29 pages • 58 minutes read
It has been two days since Act I. The setting is still the same, but more furniture and knickknacks are present. It is early evening. Jack is half-asleep on the couch, and Joxer is outside his door, singing. Jack lets Joxer in and talks of all the documents he has to sign regarding the will. They also talk about Father Farrell again. This time, Jack mentions how Father Farrell and all priests are for Ireland’s freedom.
Jack mentions that Charlie is on his way, and Joxer remarks how Charlie is Mary’s new love interest, Mary having broken things off with Jerry. Jack tells Joxer that Charlie plans to give up teaching to become a solicitor and how both suitors are a pain. Joxer leaves and Johnny enters moodily. Mary and Juno return with a gramophone, which Jack wanted. Charlie enters, and Jack tries to engage Charlie in a philosophical and religious discussion. Charlie confesses that he is a Theosophist, and his beliefs are influenced by Eastern traditions.
The topic veers into ghosts and killing people. Johnny reacts with great emotion to the conversation. He leaves and suddenly screams. He rushes out, claiming to have seen the image of the murdered son of Mrs. Tancred, Robbie, kneeling before the Virgin Mary statue in the other room. Everyone thinks it’s just a shadow or his imagination, but Johnny wants someone to check. Charlie volunteers, when no one else will, to go in and confirm everything is fine.
The Boyles’s neighbor, Mrs. Madigan, arrives along with Joxer once again. Mrs. Madigan tells Charlie that she always knew Mary would make something of her life and what a match she has made in him. Mrs. Madigan inquires about Johnny’s well-being, and the Boyles coax her into having a drink and singing a song. Jack then gets Joxer to sing. Johnny asks Jack to put on the gramophone and stop Joxer’s singing. The festivities halt when Mrs. Tancred and several neighbors somberly arrive. Mrs. Tancred’s son’s body is set to pass the house and arrive at the Church later that evening. Mrs. Tancred is unable to take any tea and laments the death of her only child and how it happened. After Mrs. Tancred and her neighbor friends leave, Juno tells everyone that Robbie’s body was found “riddled with bullets” and that he was a Die-hard, an Irishman interested in only full independence from Britain, which differs from a Free Stater, one willing to accept partial independence. Juno reminisces about Robbie and Johnny’s friendship. Johnny pipes up that they were never friends.
Juno lists the young boys affected by the fighting, and Jack responds that death is a part of a soldier’s life. Johnny wants to talk about something else, and Mrs. Madigan mentions Jack singing a song. Mary and Charlie decide to leave at this point. Jack recites a poem he has written; it ends with “But never refused a copper to comfort a pal in need. Eeeeeh” (449). Mrs. Madigan and Joxer praise the poem, but Johnny just wants to put on the gramophone. Jack obligingly puts on a record when “Needle” Nugent, the local tailor, enters, complaining about the noise. He says that Mrs. Tancred’s son is about to pass through the house on the way to the funeral. Mr. Nugent exits, and they all go to the window, except Johnny, to watch the funeral procession and recite what they see. They all decide to go to the street to get a better view. A Young Man enters and tells Johnny to meet him that night at 8:00 because he believes Johnny knows something about Robbie’s death. Johnny claims to know nothing and wonders how much more he can give to his country. The Young Man remarks, “No man can do enough for Ireland” (450). The curtain closes with the outside crowd praying the Hail Mary in remembrance of Robbie.
The tenement arrangement allows for neighbors to live in close proximity to one another and, therefore, share stories and be involved in each other’s affairs. As a result, this act, while still centered on the Boyle home, expands the Boyle circle to include the next layer of familiarity: neighbors. Literature, music, and the arts have a rich history in Ireland. This oral traditional history is on display through the characters’ sharing of songs during this act. Boyle even shares a poem he wrote with Joxer’s encouragement. His interest in singing starts in Act I, but his disparaging remarks of Mary’s reading of Henrik Ibsen plays in Act I make his poetry moment in Act II surprising, as noted in Juno’s reply, “God bless is, is he strain’ to write poetry!” (449).
Additionally, the act continues to incorporate the hovering cloud of the Irish Wars, past and present. In particular, Johnny’s post-war effects, which could be likened to today’s diagnosis of PTSD, are a focal point. He has a vision of Robbie Tancred kneeling in front of the Mary statue, and he has an almost-inconsolable reaction to it. None of the family members wants to comply when Johnny asks them to go in the other room to check the statue and the candle that’s usually lit before it. Jack thinks it’s all “nonsense,” which would be a common response to mental health difficulties at the time. Only Charlie, a stranger to the Boyle family, is willing to accept Johnny’s mental reality and check.
Also related to post-war effects and Irish traditions is the funeral procession for Robbie that the Boyles and accompanying neighbors witness from the Boyles’s window. Jack remarks, “There’s t’oul’ mother walkin’ behin’ the coffin” (450). The group in the Boyle apartment eventually joins the crowd on the street and participates in the traditions of singing and prayer.
Robbie’s character seems to mirror Johnny’s, as they’re two similarly aged soldiers who fought for their country, but one makes it out alive (at least at this point in the play). Despite Johnny’s good fortune at being the living one, his life has become a challenge and even a joke of sorts, while Robbie’s death becomes one of celebration. This event, along with the Young Man’s mention that a countryman can’t do enough for Ireland, foreshadows Johnny’s demise.
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