67 pages • 2 hours read
Summary
Chapter Summaries & Analyses
Character Analysis
Themes
Symbols & Motifs
Important Quotes
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Uju meets a man named Bartholomew, a divorced accountant. She introduces him to Dike and Ifemelu, who senses that he uses “American affectations, his gonnas and wannas” (142) to mask a rural upbringing. Uju treats Bartholomew like royalty, cooking and cleaning for him. One night, Bartholomew speaks derisively of a girl on TV, claiming a Nigerian girl would never wear a dress so short. Ifemelu corrects him, assuring him that Nigerian girls “‘wear dresses much shorter than that o’” (143). After he leaves, Ifemelu tells Uju he is not right for her, but Uju sees little choice, “tottering under her many anxieties” (145).
Ifemelu visits Manhattan and Brooklyn and thinks of Obinze. Uju’s medical exam results arrive, and she learns she has passed. She makes plan to relax her hair for interviews. Ifemelu gets cabin fever and needs to leave the apartment. She surprises Dike with a trip to Coney Island. Days later, as she departs for college in Philadelphia, Dike cries. Uju has given her the Social Security card and license of a woman who is able to legally work in the US, unlike Ifemelu. The woman looks nothing like her, but Uju assures her that “‘All of us look alike to white people’” (148).
Ginika meets Ifemelu at the Philadelphia bus terminal. Ifemelu notices that Ginika is “much thinner, half her old size” (149). Ginika gives Ifemelu a tour of the city, pointing out important landmarks, lapsing into dated Nigerian slang, and educating Ifemelu on current American slang. “Half caste” should be replaced by “biracial,” and to be “thin” is a good thing (151). Ginika introduces Ifemelu to her diverse set of friends, and Ifemelu grows self-conscious about how little she knows about beer, language, and music. “Ginika had come to America with the flexibility and fluidness of youth” (152) but Ifemelu feels too old to adapt.
She and Ginika go shopping for clothes, and an incident at a boutique alerts Ifemelu to the fact that Americans go to great lengths to pretend to be colorblind. Ginika offers to let Ifemelu stay with her, but her apartment is too far from school and the commute would be too expensive. Instead, she moves into a room in West Philadelphia with three white girls. She struggles to fit in with her roommates, attending a frat party and misunderstanding the rules of eating out in America. She decides that tipping feels “suspiciously like bribing, a forced and efficient bribing system” (158).
Ifemelu goes on a job interview for a home health aide, pretending to be the woman whose Social Security card she has. She forgets her “name” and the employer deems her too small to help lift an ailing man. “Her autumn of half blindness had begun, the autumn of puzzlements” (160). Though she applies for a variety of jobs, she is rarely invited to interviews and has no job offers. She quickly runs out of money and worries about what will happen if she cannot pay her school fees. Writing to Obinze and speaking to Dike on the phone buoys her spirits temporarily, and she is thrilled to receive a credit card preapproval in the mail, with her name spelled correctly. “Somebody knew her” (162).
In this section of the novel, Ifemelu struggles with her sense of identity. She has recently arrived in America, but has not yet become Americanized. Because her student visa does not allow her to work, Uju gives her the Social Security card and ID of a friend. Ifemelu looks nothing like the woman on the card, but Uju assures her this will not be an issue. “‘All of us look alike to white people’” (148), she insists. When she goes for an interview, her potential employer mangles her (fake) name and asks to shorten it. In each case, Ifemelu gives in, unable to speak her true name, unable to make America see her for who she is. When she receives a preapproved credit card in the mail, her name spelled perfectly, it makes her feel “a little less invisible, a little more present. Somebody knew her” (162).
Ifemelu struggles with cultural differences—her American roommates do not scrub their bodies in the shower, they spend money without thought, they dress casually on purpose for parties. In the one instance that Ifemelu’s preferences are not cultural—her dislike of Elena’s dog—her American roommates assume that is must be. Ginika is her lifeline in this new world of American culture, explaining that “thin” (151) is good, “half-caste” (151) is considered a slur, and that in America, “you’re supposed to pretend you don’t notice certain things” like race (155).
Throughout this section, Ifemelu pines for the “real” (147) America though of course, she is living in it. The “real” America is the country she has come to know through the rose-colored glasses of sitcoms, and Ifemelu yearns for the lives of those characters, “lives full of bliss, where all problems had sparkling solutions” (139). Ifemelu is smack in the middle of real America, with all its nuances and problems, but she cannot see that, yet.
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By Chimamanda Ngozi Adichie