78 pages • 2 hours read
Content warning: This section references addiction, death by overdose, and physical and emotional abuse.
Demon Copperhead subverts popular misconceptions of white people living in poverty in the United States. Common slurs such as “redneck,” “hillbilly,” and “white trash” are reappropriated by Kingsolver’s characters to defend their dignity and pride. The cultural isolation of the lower classes in regions like Appalachia stems from a longstanding relationship between these communities and political and socioeconomic power structures, which Demon Copperhead exposes.
Appalachia is largely rural and was once famous for its coal mines. Coal mining companies bought up the land, controlling the schools, hospital systems, and other public infrastructure. While the owners of the companies earned unimaginable wealth, the coal miners worked until their literal deaths. Coal mining is a physically taxing job that exposes workers to numerous accidents and diseases, but coal miners were proud of their hard work. However, when the coal mines closed, entire regions lost their livelihoods. The poverty and unemployment statistics that characterize popular perceptions of places like Lee County are a direct result not of the residents’ character but of a society that exploited and then turned its back on them. Tommy and Demon are offended by media depictions of their homes and communities because they know these images to be inauthentic, stereotypical, and degrading. Despite the hardships in their communities, Tommy and Demon are proud of their home. They develop the comic strip “Red Neck” in response to this stereotype, reclaiming their identity and culture.
Another example of this theme is the novel’s depiction of the opioid epidemic. The rampant addiction in Lee County is a direct result of well-researched marketing and drug placement by companies like Purdue Pharma. Pharmaceutical companies developed strong opiate drugs, lied to or schemed with the American government to sell them as medication, and targeted communities that would be more likely to become dependent on their product to boost their own pharmaceutical sales. Kingsolver depicts this egregious example of the abuse of consumers as both a lesson to her reader and an important aspect of Demon’s character development. Aunt June emphasizes time and again to Demon that his addiction is not his fault, instead blaming the pharmaceutical companies who profit from Demon’s suffering: “She said Purdue looked at data and everything with their computers, and hand-picked targets like Lee County that were gold mines” (416). The choice of idiom here is telling: Having already exploited Lee County’s literal mines, American capitalism is “mining” its people. June and Kingsolver suggest that those with opioid addiction need empathy and legal support because they and their communities are the victims of a calculated attack by wealthy and therefore influential pharmaceutical companies.
Demon Copperhead, like Dickens’s David Copperfield, explores the ways in which society fails its young people. It is a veiled didactic novel that holds up a mirror to a society that pretends to care about children but actually leaves the most vulnerable among them to suffer.
Demon’s early life exemplifies this theme. His social workers are a pattern of disappointments. Miss Barks, a young and kind social worker, constantly has one foot out the door. She doesn’t truly listen to or consider Demon’s truths. When she quits, Demon is disappointed in her and feels betrayed, but he is hardly surprised. Miss Barks is just another adult who abandons him. Demon’s second social worker is completely uninterested in him. When Demon finds his own home placement, she checks out completely, even though Demon is technically still the state’s responsibility. Social workers have the difficult but important job of protecting children who are orphaned, abandoned, or separated from their parents for their safety. However, in Demon Copperhead, social workers are a prime example of society at large turning its backs on children. In part, this is thanks to the structure of social services. Social workers are underpaid, overworked, and have limited resources to help children. Kingsolver suggests that if society were to invest more in the social work system, the children in it would be more likely to succeed.
Instead, the social work experience constantly puts Demon in danger, in part because it treats him as a commodity “So fostering was done by companies, and we, as Stoner would say, were Product” (78). Though Crickson doesn’t abuse Demon, he does use him for unpaid labor. Crickson is only interested in the money and work he can get from fostering children. He has an important responsibility, but he shirks that responsibility for his own profit. The same happens with the McCobbs. That the McCobbs, who have had their furniture repossessed because they can’t pay their bills, were able to acquire a child from the foster care system highlights how broken the system is. They don’t feed Demon, force him to get a dangerous job, and charge him for rent. Demon’s history—his mother’s drug addiction, his stepfather’s abuse, etc.—already renders him vulnerable. The foster system could have given him structure and support during a traumatic time in his life. Instead, the social care system and the foster families make his life worse.
Kingsolver includes bright lights in her novel to encourage her reader to consider the ways in which society can help children. Aunt June is a hero in this story. She is at the forefront of the fight against the opioid epidemic and she devotes herself to saving the young people around her. Aunt June could have moved anywhere, but she chooses to live in Lee County so she can help her community. At only 19, she takes in and then later adopts her niece, Emmy. June’s generosity, loyalty, and kindness exemplify what society could be. June literally saves lives, including Emmy’s and Demon’s. Angus symbolizes the hope that the system itself can be reformed—i.e., made to serve the people it’s meant to serve. Angus, who is smart enough to do anything with her life, chooses to become a social worker.
A major theme in this novel is the importance and possibility of rebuilding oneself. The novel is a bildungsroman that follows Demon on his journey through childhood and adolescence and into adulthood. The reader watches Demon grow, witnessing the highs and lows of his life and his ultimately successful efforts to find stability.
Demon is an independent person, even as a child. He is accustomed to self-reliance because of the unreliable adults in his life. Though it reflects his traumas, his autonomy is also a strength. The first time Demon tries to rebuild himself, he runs away from Lee County in search of a grandmother he only knows from stories. Without any guarantee that she is alive or residing at her last known address, he hitchhikes across states at only 10 years old. When Demon has a goal, he is resolute about making his goal a reality.
Demon’s life changes due to the positive influences of the Winfield home. Association with the football coach gives Demon newfound popularity, and all his needs and desires are provided for. However, Demon is always a little bit suspicious of this situation, no matter how happy he is. He has experienced enough disappointments to understand that adults can betray him and that good things usually end. This insecurity makes Demon his own worst enemy. Instead of embracing the new, safe, happy life that he had a hand in building, Demon breaks rules that eventually lead to his exposure to drugs. Demon’s drug addiction is not his fault, but he accepts his addiction as irrefutable proof that he deserves or was predestined for only bad things.
Though several people try to help Demon overcome his addiction, only Demon can save himself. As Demon’s tragic experience with Dori shows him, it’s impossible to force someone to become sober. Though everyone needs external support, the desire to rebuild must come from within; as Demon says, “You have to get up every morning and decide again, in the cold lonely light of day, am I brave enough to stick this out?” (509). Once Demon resolves to recover from his addiction, he achieves his goal. For years he stays away from Lee County, a place he loves, to make sure his sobriety is secure. He does the hard work of going to therapy and living in a halfway house. Demon completely turns his life around by the end of the novel, embracing a promising career as a comic writer.
Plus, gain access to 8,800+ more expert-written Study Guides.
Including features:
By Barbara Kingsolver