Arden is talking with his friend Franklin, who works for Edward Seymour, the Lord Protector for King Edward VI. Franklin is trying to cheer Arden up by relaying the news that Seymour and King Edward recently signed over ownership of the Abbey of Faversham to Arden. Arden is not comforted: He is distressed about his wife Alice’s apparent infidelity with Mosby, a former tailor who has recently bettered his station by befriending a nobleman. Arden is particularly bothered by Mosby’s low social status, as opposed to Arden who was born a gentleman. He and Franklin concoct a plan for Arden to stay with Franklin in London, hoping that Alice will realize what she is missing when he is gone.
When Alice enters, Arden confronts her about calling Mosby’s name in her sleep. After several deflections, he drops the accusation and says he will be spending a month in London with Franklin. Alice pines over his absence to his face, but when Arden excuses himself, she reveals she desires to be with Mosby. Her marriage to Arden prevents it, however.
A worker from the nearby inn arrives with a message for Alice from Mosby, saying that he doesn’t want to see her. Alice, startled, asks the messenger to bring Mosby a request to come by her house as soon as possible. Once the man leaves, Alice talks to the family servant, Michael. They reiterate a plan that he and Alice previously agreed upon: Michael will kill Arden while they’re in London, and in return, Michael will marry Mosby’s sister, Susan, who is Alice’s maid.
Mosby comes to the house, acting standoffish. Alice entreats him but grows upset at his coldness, asking him if he remembers their decision to murder Arden. Mosby reveals he was testing her love for him, and the two reiterate their love and commitment to their plan. Mosby says that he met a painter named Clarke who is clever with poisons, and Clarke arrives moments later. He claims he can paint a picture that kills its viewer. (According to early modern optical theory, invisible beams connected a viewer’s eye to the object. Clarke’s claim to be able to manipulate this connection for murderous purposes is credible in this context.) Alice and Mosby think that plan is too dangerous, however, and instead Clarke gives Alice poison to slip into Arden’s broth in exchange for Susan Mosby’s hand in marriage. Alice and Mosby know they promised Susan to competing suitors but care only about the success of their plan.
Arden returns to find Mosby with Alice. He confronts Mosby about the affair, mocking Mosby’s comparatively low birth. Arden confiscates Mosby’s sword—which legally only nobles were allowed to wear—and disparages his former trade as a tailor by telling him to wield tools such as a needle and pressing-iron. Mosby holds his ground, saying that while he fancied Alice long ago, he no longer does, and visits their house only for the sake of his sister Susan. Arden apologizes for his harsh words and invites Mosby to visit more often.
Alice enters with Arden’s poisoned broth, but he hesitates after tasting it. Alice accuses Arden of not liking the broth because she was the one who made it, claiming that she can do nothing that will please him or make him less suspicious of her. Though he assures her that he believes her, Alice carries on her facade, threatening to drink the broth herself if he thinks it’s poisoned. Arden reiterates that he does not doubt Alice, and though he must go through with his trip, he will write to her. He and Franklin depart.
Alone, Alice and Mosby laud their clever performances and bemoan the crudeness of Clarke’s poison. Mosby tells Alice that he does not wish to enter a relationship with her while her husband still lives. Alice makes a passionate plea based on the ephemeral nature of oaths and words, but Mosby nonetheless intends to keep his. Before Mosby departs, Alice says she will arrange for a ruffian at a roadside inn to kill Arden.
As Mosby leaves, a man named Greene arrives. Greene wants Alice to tell him if it’s true that Arden was given the deed to the Abbey of Faversham, as it was previously promised to Greene. When Alice confirms this, Greene is distressed. Whereas Greene has little to his name, Arden is “greedy-gaping still for gain” (1.475). Alice, seeing her opportunity, tells Greene that she is also cruelly used by Arden, and fears for her life due to his emotional, verbal, and physical abuse. Greene vows to kill Arden for the sake of recovering his land and so Alice can live free from fear. Alice gives him ten pounds with the promise of twenty more so that Greene can hire a hitman.
Mosby and Clarke re-enter. Alice tells Clarke that Susan is alone and that he can proposition her. Alice tells Mosby about her plan with Greene, thinking he will be pleased. Mosby doesn’t take the news well and is nervous that revealing their designs to kill Arden to so many strangers is dangerous. Since what’s done is done, they turn their attention to Clarke and Susan, who have just re-entered, now content to be a match should Mosby allow it. Mosby says yes on one condition: that Clarke supplies him with one of the poisoned paintings he claims to be able to make.
This scene introduces one of the play’s most important settings and establishes the motivations and actions of most characters. Alice is in her home in Faversham Abbey, and other characters are introduced as they pass through and discuss their role in the murder. The scene opens with Franklin narrating how Arden came to possess the abbey’s lands: He was granted letters patent by Edward Seymour the Duke of Somerset and King Edward VI. This gives the reader key background information about the play’s temporal setting: it does not take place during the reign of Elizabeth I, who would have been the longtime monarch to the play’s viewers, but her younger brother Edward VI, who died as a teenager in 1553. This scene also introduces the idea of land disputation. Arden received the land of Faversham Abbey because of his connections: Franklin is close to Edward Seymour. Land disputation might seem like a secondary concern of the play, but in the Epilogue, Franklin tells the audience that disputation over who holds what land is the play’s key concern. Land disputation is related to the theme of Immorality for Individual Gain: Arden, who often appears sympathetic, can be cruel and unjust when it comes to the accumulation of wealth.
The setting is also important for the play’s genre, domestic tragedy. Unlike traditional tragedy, which features the fall of elites like kings and heroes, domestic tragedy features the fall of middle-class and lower-class characters. While Arden and Alice are respectively a “gentleman” and a descendant of “nobility” (and they are this play’s elite main characters), they live not in a palace or at court but in a modest house. Most of the people they fraternize with—and who, in Alice’s case, are executed alongside her—are lower class. The play’s long opening scene at Arden’s home emphasizes the domestic aspect of the tragedy. In addition, it bookends the murder scene: while the conspirators try to kill Arden abroad, he is ultimately murdered in the place where the play began.
The theme of Immorality for Individual Gain can be seen in the motivations of all characters introduced in this scene: Alice and Mosby want to kill Arden to live together; Michael and Clarke want to kill Arden to marry Susan; and Greene wants to kill Arden because he was promised the lands of Faversham Abbey. Personal conflicts are also established in this scene. Arden and Mosby are in conflict over Alice and driven by subconflicts that form major themes of the play, such as Class Tension and Social Mobility. Arden is angry that his wife is cheating on him, calling Mosby “a botcher […] who by base brokage getting some small stock / Crept into service of a nobleman” (1.25-27). He refers to Mosby’s former profession by the disparaging term “botcher,” which is a less skilled version of a tailor. Arden resents both Mosby’s social climbing and his involvement with Alice. Arden expresses continual anxiety over Alice’s sexuality, and his attitudes shape the play’s themes of Female Sexuality and Autonomy. Because of Alice’s desire for Mosby, Arden ironically begins the scene wishing for death. Witnessing her infidelity “makes me wish that for this veil of heaven / The earth hung over my head and covered me” (1.13-14). He will later be killed in the same room where he makes this wish.
This scene also introduces the first unsuccessful attempt on Arden’s life: the clumsy attempt to poison him before he leaves for London. This failed murder primes another key aspect of the text: repeated botched murder attempts. As this scene closes, most main characters know what they must do regarding Arden’s murder and are on the way to do it.
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