47 pages • 1 hour read
As of 2022, the Berrybrook Middle School Series has five published books and is under contract for at least two more. The series is made up of single-word titles in alphabetical order: Following Awkward are Brave (2017), Crush (2018), Diary (2019), and Enemies (2022). Each installment takes place at Berrybrook Middle School and follows new and existing characters. The series has received both popular and critical acclaim, with individual installments often ending up on best-of lists for libraries.
The series is directed at middle grade audiences and deals with the day-to-day issues of readers in this age group. Though Awkward’s plot is fueled by Peppi’s internal conflict and the feud between the art and science clubs, it also touches on the teasing that can happen among mixed-gender friends, the parental pressure to excel at school, and the way that pranks can escalate into feuds.
Similarly, other novels in the series also use the daily struggles students face as starting points for their plots. Brave follows Jensen, a minor background character in the art club, whose real life pales in comparison to his fanciful daydreams. He struggles with being picked last for teams and making friends. Crush follows a new character, Jorge, as he navigates having his first crush. Diary features interactive short stories about past characters and provides stickers and diary prompts for the reader. Enemies is about Felicity, another art club member, and her tense relationship with her sister Leticia, a science club kid. Characters in the series come from a wide variety of racial and religious backgrounds, which provides important diversity in the middle grade graphic novel space.
As Miss Tobins tells Peppi, art and science haven’t always been perceived as dichotomous. Miss Tobins gives Peppi the example of Leonardo da Vinci, who was an artist and scientist.
The Ancient Greek philosopher and mathematician Pythagoras, who lived in the sixth century BCE, sought to understand the fundamental aspects of the universe, nature, and society. His followers, called Pythagoreans, used his philosophy for inspiration in artistic and architectural works, desiring to use mathematics and science to make aesthetically perfect art.
This connection between art, math, and science inspired ancient and medieval European education. Then, students were taught the Seven Liberal Arts, which were broken down into the trivium—grammar, logic, and rhetoric—and the quadrivium—arithmetic, geometry, music, and astronomy. These liberal arts were thought to represent a complete education, which emphasized understanding the relationships and interdependence between these subjects, rather than their differences.
As Europe moved through the Renaissance and the Scientific Revolution, these subjects became more distinct. New inventions and discoveries—telescopes, industrial machines, electricity, anatomy, and chemistry—made science a distinct field. Eventually, in parts of the world influenced by Western thought, the fields of the liberal arts became increasingly separate, and each developed their own ideologies. Science came to be seen as objective and authoritative, whereas art came to be seen as subjective and fanciful.
Today, schools entirely separate science and art. Often, science is a mandatory class and art is an elective. Jobs in science and technology are generally more high-paying and more socially valued than jobs in arts and humanities. However, as Miss Tobins points out, even though the subjects are placed into competition with one another, they have many similarities. They are each “a means of investigation” using “ideas, theories, and hypotheses that are tested in places where mind and hand come together […] to transform information into something else” (“The Enduring Relationship of Science and Art.” The Art Institute of Chicago. 7 January 2003). In the novel, Miss Tobins, Peppi, and Jaime show how art and science can complement one another, rather than be in competition.
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