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62 pages 2 hours read

Black Panther: The Young Prince

Fiction | Novel | Published in 2018

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Themes

The Conflict Between Technology and Tradition

One of the defining features of the world of the Black Panther is the conflict that exists between technological advancements and tradition throughout Wakanda. In these comics, the technological advancements are recent, achieved under the rule of the young king T’Challa. However, these advancements are often at odds with the traditions of the country, as T’Challa’s people struggle to adapt. The contrast between these two aspects of society is often noticed first by visitors to Wakanda, like the Fantastic Four: “Though the Wakanda Tribe lives in the tradition of their forefathers, they possess modern, super-scientific wonders we can only marvel at! There’s an incredible mystery here—and only the Black Panther himself knows all the answers!” (25). When Reed Richards wonders at the coexistence of tradition and technology, he replicates Western doubts about African culture. The Fantastic Four are shocked that such technology can exist in Africa, within a nation that upholds its tribal traditions. The coexistence of the futuristic and the traditional is the primary way in which Afrofuturism challenges racist notions in Black Panther. Wakanda’s technology grants the nation more independence and agency, all to the disbelief of the outside world, which does not think it a possibility. This fantasy of Wakanda as a technologically rich and autonomous nation contrasts starkly with Africa’s real-world history of imperialist exploitation, particularly of its resources. Wakanda, untouched by such exploitation, becomes a symbol of what might have been possible without European interference.

While the differences that exist between the technological advancements and traditional ways in Wakanda impact its position in the world, it also impacts the day-to-day lives of its people. The recent developments in technology, under the leadership of T’Challa, creates a crisis among many Wakandans who struggle to reconcile their traditional beliefs with this new technology. T’Challa studies at universities around the world, and brings new technology and medicine to his home. Some of his citizens, like Karota, are wary of this medicine, preferring traditional methods: “A simple inoculation is the same thing to her as having a nightmare come down ‘round you head. Man, did it spook her, Taku” (224). When Monica tries to help Karota recover from malnourishment, she brings Karota to the hospital, where T’Challa’s medicine man, Mendinao, gives her a vitamin shot. Karota does not recognize or trust this treatment and rushes out. T’Challa’s struggle to build trust in new technologies among his people is a recurring challenge throughout the stories, representing his broader conflict in balancing progress with the preservation of cultural traditions. He must take responsibility for radically changing the culture and society of his nation.

The Weight of Leadership

T’Challa is the leader of Wakanda, not only as the chieftain of the nation but as the nation’s protector, the Black Panther. Throughout these stories, T’Challa struggles to clearly define his role as leader, as well as find a way to protect and serve Wakanda in an impactful way. Under his leadership, he brings in new technology to the nation, though the quick development creates a conflict among his people who cannot reconcile the new with the traditional. T’Challa’s closest advisor, W’Kabi, recognizes this as one of the most severe challenges to Wakanda, and one of the reasons a war breaks out within its borders: “You were a wise and just leader in your early days—when first we decided how to use our natural resources of vibranium. But now Wakanda separates—and one wonders—are you strong enough to pull it back together!” (53). T’Challa’s use of vibranium and the impact it has on the country creates dissatisfaction and distrust across the nation. W’Kabi believes that this weakens Wakanda, and makes it vulnerable to Killmonger’s attacks and strategy. T’Challa recognizes this but faces moments of self-doubt throughout his struggles with his many foes, considering what his role is in healing the nation and bringing his people together. This weighs on him heavily, and W’Kabi’s question of whether he is strong enough to do it is one that haunts T’Challa fiercely.

As the war against Killmonger lengthens and the devastation worsens, T’Challa’s confidence begins to wane, casting doubt over his decisions as a ruler. Each conflict with Killmonger’s forces not only physically exhausts T’Challa but also weighs heavily on his conscience, forcing him to confront the deeper question of whether he is truly the leader Wakanda needs in such a precarious time. His internal struggle revolves around balancing the nation’s technological progress with the preservation of its cultural identity, all while fending off enemies both external and within his own borders. This leads him to further consider the state of Wakanda under his leadership and whether his values are at odds with his people’s. At one point, he asks himself whether his own perception of his nation’s success is as meaningful as he believes it is: “Question: What proves a nation’s achievement? Technological advancement or individual contentment? He is not as positive of the answer as he once was, but it is the one question he completely understands” (193). T’Challa sees that though there are many positives to the technological advancements he brings to Wakanda, the conflict it creates with tradition weighs on his people. Wakandan society is thrown into uncertainty, as the new technology forces a realignment of traditional values. This mirrors real-world post-colonial struggles, as many African nations have grappled with how to balance modernity and technological development with deeply rooted cultural practices. T’Challa sees that this does not necessarily make his people happier, or their lives easier, and sees the loss of individual contentment they once had working for their livelihoods. He takes responsibility for these changes, recognizing that he did not stay in Wakanda to lead his people into this new society, working to weave this technology into his nation’s culture.

Resistance Against Racist Society

Throughout these stories, T’Challa continually confronts and combats deeply ingrained racism, both overt and subtle, reflecting the broader struggle against systemic racial prejudice in the world outside of Wakanda. The most overt instance of racial violence occurs when T’Challa travels to the US with Monica, where he faces hostility not just from villains but from ordinary citizens who are prejudiced. There are many instances throughout the many comics in which non-Wakandan characters’ perceptions of T’Challa reflect racist beliefs. The most pressing of these are the discounting of his abilities and technological capabilities, believing it is impossible for an African chieftain to possess superior technology than that of American heroes: “Never heard of ‘im! But how does some refugee from a Tarzan movie lay his hands on this kinda gizmo? ‘N why would he give it to you?” (4). The mystery surrounding T’Challa is made more vague by Benn’s own prejudices. His inability to move past his preconceived ideas of who T’Challa is, based on his race and nation of origin, lead him to seriously doubt him and question his motives. T’Challa himself combats this throughout the stories by inviting people into Wakanda and showing people the nation he builds and assuring them of his intentions to be a heroic figure, allied to just causes around the world.

Though much of the racism that T’Challa encounters in these comics stems from others’ judgment, this judgment turns violent in the final three issues of the collection. In this story arc, T’Challa is in the American South, helping Monica investigate her sister’s suspicious death. While there, he continues to fight for justice, helping to protect Monica and her family from racist violence. When he does so at a grocery store, fending off Monica’s attackers, the people around T’Challa turn on him, believing him to be a threat to themselves: “They see him as a threat, attacking their own, and they gather around him with vindictive fury. After all, it could have been them that he attacked” (322). They see a Black man with his African American partner in his Black Panther costume and cannot perceive him as a hero and protector. They only see him as a villain, and see his protection as a threat, believing that he is the villainous party in the fight between him and Monica’s attackers. Instead of joining in to defend Monica, the shoppers become violent toward T’Challa, their hatred stemming from their prejudices against him and the ways in which it pushes them to automatically see him as the villain in this interaction. They are wary of him as he shops, and his fight with Monica’s attackers gives them the opportunity to exorcise such anxieties.

These depictions of racism and violence mirror real-world issues of anti-Blackness and racial violence in American society. Even as T’Challa’s narrative is set in the Afrofuturist context of Wakanda’s success, his experiences in the US draw attention to the persistence of systemic racism and white supremacy, challenging readers to confront those realities.

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