71 pages • 2 hours read
Summary
Chapter Summaries & Analyses
Character Analysis
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Tools
A man waits outside the “cozy” but dated inn in Milan where Franca works (59). Before he can enter, Franca bursts outside, scolding and chasing off assistants who ruined the soup she was making. The man puts on a show of “cheap flattery” and asks Franca if she would be willing to stay open to make him a meal (59). She is slightly put off by his lower-class appearance but decides to invite him in and prepare him a hare dish. She can tell he is satisfied while watching him eat and is joyful when he pronounces it the “best meal of my life” (61).
The man tells Franca he cannot pay her but that he has a “challenge” to leave in his place (62). He produces a sack of ingredients and a recipe, then asks if she thinks she can handle such a “difficult” task (62). Insulted, she assures him she can. After he is gone, she examines the contents of the bag and finds that it contains “two dozen” white truffles, an extreme rarity (63). Tempted to sell the truffles and forget the man, Franca instead decides to take on his challenge. She takes off work and gives herself five days to assemble the meal. The recipe is hard to follow because some of the measurements are unclear and some of the ingredients are hard to identify; one even leaves her tongue “numb for two days” (65). Still she manages to finish up the “bite-sized loaves” the same night the man returns (65).
The loaves taste putrid so Franca is “nervous” as she serves them (65). The man, however, appears completely satisfied with her creation. Before long she realizes why: The more he eats, the younger he looks. He tells her to check in the mirror and, sure enough, she also looks more youthful now. He tells her that in the wrong proportion the recipe he left her could be lethal, but because she was so skillful in the kitchen, she was able to create life instead of death. He leaves her another sack of ingredients but this time no recipe. He tells her, “I want to see what you can do on your own" (67).
At first, Franca is too scared to use the ingredients. She sleeps and ponders and takes more time off work until she finally decides to try, realizing this might be her only chance to redeem her reputation in the culinary world after a recent disgraceful incident.
When the man returns, she has prepared several dishes, many of which induce hallucinations. He loves the meal though he makes a huge mess eating it. Franca is overjoyed and asks if he has another sack of ingredients for her. He says no; instead, he would like to show her how to obtain her own ingredients and to become her apprentice. Franca warns him that she is hard to work for, that he will need to make “art,” not food (73). He offers her a huge kitchen and home in his citadel, as well as his unwavering loyalty. She accepts on the condition that she never has to “cook” truffles again (74). They leave the mess they made behind and head into “the snowy Milano night” (74).
In this short story, the importance of food, power, and art are blazingly apparent. Perhaps the most important thing to note is that in this collection, food and art are considered sources of power. Here, food takes on many important roles: It provides sustenance, careers, and connection, and functions as a healer. Food’s ability to provide both death and life is mentioned, as well food’s ability to influence dreams. In short, food comes across as the world’s most powerful substance.
However, food alone does not appear to harness this power; only food that has been shaped into art has sway. The more craft it takes to create a meal, the more powerful the meal will be. This underscores the role that food and art played in earlier stories in this collection. For example, in “The Red Dirt Witch,” food’s power to kill and save is highlighted. Pauline almost loses her virginity—if not her life—over an orange, and the medicinal herbs Emmaline mixes function as her family’s source of income. Similarly, in “The City Born Great,” the narrator uses graffiti to help save the city, which again calls attention to the power of art.
One of the major themes in this short story is balance. In many different capacities, balance is the only path to success. The most prominent example is Franca’s ability to balance the ingredients in the mini loaves. If she had not achieved the correct balance, she would have either disappointed her visitor or, at worst, killed him. Franca also struggles to maintain an emotional balance. An earlier incident caused her to react passionately instead of with equanimity, and as a result, she lost her job and her social standing. Through these details, this collection conveys that a life free from extremes, both physical and mental, is best.
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By N. K. Jemisin