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39 pages 1 hour read

All about Love: Love Song to the Nation Book 1

Nonfiction | Book | Adult | Published in 2000

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Chapters 11-13Chapter Summaries & Analyses

Chapter 11 Summary: “Loss: Loving into Life and Death

hooks considers the role of death in loving practice. While “love makes us feel more alive,” in enduring lovelessness “we feel we might as well be dead” (191). hooks argues that the culture’s obsession with death is so intense that it “stands in the way of love” (191). This obsession, she argues, is a consequence of religious teachings warped by the patriarchy. Hooks quotes the theologian Matthew Fox, who wrote, “Western civilization has preferred love of death to love of life to the very extent that its religious traditions have preferred redemption to creation, sin to ecstasy, and individual introspection to cosmic awareness and appreciation” (193).

Unlike love, death will touch everyone at some point in their lives. The prospect of death, for most people, is “deeply anxiety producing” (193). Death worship is everywhere, perhaps most notably in media. When death worship is “rooted in fear it does not enable us to live fully or well” (195). Although some may view an intense preoccupation or interest in death as a way to cope with fear, death worship only keeps people from living. Obsession with death leads to an obsession with safety—one that all too often finds expression through white supremacy, as when a white man, fearing for his life (or, as capitalism has taught him, fearing for his property), shoots a person of color who approaches his front door merely to ask for directions.

hooks argues that to live and love fully, “we need to let go of our fear of dying” (196). Learning how to love makes accepting death an easier, less anxiety-inducing task. Love enables people to “change our worship of death to a celebration of life” (196), and ultimately it is the only way to cope with the pain of knowing death. Love teaches a person how to grieve and how to accept the sorrow of grief. Accepting death through loving practice means embracing the things over which humans have no control; in learning to love, people learn to accept change, and “without change, we cannot grow” (105).

Chapter 12 Summary: “Healing: Redemptive Love”

hooks discusses healing as an essential component to loving practice. She begins the essay by simply asserting, “love heals” (109). In learning to love, even in the face of woundedness, “we can live as if born again, not forgetting the past but seeing it in a new way” (109). Learning to accept one’s past, no matter how troubled, is where healing begins.

One essential component to healing is forgiveness. While shame and resentment keep individuals from healing, “compassion and forgiveness reconnect us” (217). Learning to make amends with oneself and others “is the gift compassion and forgiveness give us” (217). Through forgiveness, people can accept themselves, others, and the uncontrollable circumstances of their lives.

Commitment to healing is both an act of love and an act of hope; love is not possible without hope. Hope—a type of positive thinking—motivates individuals to move forward toward love, light, and possibility.

The author also returns to the idea of living simply. Although she underscores the importance of sensuality using quotes from the American writer James Baldwin, she adds that one of the biggest threats to sensuality is overstimulation and overindulgence—hence the importance of living simply.

hooks began writing about love in response to the widespread cynicism about love in contemporary culture. She recognizes cynicism as “the greatest barrier to love” (219). It is deeply unproductive in loving practice because it is “rooted in doubt and despair” (219). Cynicism about love is the direct result of fear; those who wish to know love must first let go of fear. When a person loves, “[they] no longer allow [their heart] to be held captive by fear” (221).

Chapter 13 Summary: “Destiny: When Angels Speak of Love”

hooks shares that believing in divine love comforted her as a child “when I felt overwhelmed by loneliness and sorrow” (225). The act of speaking her heart to God made her feel less alone.

For hooks, angels play an important role in loving practice. Angels are the “guardian spirits who watch, protect, and guide us throughout our lives” (225). They can take many forms, be they human or spirit, and their presence is always welcome; as a culture, people view angels as “always bringing news that will give our hearts ease” (226). The cultural obsession with angels speaks to a collective longing to return to paradise, a place of eternal goodness and love.

The first time hooks heard stories about angels was as a child in church. She learned there that angels were “wise counselors,” ready to guide humans through life and help cultivate their spiritual growth (227). The story that captivated her most was that of Jacob’s encounter with the angel on his way home. A divine voice tells Jacob that he must travel to the land of his ancestors. On that journey, he wrestles with an angel while walking along a stream at night. The angel he encounters is not an enemy but instead a witness “enabling him to receive the insight that there is joy in struggle” (230). Facing his fear head on, Jacob “move[s] through darkness into the light” (230). The angel comes to Jacob as a blessing, one he cannot receive until he first lets go of fear and opens “his heart to be touched by grace” (230). hooks points out that it is no coincidence that Jacob’s blessing comes in the form of a wound. hooks argues that woundedness “is not a cause for shame”; instead, it is “necessary for spiritual growth and awakening” (231). Shame keeps people from healing. Jacob’s story is a reminder that “embracing our wound is the way to heal” (233). His insistence on confronting the angel, however scary, empowers him to continue in his journey and face other fears head on.

Angels remind people that “there is a realm of mystery that cannot be explained by human intellect or will” (236). They express the notion that one’s only chance of returning to paradise is through loving, and that “paradise is our home and love our true destiny” (237).

Chapters 11-13 Analysis

In Chapters 11 through 13, hooks examines some of the most emotionally challenging aspects of loving practice, including death, personal healing, and destiny.

Still employing the first person throughout, hooks’s tone in this section, particularly in Chapters 11 and 12, is loving and empathetic. Speaking about topics as sensitive as death and grief, hooks’s language is careful and deliberate. She acknowledges the pain and anxiety involved in knowing death, largely by speaking again of her personal experiences. While she acknowledges that confronting death is a difficult task for any person, people who wish to know love must let go of their fears to grow. hooks maintains a tone of emotional support in Chapter 12, where she discusses the practice of healing. Having suffered the pain of lovelessness herself, hooks employs the writings of other writers and scholars to remind readers that learning how to heal is imperative to learning how to love. The use of scholarly research on the art of healing helps strengthen hooks’s ideas. By citing academic research as evidence to her arguments, coupled with some brief anecdotes about her personal journey toward healing, hooks gives readers an opportunity to see theory put into practice.

In the final chapter, hooks again uses intimate language and details about her personal life to invite readers into her heart and mind. In this chapter, hooks speaks largely about divine love and her personal faith in angels as protectors and messengers of love. Her acknowledgment that angels can come in all different forms fosters inclusivity, as it helps to strengthen her overall message that any kind of person, regardless of their past or beliefs, can experience love. To hooks, angels and divine spirit are manifestations of love. Her insistence that angels come in all forms and are available to help all types of people reinforce her faith in the power of love, and her insistence that everyone can and should try to find love. Her inclusion of the biblical story of Jacob and his encounter with an angel provides readers with a metaphor that further enhances her message about the significance of angels and divine love. Given the many different types of academic writing in the book, the inclusion of this familiar Bible story aims to provide comfort and a final takeaway message that is easily digestible. Importantly, that Jacob’s blessing coming to him in the form of a wound aligns directly with the message that hooks sustains throughout the entire book—which is that to know love, one must face their fears and accept their wounds to move forward.

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