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46 pages 1 hour read

Cities of the Plain

Fiction | Novel | Adult | Published in 1998

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Themes

The Changing World

Cities of the Plain portrays the fading away of a particular lifestyle. The cowboys who work on Mac’s ranch are the last remaining examples of men so bonded to their environment that they would rather sacrifice the comforts of modern life in favor of their attachment to the natural world, even though that natural world can be brutal and indifferent. The cowboys only know one way of life and only want to live one way. Many explain that they have worked in other industries and countries, but they remain drawn to life on the ranch because no other profession can satisfy their desires. When the men venture out into the wilderness and camp under the stars, the sense of satisfaction they feel is palpable. They share stories about their experiences, broadening their knowledge of the natural world and bonding together in the enjoyment of their lifestyle.

For many of these men, including Billy and John Grady, the cowboy profession is a family affair—they are following in the footsteps of the generations that came before them. Billy clings to the memories of his brother and his loved ones, ensuring that his life is a remembrance of the people he has lost. Unfortunately for Billy, the world he once knew is gone. Throughout the novel, he frequently notices how the world is changing. The physical environment is ravaged by drought, and modernity’s encroachment can no longer be held back. Billy tries to endure, and he is the only character who survives into old age. Watching the world change around him, he realizes there is no place for him or his memories. He is reduced to homelessness, pushed to the fringes of a society that does not value him or his particular skills. The desert is taken over by radar stations and jet planes, while the dancing figures he sees out on the plain are just plastic sheets caught in the wind. Billy outlives the other characters, only to witness firsthand the loss of everything his friends and family cherished.

The changing world is embodied in the character of Mr Johnson, Mac’s father-in-law, whose mind is fading and whose memory is faltering. Mr Johnson is caught in the moment that the other cowboys will eventually face. His dementia is a metaphor for their entire lifestyle—he lives in a world of ghosts and misunderstandings. His memories are all he has left following the death of his daughter, so he lives among the memories, although he has fewer and fewer people with whom he can share them. The world shrinks for Mr Johnson, and he is enduring the diminishing way of life before the others. In the future, the other cowboys will experience firsthand how their world shrinks and changes until all they have left are their memories. Then, as with Mr Johnson, these memories will become fractured and treacherous until there is no real place left for them. The changing world ravages the men in Cities of the Plain, though some are not yet aware of the extent to which their world will disappear to be replaced by something more modern.

The Brutality of Nature

The cowboys of Cities of the Plain are bound to nature, but they are not unaware of its brutality. The unforgiving life they lead is an extension of the difficulty of life out on the plain, an environment in which animals and people struggle to survive. The hunt for the wild dogs illustrates the constant, brutal struggle. For the men on the ranch, dogs are both friends and enemies. While the wild dogs are killing calves on the ranch, the hunting dogs are tamed animals used to locate and destroy the wild dogs. The chase is a brutal, day-long event. Billy and John Grady pay no mind to the frequency of death: They chase down and kill the dogs who, in turn, have been chasing down and killing cattle. They are part of the same brutal cycle of life, in which the same species and the inhabitants of the same environment are familiar with the frequency and the brutality of death. Only when a dog is violently beheaded, do Billy or John Grady pause to reflect on their actions. However, they have no regrets, only bemusement at the brutality of their actions. The brutality of nature is portrayed as so commonplace and so ubiquitous that it is rarely worth considering. Whether killing dogs, seeing an owl crash through a windshield, or putting down a lame horse, the men acknowledge that nature is brutal and harsh. At the same time, there is no other way they would rather live.

The brutality of nature is not limited to animals and humans. The environment itself creates harsh conditions. The men live on a plain where the rains have failed over several years, and the years-long drought threatens Mac’s ranch. The environment is so brutal that it can no longer sustain the scant life that inhabits the area. However, the true brutality of the drought is that it does not just threaten the lives of the inhabitants but the entire culture of the local people. The real victim of the drought is the cowboys’ lifestyle; once Mac’s ranch closes down because it is no longer profitable, they have nowhere else to go. Like the wild dogs, the owl, and the other deaths on the harsh land, the cowboys’ way of life is not sustainable in a dry, arid land. The environment has become so hostile that it can eradicate an entire culture and destroy a way of life.

The brutality of nature is contrasted with the brutality of man. While nature is portrayed as vast and indifferent in its brutality, humans are more personal and emotional. The murder of Magdalena and the knife fight between Eduardo and John Grady demonstrate how humans can torture and murder one another for fun or vengeance. For all of the death on the plain, nature never takes pleasure in its brutality. Instead, brutality is simply a fact of life in a challenging environment. The difference between the brutality of humans and the brutality of nature is that humans are much more vindictive and torturous. Humans mean to hurt one another, and they deliberately inflict pain for pain’s sake. This form of petty cruelty is absent from nature. The theme of nature’s brutality shows how nature may be harsh but is ultimately indifferent. On the other hand, humans have agency and control over their actions yet choose to be even more brutal than the most violent parts of nature. The cowboys’ appreciation for nature includes the brutality that they witness firsthand. In a world filled with violence, they prefer the indifferent brutality of the natural world rather than the selective malice of humanity. 

Fate and Character

The nature of John Grady’s character prompts the reader to question whether he is doomed to die from the outset. John Grady is a tragic hero who is undone by his refusal to abandon the things he loves. The same personality traits that make him an excellent cowboy bring about his downfall. How he cares for wounded, abused, or neglected animals grants him an immutable bond with horses and dogs. When he first sees Magdalena, he is caught by a similar emotion. He feels a burning desire to save her from her circumstances and do whatever he can to help her. John Grady cannot deny his urge to help Magdalena. Even when his friends tell him that he is foolish or misguided, they recognize that trying to change his mind is impossible. He is driven by a constant need to help the unfortunate and the misunderstood. He also is an outsider because he rejects the harsh reality of human interaction, so the purity of Magdalena’s suffering affects him in a way that most people do not. From the opening scene to his death, John Grady never questions his instincts to help the Mexican woman. His unquestioning desire to save her fills his heroic narrative with a sense of tragedy as he cannot avoid his fate.

While Billy and Mac try and fail to change John Grady’s mind, the elderly blind piano player recognizes how John Grady is bound by fate. The old man understands that John Grady loves Magdalena, and there is no way to be reasoned out of love. He also knows that this love will likely lead to tragic consequences. However, he assures John Grady that there is no other option than to continue because of his love for Magdalena; love is the only honorable pursuit to the old man. He recognizes the fatalistic tragedy of John Grady’s existence, but his understanding is marked by empathy. The old man accepts John Grady’s fate while validating his decisions. In a harsh and brutal world, acting in the name of love is one of the few commendable paths open to people. As such, any actions undertaken in the name of love are the only ones that can be morally justified.

John Grady continues down his path and dies because of his enduring love for Magdalena. He avenges her death but, in doing so, dooms himself. His life might always have been fated to end in such a tragic fashion, but Billy’s fate is equally as tragic. Billy loses everyone and everything he has ever loved. He spends his life chasing and helping his brother, his friends, and John Grady, only for all of them to die and leave him alone. At the same time, he has been forced to deal with the fading relevance of the only profession that has ever given him any satisfaction. Billy becomes disconnected and untethered from society; he loses all the ties that bind him to the world, from his friends to his work. The tragedy of Billy’s fate is that he is doomed to watch as everything and everyone he knows is lost to a changing world. The unstoppable flow of time renders him and his lifestyle obsolete. Just as John Grady had no other option than to dedicate himself to Magdalena, Billy has no other option than to watch as he loses everything important in his life. Like John Grady, he recognizes that there is no use battling fate. 

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