75 pages • 2 hours read
The family book, meticulously maintained over generations, includes a record of births, marriages, deaths, and other significant events in the Buddenbrooks’ family life, representing a physical manifestation of the family’s heritage and societal status. The act of recording in the family book is marked by solemnity and reverence. Over the course of the novel, the family book comes to represent a record of The Decline of the Buddenbrooks with the addition of events that signal a break from the Buddenbrooks’ definition of success and social standing such as when Tony enters the events of her divorces. When little Hanno playfully adds two lines to the end of his father’s writing, it signifies to Thomas the end of the family line. Thus, as the novel progresses, the family book evolves in its symbolic significance, mirroring the family’s gradual decline.
The sea’s presence in the novel provides a backdrop to the Buddenbrook family’s story, set in the coastal town of Lübeck. The sea also represents the essence of change, the unknown, and the forces beyond human control.
The sea appears at key moments in the novel, when the characters travel to the holiday resort of Travemünde. Depending on the circumstances, the sea represents freedom, a sense of escape, or downfall. Thomas has one of his most significant moments of reflection at the beach, when he compares the calmness of the sea with the ragged aspect of the mountains and the kinds of people who are attracted to each other:
I’ve learned to love the sea more and more—perhaps I preferred mountains at one time only because they were so much farther away. I wouldn’t want to go there now. I think I would feel afraid and embarrassed. They’re too arbitrary, too irregular, too diverse—l’m sure I’d feel overwhelmed. What sort of people prefer the monotony of the sea, do you suppose? It seems to me it’s those who have gazed too long and too deeply into the complexity at the heart of things and so have no choice but to demand one thing from external reality: simplicity. It has little to do with boldly scrambling about in the mountains, as opposed to lying calmly beside the sea (648).
Thomas’s attraction to the sea signifies his transformation over the years. His longing for simplicity and reprieve from the expectations that have weighed heavily upon him point to the moment of crisis he finds himself in. The sea, with its vast horizon, represents a form of escape, a desire for uniformity and predictability in contrast to the unpredictable challenges he faces in his personal and professional life.
The Buddenbrook houses, first the family home on Meng Street, then the luxurious house Thomas builds on Burg Street, symbolize the family’s social status and legacy.
From the first pages of the novel, the house on Meng Street is a symbol of the family’s wealth, prestige, and traditions. The detailed descriptions of the imposing façade and the elegantly furnished interiors, represent the family’s position in society and their adherence to a lifestyle that emphasizes appearances and social standing. The house, in its grandeur and solidity, initially appears as a bastion of stability and success. However, as the narrative progresses, it increasingly mirrors the family’s gradual decline. The maintenance of the house becomes more burdensome, paralleling the family’s financial struggles and the waning of their business empire. The physical deterioration of the house and its eventual sale to the Hagenströms, the Buddenbrooks’ business competitors, symbolizes the decay of the family’s fortunes and the fading of their social significance.
The house on Burg Street represents Thomas’s ambition and vanity. It is a project that he believes will give him a new impetus in his work, but in the end it weighs him down, compounding his financial burdens.
Plus, gain access to 8,800+ more expert-written Study Guides.
Including features:
By Thomas Mann