48 pages • 1 hour read
Rob Fleming is a 35-year-old man who owns a record shop in London. He reveals that his “all time, top five most memorable split-ups” (3) are Alison Ashworth, Penny Hardwick, Jackie Allen, Charlie Nicholson, and Sarah Kendrew. Not included in the top five is his most recent girlfriend, Laura. Rob provides the details of each of these break ups.
Alison and Rob grew up together as young teenagers in suburban England in the early 1970s. They kissed and dated for a few days, but then she developed an interest in one of Rob’s friends. Although their relationship lasted a matter of hours, Rob still feels hurt by what he regards as Alison’s betrayal and “all [of Rob’s] other romantic stories seem to be a scrambled version of that first one” (9).
Rob describes Penny as a nice, wholesome girl who he dated a year after Alison. He broke up with Penny because she did not want to have sex with him, but now regrets the immature way in which he told her. Penny cried and Rob hated her for making him feel guilty. He dated another girl and, soon after, Penny had sex with one of Rob’s friends. Rob is still confused by the series of events but assumes that Penny became a nice adult.
Jackie was the girlfriend of Phil, one of Rob’s friends. Phil and Jackie dated for years, and Rob envied their happiness. He seduced Jackie but never enjoyed the happiness that he once envied. During their brief time together, Rob could not understand why he was so miserable. He even tried to have Jackie’s name tattooed on his arm but the tattooist refused him. Rob and Jackie broke up a short time later; Jackie and Phil reunited.
Rob met Charlie at college in London. She struck him as “different and dramatic and exotic” (20) and, though he never thought that he was as attractive or as interesting as her, she seemed to like him. He spent their two-year relationship terrified that she would realize that he was not cool or noteworthy, until eventually she left him for another man. The break-up had a dramatic effect on Rob: He obsessed over getting her back, thought about killing himself or her new boyfriend, and flunked out of college. By the time he got over the relationship, Rob was working in a record store. He admits that he “never really got over Charlie” (24), and his obsession with her turned into an obsession with music. He now feels as though he is trapped in his life as a record store owner due to one bad break up.
After Charlie, Rob viewed Sarah as a more suitable match. He views himself as moderately intelligent and moderately attractive, combining “a whole load of averageness into one compact frame” (28). He viewed Sarah as suitably average and equally as affected by her own recent break up. They moved in with one another and tried to be happy, but eventually Sarah met someone else. Rob was shocked. Afterward, he met Laura. He and Laura have now broken up, but he tells her that she will have to try harder to ruin his life if she wants to make his top five break ups.
Laura moves out of the apartment she shares with Rob. They have a clumsy, awkward conversation on the doorstep, then she leaves. Rob returns to the apartment and his life as a single man. After a moment of reflection, he goes to his record store. The store is named Championship Vinyl and serves a small but dedicated customer base of mostly young men. His employees are Dick, a socially awkward 31-year-old, and an aspiring musician named Barry. Rob does not share the details of his breakup with Dick as they go through the familiar daily routine of working in the store.
Barry arrives late. Both Barry and Dick are only employed part time, but they “both started turning up every day, including Saturdays” (41). Barry’s brash, talkative manner intimidates the shy, reserved Dick. All three men have a habit of organizing everything into lists of top fives and top tens, whether they are talking about music, films, food, or women. As the men bicker about music, Rob worries that he is wasting his life.
Rob returns home and spends the evening alone, surrounded by Laura’s possessions and remembering their relationship. He receives telephone calls from his mother but does not want to tell her about the breakup. Becoming frustrated, he blurts out the truth. Rob listens to his mother cry on the other end of the line and believes that she is treating him unfairly. Later, Laura’s mother calls the apartment. He does not tell her what happened and wonders whether they will ever speak again.
At work, Rob overhears Barry insult a customer for attempting to buy a record that Barry considers to be “sentimental, tacky crap” (53). After the customer leaves, Rob tells Barry not to insult the customers. The store has not been thriving in recent months, so they need to be nicer to people.
One night, Rob decides to organize his entire record collection. He tries to arrange the records in the order in which he bought them, thereby creating a kind of autobiography of his life. The next day, Rob shouts at Barry for a random remark. After the angry outburst, Rob reveals the breakup to Dick, who promises to tell Barry.
The following night, Rob and his two co-workers go to a concert at a run-down bar near the store. The American singer Marie LaSalle has recently moved to London and is playing at the bar. Rob finds her performance to be unexpectedly moving, particularly her cover version of a song he previously considered to be embarrassingly kitsch. In that moment, he realizes how much he misses Laura and how much he loves Marie.
During a break in the concert, the three men each buy a cassette from Marie. She speaks to them and asks whether they know any good local record stores. Barry and Dick enthusiastically invite her to the store. Rob is more hesitant, worrying that her presence in the store might make him act nervous and silly. He returns home to short answering machine messages from Laura and Laura’s friend Lisa.
Rob returns Laura’s call the next morning. They arrange for Laura to collect her possessions at a time when Rob will be at the store. After the conversation ends, Rob contrasts his heartbreak with the unexpected excitement that Marie LaSalle might come to his store. He reflects on his relationship with women in the hope that he will learn more about himself. When he returns the call to Lisa, he learns about Ian, the new man in Laura’s life. He arranges a date with Lisa.
Marie visits the store that afternoon. Even though she buys many records and adds the staff to the guest list at her next concert, Rob is unenthused. He spends her visit moping in the stock room, thinking about Ian. Rob eventually realizes that Ian was, until recently, his upstairs neighbor. He obsesses over how long Ian and Laura might have been together and how much their relationships overlapped. When he remembers how he could hear Ian having sex with other women while he lay in bed with Laura, Rob is gripped by jealousy and a sense of inadequacy.
High Fidelity begins with an introductory chapter which establishes Rob’s habit of making lists. The top five most damaging break ups are an attempt to categorize and order a chaotic romantic life using the same approach Rob uses to share his knowledge of music. He hopes that, by organizing his break ups into a list, he can gain control of his emotions and better understand the failures of his past. The top five lists become a structural device throughout the book, showing the different ways in which Rob uses his obsessive personality to first ignore the problem, then confront it, and eventually deal with it. At first, he denies that Laura is in his top five most damaging break ups. Then, as he revisits past girlfriends, he begins to understand why the breakup with Laura is so damaging. By the end of the novel, the structural device of the lists gives way to a less obsessive, less demanding acceptance of reality. The top five format introduced in the introduction frames the entire story as Rob’s attempt to bring order to a confusing existence.
Laura is largely absent from the opening chapters of the novel, and this absence comes to define her. In a physical sense, she is gone from the apartment, and the spaces she once occupied make her absence even more obvious. In a figurative sense, Rob refuses to add Laura to his list of break ups. He shouts at her though a window, loudly telling her that she will need to try harder if she is to ruin his life. Laura is literally absent from the apartment and from the list, though her presence is very much felt in both respects. Laura’s departure inspires Rob to make the list, indicating that he is in denial. He refuses to acknowledge that Laura’s departure is the most damaging of all his break ups, even though it is the only break up which prompts a journey of self-discovery. Similarly, Rob insists that Laura’s departure will allow him to redecorate his apartment and reorganize his records. While Laura is defined by her absence, Rob is defined by his denial. Until he can acknowledge and accept the importance of Laura in his life, he will never be able to recover from the breakup.
Dick and Barry function as reflections of Rob. They work for him, but they also indulge his neuroses. They are fellow obsessives, and all three men feed on one another’s energy, arguing constantly over seemingly inconsequential matters for days at a time. Rob sees this behavior as foolish, but he does not tell Dick and Barry to stop because he enjoys their obsessiveness. Rob sees so much of himself in Dick and Barry that any criticism of them becomes a criticism of him. He is aware of this, so his annoyance at Dick and Barry is an extension of his own self-loathing. Meanwhile, Dick and Barry enable Rob to stay stuck in his immature loop, repeating the same mistakes over and over because they are familiar, comfortable mistakes. Dick and Barry become extensions of Rob’s failures, while their continued presence in the store symbolizes his refusal to address those failures.
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By Nick Hornby