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58 pages 1 hour read

Anatomy: A Love Story

Fiction | Novel | YA | Published in 2022

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Chapters 8-15Chapter Summaries & Analyses

Chapter 8 Summary

Hazel expects her mother to punish her for being gone for so long, but Lady Sinnett is too absorbed in grieving George and spoiling her remaining son to spare her daughter much attention. To Hazel’s astonishment, her mother suggests that they attend a performance at Le Grand Leon together. Lady Sinnett reminds Hazel that her younger brother Percy will inherit all the family’s wealth and advises her daughter to have her engagement with Bernard formalized as soon as possible.

That night at the theater, Hazel coolly exchanges greetings with her cousin, unable to forget his dismissive attitude towards her ambitions. To her surprise and distaste, she later sees Bernard flirting with a vapid young noblewoman. The dance performance preaches a lesson already familiar to Hazel and other girls: “[D]on’t be seduced by the men you meet, protect your virtue—until, of course, their entire lives depended on seduction by the right man” (77). Lady Sinnett also observes Bernard’s flirtations. During the carriage ride home, she warns Hazel that, if she remains unmarried, she will be dependent on her relatives’ mercy and that “[n]ot everyone will be so forgiving of [her] little—quirks—as [her] cousin is” (79).

Chapter 9 Summary

When he was 11, Jack ran away from his “overworked, overdrinking mother” and spent a few years living on Edinburgh’s streets (83). An older boy named Munro taught him how to be a resurrection man. Now an expert in the illegal but essential craft, Jack knows how to get past the stone slabs that the wealthy use to protect their dead and the sentinels that the poor post.

At first, Jack intended to stop digging up bodies after he got a job at Le Grand Leon. His small living space above the stage is “the closest to home he had known” (83). From this vantage point among the rafters, he watches the beautiful Isabella perform every night. He resumes his work as a resurrection man to save up for a music box with a blond ballerina figurine that reminds him of the dancer. The music box costs him a month’s wages. He intends to give the box to Isabella, but that night his boss, Mr. Arthur, tells him that two of the stagehands have died of the Roman fever. However, Jack remains adamant that the plague’s return is just a rumor. After the show, Jack sees Isabella kissing the theater’s lead actor, Thomas. Jack drops the music box, shattering the figurine. Berating himself for being a romantic fool, Jack holes up in the rafters with a bottle of wine.

The November 11, 1817 edition of the Edinburgh Evening Gazette reports that six people have died of the Roman fever in the last two weeks. Among the deceased are Penelope Harkness and 12-year-old Davey Jaspar. Dr. Beecham III himself examined Mrs. Harkness’s body and found her symptoms consistent with the dreaded plague.

Chapter 10 Summary

News that the Roman fever has returned to Edinburgh reaches Hawthornden Castle, and Lady Sinnett decides to take her children to Bath. Not wanting to miss Dr. Beecham’s lectures, Hazel feigns illness. As Hazel expected, Percy’s health is her mother’s highest priority, and Lady Sinnett quickly agrees to leave her daughter behind in Scotland to recuperate.

Hazel’s maid, Iona, is in on the plot and helps her disguise herself as a gentleman in George’s clothing. Iona was in love with George, and Hazel’s guilt at having survived the fever that killed him extends into sympathy for Iona. Hazel decides to give a false name when registering for Dr. Beecham’s lectures. However, since she’s paying the whole semester’s tuition in advance, she doubts that “they’d care if [she] introduced [her]self as Mary Wollstonecraft” (98).

Chapter 11 Summary

Dr. Beecham’s classroom is filled with an eerie assortment of preserved animals, human skulls, and mysterious tomes. He begins his first lecture by defying anyone who believes that he owes his success to nepotism. The surgeon’s craft in 19th-century Edinburgh is half science, half showmanship, and Dr. Beecham is an expert showman, warning his students, “You will come face-to-face with the strange, the macabre” (103). He promises that those who endure the rigorous, bloody training will pass their exams and so earn the right to practice medicine anywhere in the British empire.

To weed out those who are not suited for this training, he kills a rabbit with a scalpel. One boy runs from the classroom immediately, and the rest of the students are tasked with dissecting dead rabbits and removing the major organs. While the boys around her hack at their specimens, Hazel is the first to finish, drawing the doctor’s attention. She introduces herself as George Hazleton, and Beecham compliments her speed and accuracy. A boy named Thrupp calls her a bootlicker and throws a rabbit heart at her, but she silences the bully by crushing the heart in her fist while making direct eye contact with him.

A letter penned by Lady Sinnett on October 17, 1817 informs Hazel that her mother and brother have reached Bath and will spend several months there before traveling to London for the Season. Lady Sinnett has told Lord Almont that she expects Bernard to propose soon and requests that Hazel “try to arrive in London engaged if [she] can” (109). She inquires about her daughter’s health in the postscript.

Chapter 12 Summary

As the weeks continue, Dr. Beecham’s lectures become increasingly fast-paced and challenging. More students are forced to leave the class, and Thrupp can’t spare much attention to bullying the star pupil. By the second month, only a dozen students remain.

When Beecham informs the class that he has secured the body of a murderer, Hazel is so excited that she comes to class an hour early the next morning. Looking at the woman’s dead body, Hazel sees “a strange, naked, alien thing, waiting for a knife to split her as final punishment for her sins” (114). As the minutes pass with no sign of their teacher, the students grow restless. Thrupp mocks a boy named Burgess, but Hazel comes to Burgess’s defense and silences the bully with some clever remarks and “the most masculine swagger she could manage” (115). Dr. Straine comes to perform the dissection, and Hazel fears that he will recognize her.

Chapter 13 Summary

Dr. Straine explains that he will give anatomical presentations to Beecham’s students on Tuesdays and Thursdays because the famous doctor prefers not to dirty his hands. He asks Hazel to name the chambers and valves of the heart. When she succeeds, he has her remove the woman’s heart and again asks her to identify the valves. An actual heart looks very different from the diagrams Hazel is accustomed to studying, and she cannot locate its parts. Dr. Straine tells the other students to use Mr. Hazleton’s humiliation as proof of the limits of theoretical knowledge.

Dr. Straine asks Hazel to stay after class, reveals that he knows she is Hazel Sinnett, and bars her from the lessons because he believes that her future is as a wife and mother, not a doctor: “There is no place in our world for a woman to practice medicine, Miss Sinnett, sad as that might make you” (123). Hazel is too stunned to argue in her defense. She returns to Hawthornden castle in a haze of “shame and embarrassment and anger” (124), hurls her disguise across her bedroom, and breaks into sobs.

Chapter 14 Summary

The next day, Hazel ponders Dr. Straine’s words. She doesn’t blame him for resenting her because of her social class, and she thinks that his bleak assessment of her future is accurate. She imagines herself becoming Lady Almont and hosting salons for prominent thinkers: “That was the closest she would come to the world of science—the edge of the bubble, permitted to listen and serve tea and smile gamely and offer her thoughts only if they were disguised as harmless witticisms” (126). In a rage, she destroys the corner of her bedroom that serves as her scientific library and laboratory. Pieces of broken glass cut her arms and legs.

Bernard makes an unexpected visit, and Iona hastily helps Hazel dress and conceal her injuries. He gives Hazel white lilies, not realizing that they’re funeral flowers, and invites her to promenade with him. She bluntly refuses his offer with a sarcastic laugh and then tries to soften the blow by claiming to still be ill. After the offended young nobleman leaves, Charles the footman and Iona help Hazel clean up her ransacked room. Noting Charles and Iona’s affection for one another, Hazel encourages them to go for a stroll. The painful emotions that she felt after Dr. Straine’s words seem more manageable to her now “as if they had shrunk to a size where she could deposit them neatly into a hatbox and then forget about them at the back of a closet” (135). Hazel’s mood improves further when she removes the Cook’s sutures and sees that the cut won’t even leave a scar. Determined not to give up on her medical dreams, she decides to return to Edinburgh.

Chapter 15 Summary

Fear of the Roman plague grips Edinburgh, forcing Le Grand Leon to close its doors in November. Mr. Arthur breaks the news to the crew and performers and encourages them to look for other work. Isabella asks, “Thom, what are we going to do about—?” (139). Thomas gives her a kiss and assures her that he’ll find a solution. Mr. Arthur can no longer pay Jack, but he gives him the keys to the theater and tells him that he’s welcome to continue living there. Standing in a theater “filled only with echoes and ghosts” (140), Jack knows that he’ll have to steal a body soon if he is to survive.

Chapters 8-15 Analysis

Despite dashed dreams and suffocating societal pressures, Hazel holds fast to her ambitions in the novel’s second section. Chapter 8 highlights the double standards and difficult situations women in Hazel’s society face, as Hazel and her mother have very different definitions of Ambition and Opportunity. According to conventional wisdom, Hazel’s future prospects look bleak if she doesn’t wed a suitable man. Other nobles disparage her passion for reading and her plan to pursue a medical career, claiming that they make her less desirable as a future wife. Lady Sinnett’s letter to her daughter in Chapter 11 is primarily concerned with Hazel’s marriage prospects. She doesn’t ask about her daughter’s health until the postscript because Hazel’s physical wellbeing is an afterthought to her. There’s a humorous juxtaposition in Lady Sinnett’s fretting over “bad airs” (109) and Hazel’s marriage prospects while Hazel studies at the cutting edge of medical science. Lady Sinnett’s ambitions for her daughter reflect the class and gender norms of her social environment, in which the highest aspiration for a young woman of Hazel’s background is to make an advantageous marriage. Hazel herself has no shortage of ambition, but her sights are set on a career in surgery, not on marriage.

Hazel’s studies under Dr. Beecham further develop the theme of Ambition and Opportunity. Because medical schooling in her society is open only to men, Hazel disguises herself in George’s clothes. She hopes to gain the knowledge that she needs to cure the plague that took her brother’s life. Her disguise becomes a motif for the theme of ambition and opportunity, revealing the degree to which opportunity depends on identity. Dr. Beecham’s classroom exemplifies the eeriness and gloom characteristic of Gothic romance. The wooden walls are blackened with age, and the vivid descriptions of his strange collection of specimens are designed to evoke fear and morbid curiosity. Beecham warns his students, “Blood will stain your hands. You might find that blood may even stain your very souls” (104). His words suggest a link between two of the book’s major themes: Ambition and Opportunity and The Brutality of Corruption. In his case, ambition leads to corruption. At the same time, his pronouncement can be read as a straightforward reminder that surgery is not for the faint of heart. While other students succumb to squeamishness, Hazel’s ambitions steel her heart and mind.

Beecham’s ambition is so all-consuming that, for him, it eclipses all other values and leads him into total corruption. In this way, he serves as a foil for Hazel, whose own ambition sometimes leads her to dehumanize others. In Chapter 12, Beecham announces that there will be a human dissection next class with the words, “fresh meat follows no man’s schedule!” (113). When Hazel sees the cadaver on the table, her reaction mirrors Beacham’s callousness as she regards it as “a strange, naked, alien thing, waiting for a knife to split her as final punishment for her sins” (114). As the novel continues, Hazel learns to place greater value on human life, which keeps her from becoming corrupt and desensitized to death like Dr. Beecham.

In this section, a minor character presents a major obstacle to Hazel’s ambitions. Dr. Straine does Dr. Beecham’s dirty work by buying bodies from resurrection men and conducting dissections for Beecham’s students. Straine resents Beecham’s prestige and wealth, and he resents Hazel because of her social status as well. Before barring her from the class, he tells the noblewoman, “Another consequence of growing up without the glow of privilege is that one becomes quick to dispel illusion and fantasy” (123). The composed, driven young woman is unable to say a word in her own defense to the dismissive man who cuts down her dreams.

In Chapter 14, Hazel experiences a mental health crisis and destroys her amateur laboratory just as her ambitions appear destroyed. In her distress, she behaves in a flippant, sarcastic manner towards Bernard, showing little concern for how this behavior may impact her odds of marrying him. For all her cleverness, Hazel fails to grasp his thoughts and feelings. This lack of understanding is emphatically mutual. The vain Bernard has no inkling what Hazel is going through. In addition, he has unwittingly brought her white lilies, which symbolize death. Hazel’s thoughts and actions at the close of Chapter 14 serve as further evidence of the essential selflessness of her character. Although her own romantic prospects appear to be disintegrating, she helps Iona and Charles find love together. Later, she is elated when she sees that the cook’s hand is healing well, proving her skill as a surgeon and her ability to use that skill to help others.

This section also grants more insight into Jack’s backstory and motivation. Chapter 9 establishes that his mother had alcoholism and that he experienced homelessness before finding work at Le Grand Leon. This background contributes to his self-image as a survivor. Jack cherishes his life at the theater, but his feelings for Isabella lead him to resume his work as a resurrection man. He’s much more of a romantic than the career-oriented Hazel, and his time at the theater contributes to his idea of love. For example, he believes in grand gestures, sacrificing a month’s wages to purchase a gift for Isabella. With Le Grand Leon closing because of the plague, Jack needs to become a resurrection man again to earn a living.

The events that take place in Chapter 9 foreshadow Jack’s return to the graveyard in the next section, where he will steal bodies for Hazel in a business partnership that quickly evolves into something more.

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