78 pages • 2 hours read
Summary
Chapter Summaries & Analyses
Key Figures
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Tools
Home, for Suleika, has been spread over several continents. Since she was diagnosed with leukemia, she and Will have been more stationary. When they finish a three-month stay at Hope Lodge, they move to her mother’s East Village apartment, recently vacated by its long-term renters. She feels elated by the freedom to have an independent living space. She and Will feel closer, and they share a bed for the first time since she began her transplant (143).
Suleika begins maintenance chemotherapy. She knows the medical system now and goes to these appointments on her own, another milestone in her treatment. She notices that those who are newly diagnosed sit with family or a supportive person in the waiting room. If the patient is sick for a year or two, they often come alone. She meets another solo patient, Bret. Their conversation grounds Suleika (147). When she goes in for her chemotherapy, a nurse says her eyes are red and asks her if she’s all right. Suleika begins to cry without fully knowing why.
Suleika thought she would grow up to be “the Mother Teresa of strays” (148). The animal shelter dogs remind her of herself, “outsiders, searching for a home” (149). But getting a dog is impossible due to her weak immune system. But while seeing a new transplant doctor, she asks again if she can get a dog. The doctor agrees that a dog could be good therapy.
That afternoon Suleika and Will visit shelters. Suleika finds a schnoodle with “sparse white fur that barely concealed his mottled purplish flesh and floppy ears [...] [and] a scruffy goatee and a mischievous glint in his eyes” (150). Will is skeptical of having a dog, but Suleika reassures him with a plan for how she will care for it. He replies: “‘You are relentless’ [...] with the hint of a smile” (150).
Her first night with her new dog, Oscar, is the happiest since she was diagnosed with leukemia, but the next day she realizes how much work he will be. Her days begin to take shape around caring for him. She is cancer free but needs weekly chemotherapy treatments. She and Oscar go on walks together. Now, he is the topic of conversation rather than her illness.
Suleika no longer needs a daily caregiver. The readers of her column respond with letters and emails, but she often doesn’t feel the need or have the energy to write them back. Early in her maintenance chemotherapy, Suleika meets Melissa, who is receiving treatment for Ewing sarcoma. They have peanut butter and jelly sandwiches and get to know each other. Melissa is an artist and worked for several years with a famous contemporary painter. Melissa did a series of watercolors, Self-Portrait with Mask, from her bed. She invites Suleika to visit, and she will paint her portrait.
The two women spend time together outside the hospital. Melissa lets Suleika borrow wigs and gives her make-up tutorials. They talk about love and how to find love in illness and discuss potential trips together: “Two skinny girls, all elbows and knees, protruding cheekbones, and buzzed heads full of desperate dreams for the future—any future, as long as we could be there” (158).
Melissa learns that her cancer has spread to her lungs, and she decides to go to India with an organization that helps cancer survivors volunteer. Suleika worries about what will happen if Melissa gets sick. Melissa replies, “What’s the worst that can happen? […] Suleika, for the first time, I feel like I’m going to die” (159). In India, Melissa teaches painting and visits tourist sites, and she texts Suleika that she has “never felt more alive” (159).
Will seems more “restless and frustrated” (160). After she goes to bed, he gets up and leaves the house for a walk or to go to the bar down the street. Suleika waits up until he gets home. Suleika doesn’t like that she needs him all the time, especially since he seems less willing to give help. Will says they need more support, and he needs a break. Will decides to attend a music festival with friends. Suleika has surgery and chemotherapy scheduled when he plans to be gone. She is furious and asks him why he takes breaks when she needs him most. He responds that there never seems to be a good time. Suleika throws a glass globe at Will. She misses him, and it shatters all over the floor. Will says, “What the hell,” (160), and Suleika responds: “This is my hell” (161). After they go to bed she tries to apologize, but he is already asleep. He leaves the next morning.
Melissa is beautiful, a magnet for the teenage boys in pediatric oncology. Johnny is one of the boys who have a crush on her. He has leukemia and lives at the Ronald McDonald House with his mother. He tries to impress Melissa with his college stories of keg parties. Max Ritvo is another friend of Melissa and Suleika. He has the same diagnosis as Melissa. Together, they form a “motley cancer crew,” and they add to their group as the weeks pass. They take care of each other by going to appointments and comparing notes on their illnesses and treatments.
When Suleika is invited to speak at a conference in Las Vegas, the women in the group get permission from their doctors to join her. They swim at the pool, eat pizza, and drink champagne, and they stay up late talking about “post-chemotherapy hairstyling tips and fears of relapse” but also a cute chef that one of the women, Erika, met online (166). Erika tells them about how she texted him that she had cancer, and the chef responded with flowers and a note that said: “Doesn’t change a thing. XOXO” (167). The women gush at how Suleika and Will are the perfect couple. Suleika shrugs.
Suleika introduces her and Will’s sex history. They desired each other even after her diagnosis and got caught having sex in hospital rooms. Since the transplant, sex has been painful for Suleika because of early menopause. This has been difficult for her to admit to Will. Mostly, she avoids him, and when they do have sex, she disassociates. She doesn’t have the vocabulary to understand what is happening to her because no one has told her that this is a common side effect of the treatments she received. On the last night in Las Vegas Suleika tells the women how painful sex has been for her, and each of them says that they have experienced something similar.
Suleika and Will are ecstatic to have their own place again, but their independence means that Suleika will need to take care of herself more than before. This leaves her feeling uncertain. Jaouad shows how Suleika has grown as a character, learning medical systems. She goes alone to chemotherapy for the first time, and she likes this freedom to do more things for herself. At her solo chemotherapy appointment tears come, and she isn’t why. Her illness and treatment continue, but her family members no longer put their life on hold for her. She continues to live in the land of the sick, and maintenance chemotherapy will be her routine for the foreseeable future.
Suleika shows her determination and stubbornness through the process of finding a dog. When Oscar enters Suleika’s life, his needs help her to find routines that she hasn’t been able to establish alone. Her efforts to take care of him become important to her own survival and determination to live. Jaouad writes, “It was nice not to be the center of attention for a change” (152). She begins to take slow steps toward reentering the world of the well.
“Dreaming in Watercolor” introduces Melissa and the prospect of friendship and support beyond Will and her immediate family. Melissa also inspires Suleika to engage her fears of mortality through creativity: “Watercolors and words were the drugs we preferred for our pain. We were learning that sometimes the only way to endure suffering is to transform it into art” (157). Melissa shares wigs and makeup tips with Suleika and teaches Suleika how to live with her illness and how to live in the face of imminent death. When Melissa learns her cancer has spread, she goes to India. This fearless reaction imparts Suleika with a zest for life despite a bad prognosis. The women find camaraderie and support in their shared experience of illness and its implications on their lives.
Jaouad shows how their friendship extends to other young people in the hospital. Just as the diagnosis infected and destroyed some relationships, their shared experience of illness draws her toward others. When the women in the cancer unit go to Las Vegas together, they discover anew how they can support and learn from one another through a conversation about early menopause and sex. Jaouad writes, “I cried afterward, overcome by an odd combination of emotions: heartbreak over our shared loss and profound relief—even joy—about breaking through the silence, the shame of it all, together” (169). Their conversation not only helps Suleika feel less alone but also gives her language for her shame.
Suleika continues to feel trapped in her body, and Will shoulders much of the responsibility for her care. Suleika notices Will’s restlessness and frustration, but he never says why. Suleika guesses it is because of the “limitations and demands [her] health placed on [them]” (160). Will’s distance makes Suleika resent him. When Will decides to travel to a music festival in Texas at the last minute. Suleika emphasizes how trapped she is in her illness and her body, saying, “This is my hell” (162). Jaouad writes, “Along with the chemo, an ugliness was coursing through my veins [...] illness heightens the good and the bad, unveiling new parts of yourself you wish you hadn’t known were there” (162). She says that her shame and fury “infected” their relationship. In Chapter 20, Jaouad introduces Suleika’s and Will’s sex history to show another dimension of the distance between them. Her shrug at the hotel demonstrates how she is unable to admit to her friends and herself the problems she and Will face in their relationship. When Suleika reveals to the women the struggles she and Will are having, the tone gives hope that they will be able to identify and work out their problems. Yet, their relationship still seems uncertain.
Plus, gain access to 8,800+ more expert-written Study Guides.
Including features: