86 pages • 2 hours read
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Discouraged by his lack of employment options, the protagonist walks the streets one winter day. After buying roasted yams from a street vendor, a Southern food that makes him homesick, he comes across an elderly Black couple being evicted from their apartment by Irish policemen. A crowd gathers, angry at the way the tenants are being treated. The onlookers become increasingly angry and threaten violence when one of the policemen pulls out a gun. The protagonist gets in front of the crowd and makes an impromptu speech to try and calm the onlookers down. His words, although they seem to be urging the crowd to comply with the police, are actually intended to shame the police for throwing the couple out into the cold, and the crowd rushes the policeman with the gun, causing him to run away. The crowd picks up the elderly couple’s belongings from the street and take them back in to the apartment.
More police officers arrive to subdue the crowd, and the protagonist slips away from the scene into the apartment building, where a White woman tells him how to get to the building’s roof. She tells him he can travel from roof to roof until he gets safely away, and makes a cryptic reference to the speech he made outside, saying that he’ll be more “effective” if he gets away from the police (284). The protagonist does as she says, and is followed by a White man who trails behind him up on the roof, whom he assumes is a police officer. Eventually though, he gets back down to the street and finds that the man is not with the police and wants to speak with him.
They go to a cafeteria and the man tells the protagonist that he’s part of an organization (known as the Brotherhood) that works on race equality issues, and offers him a position as a speechmaker. In keeping with the use of the term “brother,” the man introduces himself as Brother Jack. The protagonist distrusts Jack because he’s a stranger and is wary of becoming involved in an unknown organization, and refuses to commit to the idea. Jack writes down a phone number where he can be reached and says to ask for him if he changes his mind. Both unsettled and encouraged by the events of the day, the protagonist goes back to Mary’s.
As soon as he gets back to Mary’s, the protagonist realizes that he can’t turn down Brother Jack’s offer—he’s unemployed with few alternatives, and Mary herself is in need of money. He feels indebted to her and decides to investigate the job offer, calling up Brother Jack right away. Brother Jack insists that they need to meet that night, and whisks the protagonist away in a car with him and several other associates. They go to a party at a luxurious apartment, seemingly attended by people who know about and are involved with the Brotherhood. Jack pulls the protagonist aside and presents him with an offer: The Brotherhood wants him to become a figurehead and orator for the cause of social justice for Black people in New York and will provide housing and a large salary. The protagonist accepts the offer, and he is assigned a new identity: an alias that he’s expected to answer to and adopt as if it were his given name.
The protagonist returns to the party, where a drunk man heckles him by asking him to sing (a reflection of the racial stereotype that Black people were first and foremost entertainers). The protagonist decides that he will craft his new identity according to his own desires while also making his employers think that he’s following their wishes, and returns back to Mary’s with enough money from the organization to pay her for his room and board over the previous months.
The protagonist wakes up the next morning hungover from the previous night’s party and becomes irate when someone in another apartment keeps hitting the communal steam heating system, creating a loud knocking. He grabs a coin bank that was left in his room by a previous tenant and smashes it against the pipes while yelling at the unseen noise-maker. Mary comes to investigate the noise from the protagonist‘s room, but he lies and says that he wasn’t hitting the pipes; he also doesn’t tell her that he’s broken the coin bank, which is a lurid and stereotypical rendition of a Black man with a shirt on that says Feed Me. He hurries through a quick cup of coffee with Mary, helping her beat back some cockroaches that crawl through a seam in the kitchen linoleum, and then goes out to buy himself some new clothes before getting to touch with Jack to find out where his new lodgings are.
He intends to throw the broken coin bank and money, which he’s tucked into his briefcase, and tries to twice but has the bank returned to him each time. (The first time, he throws it away in a residential garbage can but is spotted by the owner, who makes him remove it, and the second time he drops it on the street but is followed by a man who returns it to him.) Exasperated, he decides to throw it away later. He buys his clothes, gets the address of his new apartment from Jack, and goes there to find a clean, spacious apartment in a White neighborhood. Jack tells him that there’s literature in the apartment for him to read about the Brotherhood’s mission, and to be ready to make a speech that night.
Jack and some other members of the Brotherhood pick up the protagonist that evening and take him to the arena where a rally will be held. Jack tells him that he’ll be speaking last, after several other members. While they’re all waiting to go onstage, the protagonist is nervous about how he’ll be received by the crowd and reflects on the events that have led him to this point. The group goes onstage and the protagonist listens in a daze to the first few speakers. When it’s his turn to speak, he gives an emotional, passionate speech about the dispossession of African Americans and the working classes by those in power. His words receive enthusiastic applause and cheering from the crowd, but afterward he finds that some of the Brotherhood members prefer a more intellectual, “scientific” approach to their message. Jack defends the speech, but tells the protagonist that he will still undergo planned training with a man called Brother Hambro to help hone his craft.
During this section of the book, the protagonist is brought into the world of the Brotherhood. The wealth, prestige, and influence of Brotherhood contrasts with the impoverished experience of both the Southern Black community the protagonist has left behind and the economically precarious situation that the Harlem inhabitants find themselves in. Lured both by these resources and his impression of the Brotherhood as prestigious, organized, and effective, the protagonist not only joins their efforts but will begin shaping his identity around his involvement with them in later sections. The White woman’s advice to the protagonist is symbolic of White “assistance” to Black people because she intends to send Jack after the protagonist and alludes to the protagonist’s “effectiveness” for the Brotherhood, an association that will harm rather than help him.
The incident with the coin bank is important because it involves a degrading racial image—the Black man on the coin is depicted according to racial stereotypes and wears a shirt reading Feed Me. This evokes dependency, passiveness, and simplicity, all traits that the Black community was trying to reject during the post-slavery, pre-civil-rights era. The protagonist’s destruction of the bank and his attempts to get rid of its smashed remains are symbolic of his desire to overcome the racial oppression and stereotypes of his day. The fact that he is thwarted twice from throwing the coin bank away—and in fact still has the bank in his briefcase near the end of the book—is symbolic of the persistence of racial injustice.
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By Ralph Ellison