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Summary
Chapter Summaries & Analyses
Character Analysis
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Tools
Obinze check his email constantly, waiting for Ifemelu’s reply. It has been four days, and he wonders if she has “become the kind of woman who waited four whole days” (458) to respond, though she never used to be coy. He Googles her blog, finding himself jealous of Blaine. In his email, he told Ifemelu of his mother’s death, which was unexpected and devastating. Ifemelu replies to his email, expressing great sorrow for his mother’s death and explaining that something is going on with Dike. He writes back to her, giving her all of his contact information. She waits days before responding, offering more details about Dike’s suicide attempt and promising to be in touch. Obinze thinks of Dike as a toddler, who was now a young man who “had tried to kill himself” (462).
He and Kosi go to an open house for a local primary school to see whether it would be acceptable for their daughter. Kosi debates with the other parents about various educational philosophies, and they then watch a Christmas play put on by the children, in which fake snow is used. “‘Are they teaching children that Christmas is not a real Christmas unless snow falls like it does abroad?’” (463) one parent wonders. Obinze has no opinion. That night, he reads through the archives of Ifemelu’s blog, feeling “as though she had become a person he would no longer recognize” (465).
Ifemelu stays with Uju and Dike after he comes home from the hospital. Ifemelu is frightened for him. “Why? Why had he done it? What was on his mind?” (469). She blames Aunty Uju for not providing Dike with a stronger sense of belonging and identity. “‘You told him what he wasn’t but you didn’t tell him what he was’” (470), she claims. Uju gently reminds her that Dike is depressed; this is no one’s fault. Dike’s friends and family rally around him. Ifemelu takes Dike to Miami for his birthday, and he tells her she should go back to Nigeria, as she planned. She invites him to come and visit, once she’s settled, and he agrees.
Ifemelu arrives in Lagos and is assaulted by “the sun-dazed haze, the yellow buses filled with squashed limbs” (476). She has broken up with Blaine. She notices how much Lagos has changed. Only the wealthiest had cellphones when she left, now the plantain seller does. Ranyinudo picks her up from the airport on her way home from a wedding. She fills Ifemelu in on who has gotten married, who is getting married, and who is still single. Ranyinudo herself has several boyfriends, though all are resisting marriage. They go to Ranyinudo’s apartment, where Ifemelu soaks up the sound of generators and the taste of malted drinks. They chat and gossip, but when it comes time for bed, Ifemelu is overwhelmed by the humidity. “Americanah!” Ranyinudo says, laughing.
Cultural attitudes on depression and mental illness are discussed in this section. After Dike’s suicide attempt, Ifemelu is left reeling and attempts to blame his mental state on cultural confusion, accusing Aunty Uju of not telling him “‘what he was’” (470). Uju, a doctor, tells her that depression is common among teenagers, but Ifemelu cannot accept this. She then blames herself, “her own guilt spreading and sullying her” (471). When she writes to Obinze about Dike’s suicide attempt, she mentions that Uju thinks Ifemelu is also suffering from depression. “You know America has a way of turning everything into an illness that needs medicine” (461), she says, discounting this diagnosis. Obinze has also arguably suffered from depression, but never names it as such. Nigerian culture has no space for mood disorders or depression, so Obinze, Ifemelu, and even Dike have grown up without the language to describe their struggles. Only Uju, because of her medical training, can look past cultural attitudes to name the nature of their suffering.
Our perspective switches back to Obinze in Chapter 42. Obinze, eager for more information about Ifemelu and awaiting her email, looks for her Facebook profile. He is “unenchanted” (458) with Facebook, “appalled by the air of unreality, the careful manipulation of images to create a parallel life” (458). And yet, this is precisely how one—even Obinze himself—might describe his marriage to Kosi. She is overly concerned with the façade of their marriage, color-coordinating outfits, obsessing over their daughter’s education, and refusing to let him cook for fear of how that might reflect on her. He knows that Kosi is not his emotional or intellectual partner, and yet likes the way she reflects upon him, with her earnest air.
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By Chimamanda Ngozi Adichie