64 pages • 2 hours read
Summary
Background
Chapter Summaries & Analyses
Character Analysis
Themes
Symbols & Motifs
Important Quotes
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Matthew Dunbar types on the family typewriter, affectionately called the “old TW,” which he retrieved the day after his wedding. Following the instructions of an unidentified “him,” Matthew drove for 12 hours to reach a small town where people recognized him. He went to 23 Miller Street, where the house’s owner helps him dig in the back yard. They uncovered the bones of a dog and a snake before they found the Remington typewriter. Matthew took the skeletons and typewriter with him and drove home, where he convened with three of his brothers, his wife Claudia, and his daughters. Matthew then begins the story about the fourth Dunbar brother, Clay.
Matthew describes a February evening 11 years earlier when “the Murderer” arrived at their house in a suit. The five Dunbar boys live alone at 18 Archer Street and are named Matthew, Rory, Henry, Clay, and Tommy. The boys are wild and combative; they raised themselves following the death of their mother and their father’s subsequent abandonment. Among their menagerie of pets is a mule named Achilles that often breaks into the house. The night the Murderer arrives, none of the boys are home but Achilles is inside, shocking and confusing him.
Across town, Clay exercises with Tommy, Henry, and their dog Rosy. Henry insults Clay while they run upstairs, Tommy on Clay’s back. When Henry’s insults grow too intense, he and Clay wrestle until Tommy intervenes. They run up the stairs three more times before Clay is sent running to buy daisies. Matthew reflects on the rigorous training Clay has endured over the years but has no idea what he is training for. Clay arrives at the cemetery with tulips, gives one to an old woman, and rejoins Tommy and Henry at a gravestone. The boys clean it before departing.
The Murderer investigates the house. Rory encounters Carey Novac, their neighbor. She gives him a message for Clay before leaving. Rory starts toward the house. Matthew is stuck in traffic and fantasizes about relaxing for the rest of the night.
Henry leaves to pick up beer, sending Clay, Tommy, and Rosy to the Bernborough Park athletic field on foot. Clay carries Rosy and thinks about Carey. When they arrive at the athletic track, they watch other boys enter the field until Clay steps into the shade to wait.
The Murderer enters the living room, where he finds Tommy’s collection of pets: a fish named Agamemnon, a cat named Hector, and a pigeon named Telemachus. The Murderer sees the piano and is briefly overcome with emotion before Rory enters the house. Rory runs to Achilles, not noticing the Murderer, then departs just as quickly as he arrived. The Murderer sits down to recover from the shock of seeing him and is joined by Hector before Henry stops by the house for beer, not noticing the Murderer as he leaves.
Henry arrives at Bernborough Park for the evening’s activity. Six boys will line up along the track and attempt to stop Clay from running a full lap by whatever means necessary. Henry, as he always does, plans to take bets on how long it will take Clay to finish. Henry fields questions about Clay’s exhaustion levels, and he transitions the conversation to taking bets. While finalizing the bets, someone arrives who makes everyone change their minds.
Clay, Tommy, and Rosy sit in the locker room with six other boys. Starkey gives Clay a roll of masking tape with which to cover his feet to prevent glass from cutting them. While he waits, he fantasizes about Carey. On the track, it is decided that Rory—the mysterious newcomer—would replace one of the other boys. They line up on the track to applause and heckling from the crowd.
Matthew arrives home and smells cigarette smoke. He stands, frozen in the entryway, as the Murderer waits to face him.
The race begins at the athletic track. Clay’s air of impassivity is interrupted by two tears as he begins to run. He reaches the first three fighters and quickly fends them off, beating them up before reaching the second pair. Clay is tackled to the ground and wrestles with the trio, but he manages to escape his captors and runs to Rory. Although he initially evades his brother, Rory grabs Clay’s leg and drags him down. Rory wrestles with him for 15 minutes before Clay smiles, indicating that he has given up.
Matthew enters the kitchen. He drags Achilles into the back yard, then faces the Murderer, warning him, “‘Just so you know, you’re next’” (51).
The boys drink beer and exchange money at the park. Starkey’s female companion asks about the point of the fighting, but when Henry claims it is “training,” it becomes apparent that Clay does not know what he is training for. The four brothers and Rosy return home. In the kitchen, Matthew and the Murderer hear their arrival, and Matthew warns him of what is to come. Matthew believes that presenting a singular front is the best way to handle the situation. The other brothers enter the house and sense that something is wrong, meeting Matthew and the Murderer in the kitchen. There is a moment of shock and silence as everyone stares at each other. Clay removes a broken clothes peg from his pocket and greets the Murderer, identifying him as their father.
Matthew begins the novel by establishing the key players and facets of the Dunbar boys’ lives. He introduces each surviving family member as well as the appearance of their father and his moniker, the Murderer. Each of the boys struggles with their own emotional and mental wellbeing by using different coping mechanisms, establishing that Grief Has Many Forms. Clay makes himself the recipient of violence as Rory makes himself the inflictor, two sides of the same trauma. Tommy finds a creative outlet in fostering animals while Henry uses his charisma and intelligence as a distraction. Matthew himself is less reflective of his own trauma response, his feelings buried by his sense of responsibility as the head of the Dunbar household. These different coping mechanisms make it clear why Clay is the one to take their father up on his offer and travel to Silver: Clay is the only one who believes he should be punished, and there is no greater punishment than isolation from his brothers and the inevitable cruelty upon his return.
Clay is quickly established as an enigma whose thoughts contradict his outward actions. He is often pensive, thinking about Carey and the peace of The Surrounds. However, he is goaded by his brothers into rowdiness and engages in fights as acts of self-punishment. Clay is quiet amidst the chaos, an aloof yet eager participant in games meant to test his physical capabilities and mental fortitude. His races around the Bernborough track are preparation for his later work on the bridge, which pushes his endurance.
Michael Dunbar is stripped of his name and fatherly title, made into a criminal by the sons he abandoned. He enters the house in a way that makes it clear he is both familiar and an interloper; he knows the layout but not the contents, performing chores under the watchful eye of the new, resident mule. His return to Sydney is not a homecoming, clearly defined by his effort to dress up and his embarrassment toward his sons. He further behaves like a ghost in the house that used to be his, watching the passage of several of his children before he comes face-to-face with Matthew in the kitchen. His return is as much a punishment as a plea for help. When he and Matthew talk in the kitchen before the others return from the track, Matthew warns him of what is to come, and he is unsurprised—he knows his sons and knows the ineffectiveness of repentance. Clay, the other Dunbar seeking punishment, is the one to name him as his father instead of ambiguous other terms. This acceptance lays the foundation of their bridge more than any physical effort does, opening the novel with both pain and the first step toward forgiveness.
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By Markus Zusak
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