28 pages • 56 minutes read
Ravi is the protagonist of this story. He is among the younger siblings, though not the youngest. He is portrayed by the author as being at a complicated age, torn between childish behaviors and the desire for the respect and freedom that come with being older.
When Ravi is first introduced in Paragraph 19, he is hiding behind the garage on an upside-down flowerpot, picking his nose as he anxiously waits to be discovered by Raghu. This childish behavior emphasizes his youth. As a very young child, Ravi lives in his imagination, with fears and fantasies exerting an equally powerful hold on his mind. He dreams of triumph in the game—“so much victory, such laurels” (Paragraph 27)—as vividly as he imagines the “unspeakable and alarming animal life” inside the shed (Paragraph 22). After a while in the darkness, he considers giving up a potential victory in the game just to return to the comfort and familiarity of his family. However, he ultimately decides to stay in the shed as a way to prove to his siblings that he can best them at something. This shows his desire to be taken seriously, to be treated with respect, and to be seen.
Despite his determination to be the victor of hide-and-seek, by the end of the story, Ravi reverts back to immature displays of behavior when he realizes he missed the point of the game and never made it to the “den” to claim his victory. When he recognizes his disastrous error, he has an emotional outburst in full view of his entire family. The author describes Ravi’s behavior as “crying heartily by the time he reached the veranda so that when he flung himself at the white pillar and bawled, ‘Den! Den! Den!’ his voice broke with rage and pity at the disgrace of it all, and he felt himself flooded with tears and misery” (Paragraph 30). Ravi is completely unable to contain or control his emotions, and he charges at the other children in anger before collapsing face down in the grass and remaining there. For all Ravi’s desire to be older, more mature, and respected by his siblings and family, his thoughts and actions reveal a child who is not quite ready to face those realities.
The children’s mother, though seen a few times throughout the story, is never named. She is described at three different points in the text. The first glimpse into her character is in the first three paragraphs when the children are begging her to let them out of the house and into the sun. Readers see her dialogue exchange with the children as she accuses them of not being able to follow rules if they go outside, which they insist they will. It is clear that she cares for the children, as it is mentioned that the children “had had their tea, they had been washed and had their hair brushed,” and she is attempting to keep them indoors to shield them from the heat and sun (Paragraph 1). But after growing tired of the children’s complaints and promises, she concedes and lets them outside. She retreats to the bath as a respite from the heat and from the fatigue that comes with caring for multiple children.
The mother is only directly seen or described in two more places throughout the story, the first being in Paragraph 31 when Ravi reappears in the evening after hiding all afternoon in the shed. He is crying and howling, and she approaches him with a mixture of concern and annoyance at his behavior. She checks to make sure he is not injured, while simultaneously telling him to calm himself down and stop crying. The final time she is mentioned is when the author describes how she left her bath earlier in the day to intervene when a fight broke out between the siblings over the next person to be “It” in hide-and-seek (Paragraph 33). The fact that the mother is never named in the story may serve as a purposeful way to allow all mothers to identify with this character and relate to her experiences.
Raghu’s age is never specified in the story, but it is implied that he is most likely a teenager. He is a minor character, but his presence is integral to the plot, not only because he is the pursuer in the hide-and-seek game but also because Ravi shows feelings of envy toward Raghu’s size and physical strength. Raghu is shown to readers as serious, tough, and physically capable of overpowering his siblings. In Paragraph 17, young Manu is the first to be found. As he is clearly very small and unsure of himself, Raghu could reach him and eliminate him from the game quite easily. However, Raghu chooses to pursue him “with such a bloodcurdling yell that Manu stumble[s] over the hosepipe, [falls] into its rubber coils, and [lies] there weeping” at having been chased down so aggressively. Raghu is unfazed by Manu’s reaction and sets off to find the rest of the children.
Raghu is equally relentless in his pursuit of the others and tries to intimidate them throughout the game. Although Raghu never finds Ravi, his reaction toward Ravi when he reappears is unfeeling: He chastises him, telling him not to “be a fool” and pushing him “roughly,” though Ravi is clearly upset and emotional over being forgotten by everyone in his family. Raghu’s lack of care and emotion is in direct contrast to Ravi’s sensitive and emotional nature.
Although Mira is a minor character in the story, her presence serves as a mirror to the mother in the text. Like the children’s mother, Mira is portrayed as a firm but nurturing figure who is seen watching over her siblings and trying to manage their behavior. In Paragraph 14, she is referred to as the “motherly Mira” who breaks up a fight between the boys over who will be “It” first during a game of hide-and-seek. She stops their arguing, organizes a fair way to determine who will start the game, and oversees the outcome. Her age is not specifically stated in the text, but she is likely in her early teens, for she is old enough to manage her siblings but young enough to still take part in their games. She is the voice of reason and structure amid the unruly behavior of the boys. In this way, she acts like a mother figure to her siblings, displaying responsibility and maturity.
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By Anita Desai