49 pages • 1 hour read
In the novel, grief is portrayed as a multifaceted and complex experience, and its nuanced exploration of this issue focuses on the various ways in which the emotional weight of loss changes people, isolating them and eventually guiding them toward finding new paths in life. One of the most powerful aspects of grief depicted in the novel is its tendency to estrange people from their previous relationships. For example, Ever reflects on how her father, after the loss of her mother, now treats her like a client, “all businesslike and formal” (61). Their physical distance—with Ever in Massachusetts and her father and brother in California—further highlights the emotional distance in their family following her mother’s death. Ever’s longing for simpler times, such as “lazy Sunday afternoons with [Renn], playing Halo and arguing about meaningless things” (63), exemplifies the fact that grief doesn’t just strip away a loved one; it also robs people of the small, everyday joys that once defined their relationships.
Grief also manifests as a sense of numbness and stagnation. After losing Dom, Ever’s emotions become a confusing mix of anger and despair, as evidenced when she states, “I wonder how many losses one person can experience before they give up on the idea of happiness. […] Happiness seems like a mythical thing right now” (209). This passage reflects the crushing weight of cumulative grief and the hopelessness that can accompany it. After losing both her mother and Dom, Ever begins to see everything as insurmountable.
However, as time passes, there is a gradual shift from anger to acceptance. Ever reflects on the absence of closure, acknowledging that she will never fully understand Dom’s actions regarding her and Sarah. At this point in the novel, Ever comes to understand that grief isn’t an insurmountable force; instead, it is a painful but necessary part of life.
Ever’s father provides an even more powerful example of grief’s ability to change people’s actions. Although Ever’s love story is only just beginning, her father has already walked the full path of grief and recovery, as after losing his wife, he was brave enough to find new love. His experiences exemplify how the death of a spouse deeply affects the living partner. Despite his deep pain, he has slowly moved on after five years of grieving. He finds solace in his family, and while he recognizes that grief has changed him, he comes to realize that his family, and particularly his children, are worth fighting for. As he tells Ever, “That war Renn and I were fighting? We won. We are still a family. We laugh. We go places. […] We tell inside jokes. All we needed was for you to come back to us. And now that you have, everything will be okay” (246). His ability to meet a new woman, Donna, and fall in love again also illustrates that it is possible to move on from such a pivotal loss. Thus, the struggles of the various characters demonstrate that grief’s nonlinear path involves moments of anger, confusion, numbness, and a multitude of other complex emotions, but eventually, with time, people can begin to accept the loss and find new ways to fully embrace their lives.
Ever’s actions and emotional journey are shaped by her habit of running from guilt and shame. Her struggle with guilt is tied to the death of her mother, which she believes is her fault. This guilt is compounded when her fiancé, Dom, also dies in circumstances that cause her to blame herself, as he is running an errand for her when he suffers fatal injuries upon being hit by a truck, and to make matters worse, the errand itself was based on a white lie that Ever told. As a result, the emotional burden of guilt and shame causes Ever to withdraw from relationships and avoid confronting the pain that she feels is her fault. In short, running away becomes her preferred strategy for coping with life.
Ever’s initial avoidance of the funeral in the Prologue is a potent example of the ways in which guilt drives her to distance herself from difficult situations. She notes that she will be “long gone before everyone falls apart. Before it becomes real” (1), and although she admits that this makes her a coward, she ultimately feels that owning this reputation is better than enduring another premature goodbye. With this scene as a baseline, the novel soon reveals further examples of Ever’s longtime habit of avoidance. Most notably, she avoids interacting with her family because being in their presence reminds her of her guilt, and because she feels as though she is a burden to her family, her shame intensifies in a vicious cycle that keeps her isolated. Ever builds upon the false belief that her family blames her for her mother’s death, and she is convinced that she has “single-handedly destroyed” her family (60). Rather than speaking openly with her family, she misinterprets cues of body language and decides that “the accusation was written plainly on [her father’s] and Renn’s faces every time they looked at [her]” (122). This internalized guilt drives her to flee across the country and isolate herself, believing that her very existence is a source of pain for those she loves.
When Ever describes to Joe the details of how her mother died, she mentions that when she tried to save her mom from the tracks, her mother said, “Don’t you dare” (228). While from an outsider’s perspective, it is clear that her mother did not want Ever to risk her life, Ever internalizes this moment alongside her guilt and interprets the words in a way that satisfies her need for self-punishment. As a result, she “d[oes]n’t dare to live, to move on, to forgive [her]self for what happened” (228). Ever punished herself by absenting herself from her life in San Francisco and moving to Salem, where she gets a job that she hates, stops creating art, and loses any semblance of a healthy social life. Her development therefore focuses on ridding herself of false beliefs and finding the inner strength to begin living her life again.
Over the course of the novel, Ever must learn to let go of her inhibiting fears, and this theme is intricately tied to her evolving self-awareness and her gradual acceptance of the need to find happiness. At the start, Ever is disconnected from life, consumed by a monotonous routine that is devoid of any meaningful direction. Her life feels like an endless cycle as she plods along, working two jobs and waiting for something to change. Though she mentions saving money to do something with her life, she is “not sure what that something is going to be” and does not know whether she will “ever have the guts to pursue anything at all” (44). Saving money for this unnamed purpose gives her the illusion that she isn’t just wasting her life, but her very mindset hints at a deep sense of stagnation and resignation.
However, as Ever interacts with Dom and Joe, she begins to understand that her unaddressed fears have kept her from truly living her life. Ever notes that her problem is a lack of motivation and direction, and she therefore finds comfort in dating Dom because “he has enough of both to fuel an entire army” (84). In one emotional scene when she visits Dom’s family for the holidays, Ever admits that she is not used to being happy or celebrating. Dom implies that this is what living is, and he devotes himself to teaching her how to reengage with life’s possibilities.
This slow shift in perspective becomes more evident when Ever experiences a moment of pure joy in Chapter 23. When she visits her family in San Francisco for the first time in years, she acknowledges a profound inner shift, stating, “Euphoria rushes over me. The simple, intense joy of being alive, and healthy and well, in this endless ocean, in one of the best cities in the world, robs me of my breath” (260). This moment marks a pivotal change in her mindset, and she soon begins to shed the weight of her fears and embrace the vitality of life around her. This moment represents a stark contrast to her previous mentality, when she was determined to run from the mere possibility of happiness. After this trip, she returns to recouple with Joe despite her previous fears.
At the end of the novel, when Ever’s character arc is reaching its end, she finally confronts her past and acknowledges the illogical nature of her paralyzing inhibitions. As she states, “Who am I to deem myself a dark, awful curse? […] Maybe the curse is the way I view everything. Through dark-tinted glasses of doom and gloom” (338). She has been seeing her life through a negative lens, driven by the fear of losing those she loves—particularly Joe. However, she comes to realize that her fear has been holding her back from fully engaging with her loved ones and that she has essentially been robbing herself of the experiences that make life worth living.
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