57 pages • 1 hour read
Lewis describes the change in weather. The snow stops falling, the temperatures rise, and the town shifts back to normalcy. Yet, Mrs. Hardie still misses her son. John and Edward are still dead. Nettie was moved from the hospital to an institutional care facility, and the farmer sits emaciated in his barn, gripping his shotgun. Lewis shovels out his driveway, then hears music on the wind and sees a man standing outside. Feeling stupid with exhaustion, he goes back to bed. He resolves to take a walk. As he returns, he smells bacon cooking. He thinks Christina Barnes has let herself in his house. Dreading the confrontation, he makes his way into the house and finds no one there. He looks all around but finds no one. He calls Otto and asks to go hunting.
Peter ditches class and heads towards Lewis’s house, ready to confront the man about his possible affair with his mom. Peter walks down the road hitchhiking. A man stops and opens his door. The man stops at Lewis’s drive and as Peter approaches the house, he hears a voice in his head telling him to imagine Lewis and his mother. Peter sees his mom’s car parked in the driveway. He watches as his mother uses a key to enter the house.
Lewis, meanwhile, makes his way to Otto’s cheese factory. He asks Otto if, once they are in the woods, he can tell Otto what happened to his wife. The men miss their shots and resolve to make a fire. Lewis looks out over the vista to see Stella’s Volvo cross the space before him on the highway below. Lewis heads back to Otto and the fire. He begins to tell the story of Linda, his wife.
Peter watches in terror as his mother enters the house. He tells himself everything will be okay. Peter sees a curtain twitch and the curtain pulls back, showing Jim. He hears his mom scream. He runs through the back door into the house, and meets Jim, who tells him his mom is fine and that they should talk. Peter throws a lamp at him and bolts up the stairs. He sees the wolf man holding his mother around the neck. Peter watches as his mother turns blue feeling small hands grip his wrists.
Stella breaks her affair off with Harold after he asks her to go away with him. When Harold begins to complain about his job, Stella tells him she only had the affair with him because there was no one else. As Harold begins to insult her, Stella kicks him out of the car, leaving him alone on the highway.
Lewis continues his story to Otto, telling him that he and Linda had fought earlier that day over his firing of a maid who he says was interested in the occult. The maid refused to clean the rooms of their guests, Mrs. de Peyser, her niece, Alice, from San Francisco. Lewis and Linda accepted an invitation to have dinner with them that evening. Lewis felt off from the beginning of the meal and he tells Otto that he now wonders if he was drugged. Mrs. de Peyser sent Alice to bed, but the little girl asked for Lewis to tuck her in. Linda said that she would do it as Linda could tell Lewis was not feeling well. A second after Linda entered the girl’s room, something went wrong. Linda began to shriek and Lewis heard glass breaking. He looked out the window to see Linda’s crumpled body on the ground. Mrs. de Peyser and Alice disappeared. Lewis did not even receive their payment as the card used was held by a deceased woman. Otto tells Lewis that his story is a very American story because everyone is haunted, even the credit card. Lewis decides to take a walk, bringing Otto’s new dog along.
Peter turns to see a small boy giggling with blank gold eyes. He pushes at the boy, expecting him to blow apart, but he is solid. The boy forces Peter to watch as the man drains his mother of blood. They call the woman their benefactor as they explain to Peter that they must save him for her; for Anna Mostyn. Peter asks the man what he is, to which the man replies that he is Peter. He continues to say that he is a Manitou, Gregory Benton, and Gregory Bate. He asks Peter if he believes in vampires or werewolves. Peter says no, but the word liar echoes through his mind. Peter blacks out as the small boy squeezes him tighter.
He awakes alone surrounded by the scent of decay. Peter runs from the house, realizing that the woman and her henchmen will ravage the town. He knows all they want is to destroy. He realizes that he needs the Chowder Society’s help. He makes it down the drive to the highway to find the driver who picked him up still there, his eyes glowing. Peter ducks into the brush along the road, hiding from the man.
Lewis wanders through the woods thinking about how he let his wife down, how he should have gone to the child instead. Otto’s dog takes off after something unseen. Snow begins to fall as Lewis sees a door appear in the trees: “Stitched into the pattern of needles and branches was the outline of a door. A clump of dark needles formed the handle. It was the most perfect optical illusion” (435). The door then morphs into his bedroom door.
Lewis wants to open the door. He tells himself the meaning to all the death lies behind that door. He feels more connected to the door than to Otto. He walks through the door into his bedroom in the Spanish hotel. Linda sits with a dead dog on her lap. She cries as she tells Lewis someone threw it out the window. Lewis says he will bury the dog next to John. As he walks through a door with the dog, he finds himself in his father’s study. His father chastises him for drinking and laziness, for his friends Ricky, Sears, and Edward, and Eva Galli. His father tells him to bury the dead dog someone left outside his father’s church. He walks into Anna Mostyn’s house. He sees a covered body on the bed of the room he entered, and he knows it’s Linda. He sees Stringer, and he paces the room waiting for someone to bring a car for the body on the bed as the scene jumps between his father and Linda. He goes through another door to find Linda on a metal table and asks her what she saw in the girl’s room when she died. She says that she saw him.
Peter hides in the bushes watching the man’s car drive back and forth in the shoulder, calling in his mind for Peter to come out. The man tells him the woman can give him what he wants, his mom back and immortality. Peter thinks he can make it to the Bay Tree Market if he runs. He waits, feeling like a child, then bolts for the door. He sees Lewis, but realizes Lewis is dead. He makes it to the market, the man in the car driving past, scraping against the parked cars trying to hit him.
Peter goes to Don’s hotel room. Peter tells him everything that happened at Lewis’s house. Don and Peter resolve to kill Gregory, Fenny, and Anna. Don tells Peter everything that has happened with him and Alma as well as the Chowder Society’s experiences. Peter discovers that the pamphlet the driver gave him has Dr. Rabbitfoot on it.
Stella’s spurned lover tramps up the hill in search of a way back to town. He curses Stella. He finds Lewis, who has been severely maimed, in a copse of trees. Otto comes and the two men leave the woods together.
Don, Peter, Ricky, and Sears enter Edward’s house for the final meeting of the Chowder Society. Ricky tells the story of Eva Galli. The four original members of the Chowder Society formed an acquaintance with Eva in 1929. She eventually became engaged to Stringer Dedham. The Chowder Society had a pre-sexual obsession with the woman. Then the stock markets crashed and Stringer died. The boys stopped calling on Eva after Stringer’s death. Then Eva appeared at Edward’s apartment in the Hollow, Milburn’s poor neighborhood.
Eva was drunk, lonely, and wild. She blasted jazz music and danced with the boys. Eva broke all propriety, resolving to bed them all, starting with Lewis. Edward tried to stop her as she planted hate-filled kisses on the 17-year-old Lewis. The boys pleaded with her to stop, but she called them pansies and carried on. She moved to bite Edward’s neck and he slapped her. She slapped him back, harder. Then Lewis tackled her. Eva hit her head on the corner of the fireplace and died.
They decided to hide the body rather than call the police. They took the sheep farmer’s father’s car and put Eva in the back. They drove the car into a pond, but they saw Eva sitting up in the back seat as they pushed the car into the water. They then saw a lynx on the other side of the pond and the windows of the car busted. After the tale, Don tells the group that Eva, Anna, and Alma are all the same thing; some sort of shapeshifter. Don recounts Peter’s tale from earlier. Don thinks that these creatures are the origin of all monster myths. Don then reveals that he found a biography of Robert Mobley, Alma’s supposed father. In his book, he writes of a woman who made him question his sanity and brings about the death of his mother and son. The woman’s name is Mrs. Florence de Peyser and her niece. Amy Monckton.
Sears hears the story and wonders why the woman has not just killed them already, since she is obviously capable. Don tells him that this is all a game to her. He bets that Anna Mostyn will not report for work again. Ricky and Sears leave, and Don sees a girl out the window telling him he is a ghost.
Milburn moves toward Christmas as the snow continues to blanket the town. The picturesque sledding, sleigh bells, cookies, and parties fails to occur. The high school’s heater fails, conversation is clipped, and the sleigh never graces the streets of Milburn; “This December Milburn looks less like a village on a Christmas card than a village under siege” (491). The theater shows horror movies on loop as tensions run high leading to violence and hallucinations. Food shortages lead women to fight. Ten Milburn residents die. As the morgue truck cannot make the drive into town, the bodies stay in the tiny jail. The snow rarely ceases as “for the first time in most of their lives, Milburn people saw the weather as malevolent, a hostile force that would kill them if they let it” (494). The town closes in and shuts down, leaving the four men to face the Manitou.
Sears, Ricky, and Don prepare to enter Anna Mostyn’s house using the window Jim broke. They wade through knee high snow. Ricky has brought a kitchen knife, but the other two men came unarmed. As they enter the house, they decide to split up. Ricky realizes this is the house from his nightmares. He sees the blood stain from where Gregory killed Jim. Don enters Eva/Anna’s bedroom. The door crashes shut once he enters.
Don sees Robert Mobley standing before him. The room appears as a stage with 50-60 people milling about in the audience. He sees Lewis and John. Robert tells Don he cannot leave. Men take a hold of Don and force him to watch a production that turns out to be Sears and Ricky walking through the house. Don is forced to watch as the camera follows Ricky, springs a trap, and strangles him. Don wonders if this is real.
Ricky enters a bedroom to find it empty except for a mirror on the wall. As Ricky looks into the mirror, he sees the sheep farmer, Elmer Scales, walking toward his house with a shotgun. Elmer shoots Lewis in the back as Lewis gazed at the naked form of his dead wife. Then Ricky sees the wolf man eating Peter Barnes.
Seats looks through the front rooms then climbs down the stairs into the cellar. John Jaffrey appears before him. He tells Sears he went over, smiling all the while. Sears makes his way around the water heater and finds the body of Christina Barnes. He calls out for Ricky and Don.
The three men call Sheriff Hardesty out to the house. He is suspicious of the men, who tell him it is his job to find out what happened to Mrs. Barnes. Sears tries to tell him that it is the fault of Anna Mostyn and her two accomplices, but he remains skeptical.
Ricky and Stella discuss their fear at home after Ricky’s return from Anna/Eva’s house. Stella promises to be a better wife.
The next days are motionless due to the weather. The day before Christmas, Elmer Scales stares out the window with his shotgun on his lap. He begins to hear his father’s voice. Then a glowing golden man appears in the snow. Elmer stops feeling the cold and the men tells him what to do with his family.
The narrative then switches to the sheriff sucking whiskey off his cowboy hat. He hears one of the bodies move inside the tiny jail cell. He realizes he is scared. He then hears laughter from a room he knows is empty.
Don and Peter sit in his car outside of his uncle’s house waiting for Sears and Ricky to arrive. They appear and the four enter the house to listen to Edward’s interview tapes with Ann-Veronica Moore. Don found a tape in which Ann-Veronica slips into Eva Galli’s voice asking if her old friends are listening. The tapes demonstrate her power, but also her weakness. She speaks to Lewis and John, so she does not know what will happen, only her own actions, not others.
Then Alma Mobley’s voice comes on and Don stops the tape. Peter tells the group that defeating these monsters is the most important thing they will ever do. They have no choice but to do it. Ricky, Sears, and Don agree that they must save Milburn.
After the others have left, Don listens to the interview tape with Alma. She tells Don that he was so much fun ever de Peyser shows interest in the game with him. A voice in Don’s head tells him he is dead already. He fights it.
Ricky awakes to a sense of panic and dread for what he must do. He sees again the vision of Elmer Scales in the snow. Stella fusses over him, but he shakes her off to go downstairs and call the farmer. When he comes down, he finds Sears, who has been staying with them, fully dressed and ready to head out to Scales’s farm. Ricky suggests they call. There is no answer and Sears says he is going to drive over alone. Ricky and Stella try to stop him, but he says he must go.
His car lock is frozen shut, and the car takes forever to start. He heads out, thinking of the small footprints he saw in the snow. He knows the roads will be deserted, so he cautiously drives on, concentrating on driving. He thinks briefly of heading back to Ricky’s but keeps going. He pauses at the top of a hill to see the snow is much worse there. He hears Elmer in his head telling him he must hurry. He sees a plow at the bottom of the hill. The plow driver tells him he must turn back because the road is blocked. He hears Elmer calling for him. He presses the accelerator all the way to the floor, careening down the hill, seeing Lewis, then hearing Fenny in the back seat as he smashes into the plow. Sears turns as Fenny’s hand brushes his check. He sees Fenny and Gregory in the back seat and decks the older boy. Gregory snarls and attacks him.
Ricky answers the phone to hear Sheriff Hardesty, drunk, on the other end. Hardesty tells Ricky that the Scales are all dead, Sears as well. Hardesty tells Ricky he is going to stay drunk and barricaded in the jail.
Don comes to stay with the Hawthornes and, that night, they hear jazz music play through the town. The town turns more insular and paranoid, neighbors refusing to even acknowledge each other. Peter hears the music too, sees a car stop outside his house, and he looks out the window to see all the dead staring up at him. He goes back to bed, crying, as the music starts, and the car drives away.
Shortly after New Year’s, the town plow begins to run again, finding Sheriff Hardesty dead in the snow. The bar owner prepares for customers to return. The new Chowder Society, Ricky, Don, and Peter, plan a return trip to Anna Mostyn’s house. Don tells them about the imagination speech Alma made on the tape. This time, Don takes an axe and Peter takes a large bowie knife. Ricky keeps his kitchen knife.
The men use the back door again to enter the house and Peter reminds himself of the proper way to strike with a knife as the group go down to the cellar. They find nothing there, so they make their way up to the top floor. The reach the room where Peter might have died. The men enter cautiously and find it empty. They stand, relaxing. Then Peter looks into the mirror, only vaguely hearing Ricky’s shouted warning. He sees the beautiful woman calling to him, reminding him that he could live forever with her. That he could be with his mother again. The woman encourages him to turn his knife on the men behind him. The mirror falls, and the spell is broken. He picks up a piece of the broken mirror and sees a smile glimmering in it.
The men leave the house, trying to figure out their next move. Peter feels guilty and weak, but Don and Ricky tell him that they are all susceptible to her manipulations. Peter realizes that the place of dreams is the theater, which is currently running Night of the Living Dead.
Don finds the theater proprietor’s body and turns to Peter to tell the boy he is right. They make their way through the theater, checking the aisles as they walk, the movie running in the background. The empty theater makes them more wary as they discuss where to look next. They hear a door slam and hear bare feet running down the exit corridor. A child appears, followed by Gregory Bate, chiding them for their silly weapons. Don sees Peter and Ricky fall.
Gregory bears down on Don as Alma’s voice echoes in his head. Gregory tells Don about how much fun he has been, much more fun than his brother. Peter stabs Fenny, and Gregory turns and launches himself at the boy. Gregory throws Peter into the movie screen. Ricky grabs Gregory and stabs him in the back. Don hacks Gregory to bits, and as he tires, Peter takes over. They exit the theater to find the worst blizzard of the season. Don and Peter carry Ricky home through the storm. Peter calls his dad to tell him that he is going to stay at the Hawthorne’s for the duration of the storm. The men eat and regain their strength as they plot their next steps.
Ricky thinks Anna must be hiding out in the Hollow regaining her strength. He believes she has gone back to Edward’s old apartment where the death of Eva Galli occurred. The men plan their attack. They bundle themselves in all the warm clothing they can find and prepare to walk to the Hollow. Don imagines them looking like polar explorers. He is sure the temperature is well below zero. They keep moving on. The snow and wind become stronger and heavier. The three men finally make it to the apartment and as they break the door open, a different voice echoes in each of their heads, and each voice says hello.
Don finds himself in 1950s New York eating lunch at an outdoor café with his brother, David. He tells Don that he has been in an institution for the last year after he finished his novel. He also says that no monster would bother to chase them because humans are so insignificant.
Ricky sees Sears welcoming him into his library. He finds himself at a meeting of the Chowder Society. John and Lewis are also there. They are debating sending Don a letter about Edward. Ricky says they must tell him about Eva. Ricky tells Sears that he is freezing. Sears tells Ricky that everything is okay, that Edward died of natural causes. Sears puts his hands around Ricky’s throat. Ricky sneezes, breaking the hallucination for Don and Peter.
Peter, who has been hallucinating the theater and his mother, hears the sneeze and attacks, stabbing his illusion in the stomach. He watches his mother disintegrate. Anna Mostyn then lies before the three men as they realize what is happening. She bleeds as her eyes drift out of focus. The dead woman curls up like a bug. A green light flashes and they turn to see a sparrow on the windowsill that flies away. Peter asks if it is over. Don and Ricky look meaningfully at each other, then tell Peter it is all over.
Ricky convalesces in the Binghamton hospital, recovering from pneumonia. He tasks Don with tracking down the monster and killing it. The town begins to return to normal. Peter goes off to Cornell and Don stays in Milburn, watching for strangers. He sits in the square for hours daily, and convinces himself that Anna will reincarnate as a child.
He sees her one day on the playground and begins to watch her. The child begins to appear in his dreams. Don falls into drinking again and keeps the bowie knife taped to his side. He approaches the girl and asks her name. The next day, he takes her.
Don is back in the outdoor café in New York. David sits across from him in decaying clothing. His steak is moldy. David morphs into Dr. Rabbitfoot, chastising him, then turns into Alma, then turns back into David, this time with his face smashed. Don finds himself back in the motor lodge, Dr. Rabbitfoot with him. Don runs to the car and gets in, only to find Dr. Rabbitfoot in the road before him. Rain begins to pour and Don flips on the wipers. Without thinking about it, he slams his foot down on the accelerator. Alma Mobley stands before the car, her arms held out, but Don slams into her. Alma becomes Dr. Rabbitfoot, who begins to curl up in the way Anna Mostyn did.
Water begins to pour into the car. Don looks frantically for the animal Anna must have become. He finds a wasp, grasping it firmly in his hand, and it stings him, but he holds up. He makes his way to the shore, hearing a voice rage for release in his head. Don takes the knife and slices the wasp to bits. Don rubs the remaining pieces into the sand. Don experiences a wave of elation as he thinks of Sears, Lewis, David, John, Peter, Stella, and Ricky.
Straub’s final section of the novel forces the main characters to reckon with their shame and failure. The Chowder Society must face their darkest secrets and deepest fears as the conflict in Milburn comes to a head. The thematic development of the story reaches the author’s conclusions: A community can survive terror, outcasts are expendable, and secrets will out. Straub’s callous handling of the outcasts of the story mirror the sentiments of the 1950s culture, that of rigorous conformity. The community comes together, but only after it is purged of stressors and risky citizens, illustrating the novel’s themes, Outcasts: Society’s Fear of the Other and Terror: Maintaining Community During a Panic. The moral case against the dead leaves the community largely unchanged. The Omniscient Narrator knows the sins of all, leaving those at risk to face the consequences of their questionable behavior.
Straub draws a distinct line between the Milburn of the past and Milburn experiencing terror: “This December Milburn looks less like a village on a Christmas card and more like a village under siege. The Dedham girls’ horses, forgotten even by Netti, starved, and died in their stables. This December, people stayed in their houses more than they were used to, and tempers wore thin—some broke” (491). Straub uses an omniscient narrator to show the effects of terror on the community. Most of the novel focuses on the Chowder Society, but in this passage, the author focuses on the suffering of the whole town. The repetition of “this December” shows the inescapable nature of fear and suspicion. The shapeshifter sows doubt among neighbors and couple. This doubt creates further opportunities for attack.
In this section, the narrator numbers the dead: 10 people killed by the shapeshifter and Bate brothers, not counting the Scales family and Sears James. The list of names and causes of death takes only a paragraph, showing the lack of import these people had on the community and the plot. Each of the people listed were considered outcasts or sinners. Omar Norris experienced substance use disorder, Penny Drager sleeps with Jim, then dates Freddy and Gregory Bate. Straub’s protagonists are all white men, and only Stella and the shapeshifter are women with any real power. Stella only has an impact because she is married to Ricky, while the shapeshifter claims her power from a dark, supernatural force. The monster embodies the outsider and the male protagonists’ fears of women.
The shapeshifter confronts each of the Chowder Society members, including the new inductees Peter and Don. Edward succumbs to the obsession with the feminine form of Ann-Veronica Moore, who is only 17 at the time, leaving him open to attack. John, with his substance use disorder experiences, does not survive. Lewis, the Lothario, faces his guilt and shame in the form of his wife and father, and does not survive. These men fall short of the moral character demanded of men in the 1950s and the monster takes them. Sears James faces her, saving Ricky as he failed to save Fenny. He confronts the Bate brothers in his final moments, and free from guilt of shame, he attacks.
Ricky, Don, and Peter stay steadfast in their morality. The adherence to cultural norms and expectations of the community makes them diverting targets to the monster, but also save them from her. Ricky, a steadfast husband, and humble friend, confronts his reflection and sees only the actions of the others. His only shame lies in not confessing to the police about Eva’s death. Once he knows the true nature of Eva, he forgives himself, as does the narrator. Don’s story is more complicated. He falls deeply into Alma’s trap, but her incongruence of story and character cause him to detach. When Alma and Don spend the weekend at David’s cabin, Don sees her true nature. Alma, knowing that her grip is slipping, attaches herself to his realist brother. Don, as a writer, allows himself to see Alma for what she is. David, like Sears, is a lawyer that does not hold with the supernatural.
Peter sets himself apart from Jim by following the traditional path his parents want. He may not be going to Yale and his hair might be too long for Ricky’s taste, but he follows tradition and cultural norms. Even as his mother dies in front of him, he holds fast to his sense of duty and honor. Peter’s ability to move on after the events of the novel demonstrate the author’s belief in normalcy returning after the cultural upheaval of the 1970s. Milburn and Peter represent a return to the Norman Rockwell picturesque.
Straub uses the outsiders, not real and supernatural, to bring havoc to the quiet town of Milburn. These outsides threaten the status quo, but they are also of the norm. The story of America is the story of conflict between outsiders and insiders. When Otto tells Lewis his ghost story is purely American, he conveys Straub’s conviction that this conflict will never end; the monsters, will always want to cause conflict. The Jim Hardies of the land will always embrace the opportunities to cause mayhem. The Chowder Society elders will always stand in firm opposition to the changing world. The Dons and Peters will always find a middle road. Yet, the story is always haunted. Each character carries their grief, shame, and secrets, affirming Shame and Pride’s Role in Keeping Secrets. The community survives the trauma of terror, but at the cost of future ghosts and griefs of the dead that will haunt them metaphorically.
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