39 pages • 1 hour read
Black is a prolific #1 New York Times best-selling author of middle grade and young adult novels that blend elements of fantasy and horror. Her more popular works include the Spiderwick Chronicles series, co-written with Tony DiTerlizzi; The Coldest Girl in Coldtown (2013); and the Folk of the Air series. In 2022, Black released her adult fantasy debut novel, Book of Night.
Black is the author of over 30 published works, which have been translated into 32 languages worldwide and adapted for film. Black has also been a finalist for an Eisner Award and the Lodestar Award. Her first book, Tithe (2002), was included in the American Library Association’s Best Books for Young Adults. Valiant (2005) received a Nebula Award, and Ironside (2007) was on the New York Times bestseller list for five weeks. Black rose to fame due to the enormous popularity of The Spiderwick Chronicles series, which was later adapted to film by Paramount Pictures. The Coldest Girl in Coldtown was a finalist for the Norton and Locus Awards. The Folk of the Air trilogy, beginning with The Cruel Prince (2018), was also enormously popular, with The Cruel Prince appearing for four weeks as a New York Times bestseller.
The 2014 Newbery Honor awarded to Doll Bones was a transformative moment in Black’s career, prompting her to view herself as a serious author. Doll Bones and many of Black’s other works are inspired by her love of folklore, fairies, and the childhood ghost stories her mother told her. Black was raised to believe in the supernatural; her mother convinced her their house was haunted and sent her on scavenger hunts throughout the neighborhood to locate evidence of faerie inhabitants.
Holly Black loves the fantasy genre, which features elements of magic. She often blurs the boundaries of gothic fiction, which explores the supernatural and mystery, with horror and fantasy. Black positions Doll Bones as a middle grade supernatural horror book through her use of atmosphere and tone.
In Doll Bones, Black also introduces a fantastical element through the imaginations of her characters. The games that the children play evoke a medieval setting, giving the story a fantastical element. Zach uses stories from the Chronicles of Narnia and Lord of the Rings series to inform his approach to the quest, which also evoke elements of the fantasy genre. The supernatural elements of the doll and ghost of Eleanor imbue the book with a gothic tone. However, Black’s assertive characters, who chase and overcome their conflicts through an epic quest, channel plot archetypes common to fantasy.
The end of childhood is central to the novel. Black blends the horror and fantasy genres to explore the different sides of this theme—the fear of growing up and growing apart and the desire to hold onto the fantastical worlds children escape to in play.
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By Holly Black
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