she doesn’t allow Clare to attend. After helping her grandmother prepare the house for guests, the girl goes to the river to play with her friend, Zoe.
The novel describes the grandmother and Clare as “a sorceress and her apprentice” (14), which serves to introduce the story of Nanny, an obeah, or wise woman, who was one of the leaders of the Windward Maroon rebellion and was assassinated in 1733. She is famous for her magic and ability to catch a bullet between her buttocks (14).
This chapter explores in more detail the modern history of Jamaica. Originally, a Spanish colony, the British conquered it in 1655. Between then and the declaration of freedom in 1834, there is “sustained guerrilla warfare against the forces of enslavement” (20). During that period, the runaway slaves who opposed the British became known as Maroons; those who earned freedom from the plantation owners in exchange for informing on and fighting against the rebels were called the blackshots.
Even though most of the attendees of the Tabernacle Church are descendants of slaves, they are unaware of their history. At school, they learn that “the whites who brought them here from the Gold Coast and the Slave Coast were only copying a West African custom” (18). They are also ignorant of their ancestors who could serve as role models: The Maroons who fought against enslavement, for example, or the inhabitants of the great African kingdoms, which were as advanced as their European counterparts.
These first three chapters introduce the setting and the main protagonists of the story. Jamaica is a place that is still divided by skin color, despite the emancipation of slaves a century prior. While the island is predominantly inhabited by people of color, the power is in the hands of white people and the administration does its best to keep the Black population ignorant of their cultural heritage, their mistreatment by the British, and the heroic Maroons who rebelled and fought against the whites.
Christianity is the main backbone of society, although for the Black population, it is an excuse for their enslavement. Reflecting the fundamental social split characterizing island life, even worship is split between a middle-class British Presbyterian church and a Pentecostal one, attended by the poorer Jamaicans. The harpsichord used by the Presbyterians has not been able to adjust to the new climate and is perpetually out-of-tune. Symbolically, the harpsichord signals the failure of English mores in the Jamaican context. Rather than adopting the more suitable local customs, the white people expect the locals to change to suit the foreigners; the Scottish schoolteacher persists in playing the harpsichord and insists that the attendees sing softer to match its sound rather than choosing a different instrument.
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