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53 pages 1 hour read

Deacon King Kong

Fiction | Novel | Adult | Published in 2020

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Themes

Community Resilience and Coherence

Deacon King Kong is at its heart the story of a community grappling with social change in 20th-century America. The novel is populated with various characters in and surrounding the Cause Houses, which act as the epicenter of the novel’s conflicts and action. This common location and the Brooklyn neighborhood in which the Cause is located give all the characters a unifying identity, even if they relate to the area differently (for example, Potts works in the neighborhood but doesn’t live there, and Elefante doesn’t live in the Cause Houses but is still a part of the larger neighborhood). In a video interview from August 2020 shortly after Deacon King Kong was published, McBride states that he views the story as being chiefly about a community. He says that Sportcoat’s attempt to shoot Deems “hits all the levers and gets all the elevators started” (Award-Winning Author… 02:09-02:13), a metaphor that implies that members of the community act as parts of a larger whole, influencing and affecting one another.

McBride also says that the events of the book “[move] this whole community to act in concert” (Award-Winning Author… 02:21-02:23). Deacon King Kong portrays a community that is threatened by destructive social forces outside of its control, such as racism, poverty, immigration that erodes traditional communities (a displacement that sometimes results in a new, diverse community such as that of the Cause and its neighborhood), the increased presence of hard drugs and resulting addiction and crime, and the individual and collective despair that can result because these forces were so concentrated on minorities in late 20th-century America.

Sportcoat’s behavior toward Deems is therefore a communal catharsis in which Sportcoat acts as a representative of the older generations of the Cause community who are exasperated and dismayed by the trajectory of its young people. Sportcoat, like other older characters in the book, invests in the young people of his community through mentoring and building close, caring personal relationships. Deems serves as an especially strong example of this type of intergenerational relationship. When the young people become increasingly dependent on outside illegal drug operations just to make a living, begin experiencing drug addiction themselves, and disrupt the larger social fabric through violence and disrespect, the older generations become frustrated and pessimistic about the future of their community. Sportcoat and Deems act as an archetype of this dynamic. Sportcoat and Elefante’s cooperation with each other to find the Venus statue signals that previously isolated communities and groups must join together and form bonds of personal relationships and respect. This helps communities experience resiliency and enables the characters to partially overcome the social forces that threaten their well-being.

At Sportcoat’s funeral, community unity and identity have been restored and preserved in keeping with the book’s overarching hopeful message. To emphasize this point, the gathering of various groups to remember Sportcoat is called a “homecoming” (355), suggesting that the community has undergone a collective journey of reckoning against the destructive social forces that threaten its future, returning to its place of origin for a symbolic final act of unity. The funeral also gives the narrator the chance to relate how the events of the book have impacted individual characters, suggesting yet again that Sportcoat is associated with communal change and growth. The list of characters on pages 355-359, with their relationships to Sportcoat and reactions to his death, acts as a litany that binds the seemingly disparate characters together.   

Interview source: “Award-Winning Author James McBride on Social Justice and ‘Deacon King Kong.’” YouTube, uploaded by Amanpour and Company, 3 Aug. 2020. www.youtube.com/watch?v=6xsfzaF1KUY

Fatherhood and Foster Sons

Fatherhood and foster sons play a recurring role in Deacon King Kong. Characters are profoundly affected both positively and negatively by these father-son type relationships that they participate in. One of the most central examples of this is Sportcoat’s pseudo-paternal relationship with Deems. Deems’s biological father is out of the picture and his mother provides for him financially but is distant, unaffectionate, and abuses alcohol to the extent that she can’t provide for his basic needs. His grandfather is portrayed as stern and distant as well: “[he] had spoken in grunts and ruled his house with an iron fist” (80), although unlike Deems’s mother, his grandfather does visit him when Deems is sent to a juvenile corrections facility. Deems is therefore in desperate need of a close, caring relationship with an adult, a role that Sportcoat and his wife Hettie fulfill as Deems is growing up.

Although he never lives with them, Deems takes on the role of a second son in the Lambkin family, with Sportcoat and Hettie symbolically adding contributions to the Christmas collection for both their first foster son Pudgy Fingers and for Deems. Sportcoat and Hettie also provide for Deems’s material needs like clean clothes and extra food. Baseball becomes inextricably linked to Sportcoat in Deems’s mind, as the older man teaches him everything about the game: “[Sportcoat] years later would show the boy how to throw a pitch at ninety miles per hour and kiss the outside part of home plate with it, which was something no eighteen-year-old kid in Brooklyn could do” (254). These relationships provide a sense of belonging, protection, and kinship to each party.

The plot reveals that Pudgy Fingers is also a foster son of both Sportcoat and Hettie’s—Hettie took care of Pudgy Fingers by chance after she arrived in New York City, and the boy’s family members ended up abandoning him. He becomes their de facto son, living with them until each of their deaths. Pudgy Fingers is blind and thought to be developmentally disabled, but he attends church and regularly travels by himself to a civic center for people with disabilities. Pudgy Fingers serves as a foil for Deems’s athletic ability. After Sportcoat dies, several members of the Five Ends congregation take care of Pudgy Fingers, illustrating that the community often views parenting and parental duties as a common responsibility. This also illustrates that Sportcoat has fulfilled his responsibilities as a foster father to both Deems and Pudgy Fingers as he transitions out of that role at the end of his life.

Self-Realization as a Result of Social Cooperation

The narrative of personal reinvention and self-realization runs through Deacon King Kong and manifests itself in a variety of characters. These personal triumphs are emphasized because of the novel’s backdrop of urban poverty and social issues that impact the neighborhood. Community and individual well-being, the book implies, go together, and thriving communities enable individual thriving as well. There are numerous examples of the self-realization pattern in the novel. Sportcoat realizes that he made mistakes in his marriage to Hettie and begins to face his alcoholism, while putting himself in danger and risking going to jail to convince Deems to change his life. Deems finally heeds Sportcoat’s warnings after he has too many close calls with death in the drug world, and he successfully resurrects his baseball career. Elefante and Sister Gee connect with others who initially seem disparate and different from them, and they find love as a result. Based on his trust of the elder Elefante and of Elefante himself, Sturgess successfully returns the Venus to its rightful place and reaps the financial rewards that allow him to provide for himself and his daughter. Potts turns from cynicism to optimism after he meets Sister Gee.

Those who fail to reinvent themselves and find fulfillment also seem to be those who are isolated and refuse to trust and cooperate with others. Bunch and Peck are both people who rely on competition, intimidation, and money to reach their objectives, and both fail to achieve their desires because of their lack of trusting social relationships. Peck, for example, relies on people he doesn’t trust to do business with, trying to cover up the vulnerabilities of his operation with money. Although he pays lip service to the idea of getting out of the drug trade, he continues to import heroin into the neighborhood because of the money he can make. He distrusts and mocks Potts, in contrast to Elefante, who maintains relationships with police officers in the area so that they’ll cooperate with him when he needs them to.

At the end of the book, it seems unlikely that Peck will receive his latest shipment because Elefante has refused to let him use his dock, leery about dealing with him, and the area he wanted to use instead has become the subject of police scrutiny after the second shooting. Bunch also relies on cutthroat techniques to silence Sportcoat and is killed by Peck’s men. The characters who fail to form social bonds are less successful in Deacon King Kong than those who learn to trust and rely on others. McBride’s characters’ conception of justice is that the connected prosper and the isolated perish, which makes the threat of community disintegration even more potent.

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