62 pages • 2 hours read
“Yolanda Arrives” is a mixture of poetry and prose that describes the arrival of Zep’s cow Yolanda at Mrs. Falala’s. Yolanda is a neatly groomed heifer whose arrival at first puzzles Zora and makes her nervous. While everyone waits anxiously to see if the cows will accept one another, Paulie the pig, China the cat, and Crockett the parrot greet Yolanda. Afterward, Zora is more trusting and moves toward Yolanda, shooing the other animals out of her way so that she can stand with her new friend.
In the prose chapter “Training,” Zep begins coming to Mrs. Falala’s for an hour each day to teach Reena how to show Zora in two events—one which evaluates cows and one which evaluates trainers. Reena is nervous about the upcoming show, but she tries to hide this from Zep. When Zep promises to help her, she betrays her eagerness to spend time with him and ends up embarrassed, but Zep just gives her a wide smile. As they practice moving the cows around the pasture, Reena notices how much more stubborn and ornery Zora is compared to Yolanda. Luke and Mrs. Falala sit nearby, drawing and looking up occasionally. They practice every day, and even though it is hard work, Reena loves it and feels proud of Zora’s progress. Luke begins to enjoy helping Reena with mucking out pens and brushing Zora, and Reena notices that he talks kindly to both Zora and Yolanda while he works. He is becoming more confident around Mrs. Falala, and Mrs. Falala is becoming less bossy with the children.
“Rain Day” is a poem describing a thunderstorm that strikes one day as Reena and Luke are on their way to Mrs. Falala’s. They get soaked as they race into the barn for shelter. They wait out the storm huddled together with Zora and Yolanda, and Reena thinks she could happily cuddle with the warm, soft cows all day long.
“Whaaaat?” is a poem conveying Reena’s dismayed reaction to learning that the cows at Birchmere are raised for slaughter. She thinks she should have realized this, but she is still shocked and upset.
In the prose piece “Sympathy?” Luke and Reena struggle at dinner. Luke has to be reassured that there is no beef in the soup they are eating. Reena suggests that the family become vegetarians. Their parents ask what this would mean, and Reena and Luke gradually realize how many of their favorite foods this would rule out. When their mother reminds Reena of how much she loves bacon, Luke thinks of Paulie, Mrs. Falala’s pig, and becomes upset.
In the poem “Agitation,” Luke and Reena question Mrs. Falala about her plans for Zora’s future. At first, Mrs. Falala delights in tormenting them by saying she will turn Zora into hamburgers, but when Luke begins to cry, she relents and promises that Zora will never be slaughtered for meat. She says that she will turn Paulie into bacon but takes it back when Luke’s tears resume.
Zep appears, and in the prose piece “Face the Facts,” Reena and Luke pepper him with questions about Yolanda’s fate. Zep assures them that, like Zora, Yolanda is intended to be a breeding cow, not beef. He tells them that they need to accept that people eat meat, however; it is just a fact of life. He himself will someday be a farmer who raises cattle for their meat. He adds that he loves cows and intends to “treat them good as long as [he] can” (195). Luke and Reena lay on a bale of hay for a long time, looking up at the sky and processing this information.
In the prose piece “Show Stick,” Mrs. Falala presents Reena with a long, thin metal rod and demonstrates how Reena can use it to calm and coax Zora when she is showing Zora at the fair. She directs Reena to practice and heads back to the barn, her braid swishing behind her just like Zora’s tail.
“To the Fair” is a prose piece describing the process of getting the cows to the fair. Early in the morning, Reena’s parents drive her and Luke to Mrs. Falala’s. Zep and one of the owners of Birchmere arrive, and they load Yolanda and Zora up with six of the Birchmere cows. Zora will not let Zep lead her into the cattle van; she will only go up the ramp with Reena at her side, coaxing her. Reena asks whether Mrs. Falala is coming, but the lights are off in the house, and her parents urge her to let the elderly woman sleep. As they drive away, Reena notices that the attic window is open, but she does not hear flute music. Luke asks if anyone asked Mrs. Falala whether she wanted to come, and Reena says that she always assumed Mrs. Falala would come. She is puzzled and disappointed at the idea that Mrs. Falala might not care about seeing Zora being shown at the fair.“To the Fair” is a prose piece describing the process of getting the cows to the fair. Early in the morning, Reena’s parents drive her and Luke to Mrs. Falala’s. Zep and one of the owners of Birchmere arrive, and they load Yolanda and Zora up with six of the Birchmere cows. Zora will not let Zep lead her into the cattle van; she will only go up the ramp with Reena at her side, coaxing her. Reena asks whether Mrs. Falala is coming, but the lights are off in the house, and her parents urge her to let the elderly woman sleep. As they drive away, Reena notices that the attic window is open, but she does not hear flute music. Luke asks if anyone asked Mrs. Falala whether she wanted to come, and Reena says that she always assumed Mrs. Falala would come. She is puzzled and disappointed at the idea that Mrs. Falala might not care about seeing Zora being shown at the fair.
In the poem “Fairgrounds,” Reena shares the sights and sounds of the fair. The fairgrounds are an overwhelming and wonderful swirl of people, carnival food, rides, games, animals, and crafts.
The poem “More Primping” explains what happens during the first round of judging that Reena sees. Zep and Beat show their cows with an experienced group of teenagers, and Reena and her family stand with Mr. Birch, the owner of Birchmere Farm. He explains what the judges are looking for. Reena panics when she hears the judges ask the contestants questions about their cows, but Mr. Birch talks her through how she might answer similar questions. Reena is particularly impressed with the way Zep handles Yolanda. When Zep wins third place, he thrills Reena by giving her a nod from the ring.
It is finally time for Reena to show Zora; she leads a suspiciously compliant Zora to the ring in the poem “Showtime!” Reena is excited and happy: She loves “the ring, the sawdust,/ the cows, the handlers,” and even the audience she was once nervous about (214). She looks for Zep, hoping to show him how skillful she has become. Just then, Zora bolts.
The poem “Breed” narrates the events of the next novice division contest, the breed judging. Before Reena tries to lead Zora into the ring again, Luke surprises his parents by placing a hand on Zora’s neck and gently telling her that she knows how to be good. They let Reena know how impressed they are with her skills at handling Zora, and Reena realizes that she is no longer just a city girl: She is now just as at home in rural Maine. She leads Zora into the ring without incident and is relieved that Zora behaves herself during the competition. A judge surprises Reena by praising her for her calm during Zora’s brief escape earlier. Reena is able to answer most of his questions about Zora, but she stumbles when he asks about Zora’s lineage, only remembering that she comes from a championship line. He urges Reena to learn more about this before her next show. Zora places fourth out of nine, and Reena receives positive feedback for her relationship with Zora. She is briefly disappointed that Mrs. Falala is not present, but then she wonders if perhaps Mrs. Falala would have criticized her for not placing higher. Her parents and Luke are effusive in their praise, and Zep follows her and Zora back to the stalls to tell her that she did well.
In the prose chapter “Rides,” Zep takes Yolanda and Zora back to Mrs. Falala’s, while Reena and her family stay to enjoy the fair. After a fun-filled day, they begin the drive home. Reena asks if they can stop at Mrs. Falala’s to tell her about how Zora did at the fair but changes her mind. She is afraid that Mrs. Falala will be critical and spoil her happiness. Luke loyally pipes up to say that he will tell Mrs. Falala how wonderful the day was and how well Reena did. Reena’s father suggests that they vote on the question as a family, and they unanimously decide to wait for the next day to go see Mrs. Falala.
In this section, the story’s central conflict of Reena adapting to life in rural Maine is partially resolved. Reena’s growing love for Zora, her determined training with Zep, and her successes at the cow show make it clear that she will, indeed, adapt to rural Maine and become a part of her new environment. Her continuing ambivalence about Mrs. Falala, however, leaves open the question of whether she will learn to manage her relationship with her. Reena wants to make Mrs. Falala proud, but she is uncertain of Mrs. Falala’s feelings towards her. Reena is shy and hesitant to believe that she is well thought of by others, which inhibits her from seeing the enormous trust that has been placed in her by allowing Reena to show Zora.
Both Luke and Reena become more engaged with their work at Mrs. Falala’s and more dedicated to Zora and Yolanda. Their attitudes toward Mrs. Falala begin to change, as well. Reena takes pride in her growing strength and skill, as she can see the incremental progress Zora is making as she trains her day after day. Instead of focusing only on Mrs. Falala’s more difficult qualities, Reena takes the time to point out that Mrs. Falala has become less bossy and critical. Luke takes the drawing lessons seriously, and in the process, he begins to lose his fear of Mrs. Falala. Watching his older sister fully devote herself to training and caring for Zora, he loses his fear of the cows and even begins to enjoy helping Reena with their care. He decides that he will be the one to clean out buckets and organize brushes and halters. During the storm in “Rain Day,” both children huddle with the cows, taking comfort in the presence of the warm, soft animals and even in the barnyard smells that once disgusted them. Reena and Luke have come to appreciate The Rewards of Rural Life and have made significant progress in Growing Into a New Life, partly due to the sense of purpose and responsibility they feel at Mrs. Falala’s farm.
Reena’s relationship with Zep demonstrates The Value of Companionship and is a significant catalyst for her growth. Zep’s training and positive feedback are instrumental in Reena’s learning to handle Zora skillfully, and Zep is the one who helps Reena catch Zora when she bolts from the ring. He also helps Reena decide afterward about whether to attempt the breed show. He mentors both Reena and Luke in other ways, as well, as when he gently helps them understand the fates of beef cattle and explains his own way of looking at these tough facts. Reena admires him and wants to please him; not only is he more experienced in her new environment, but she has developed a crush on the slightly older boy. She is delighted when he nods at her from the ring after the judging of his own division, and she wants to be sure he notices how well she does during hers. His praise when they are alone in the stall area afterward is thrilling for Reena, and she grows into a friendship beyond that of Luke.
Reena’s relationship with her parents is another important source of validation and mentorship for her in these chapters. Reena and Luke’s parents model The Importance of Respect when they demonstrate their willingness to take their children’s ideas seriously during the dinnertime conversation about becoming vegetarians. They do not dismiss the suggestion immediately, as some parents might; they ask thoughtful questions and guide Reena and Luke to think critically about what they are asking for, which helps them gently realize the extent of their relationship with animal agriculture. Reena clearly values their opinions greatly, and she enjoys showing them what she has learned about handling Zora. Their enthusiastic support for Reena at the fair not only shows respect for her abilities: It models appreciation for The Rewards of Rural Life and validates her efforts toward Growing Into a New Life.
As much as Reena has grown and changed, Reena’s mixed reaction to Mrs. Falala’s absence from the fair demonstrates that Mrs. Falala is, in some ways, still an obstacle for her. She is disappointed on the morning of the fair, when she thinks that Mrs. Falala might not care enough about her and Zora to watch the competition. After she places fourth, she wishes for a moment that Mrs. Falala were there to see it, but then decides that Mrs. Falala might be disappointed in her for not placing higher. Later, during the car ride home, she does not want to stop and tell Mrs. Falala how they did, because she is worried that criticism from the elderly woman might spoil her happiness. Reena has come to care greatly about Mrs. Falala’s opinion, but Mrs. Falala has not changed enough for Reena to be sure that the elderly woman will not ruin her joy over her success at the fair. Reena respects Mrs. Falala and appears to understand the importance of cow showing to the elderly woman, and her fear of disappointing her demonstrates how well she has come to understand Mrs. Falala. Reena also notices small details in Mrs. Falala, like her long braid resembling Zora’s tail or the soft music of the flute coming, or not coming, from the attic. These unspoken observations shed light on a key aspect of their relationship: The most important sentiments are communicated nonverbally. Both Reena and Mrs. Falala show their affection through actions, demonstrating how similar they are.
That Mrs. Falala has not entirely changed is shown in the conversation between her, Reena, and Luke after the children learn about the Birchmere cattle’s fate as beef cattle. Instead of respectfully taking Reena and Luke’s concerns seriously and reassuring them about Zora and Paulie, Mrs. Falala teases them about her intention to kill the animals for food. Even after Luke sobs about Zora and Mrs. Falala takes back her words and offers him the reassurance he needs, Mrs. Falala cannot resist doing the exact same thing when they raise the question of Paulie. This entire passage, however, contains a sad irony: it is actually Mrs. Falala, not Zora, who will soon die. This conversation also reveals an difficult truth about Mrs. Falala’s character: She is capable of only so much change, and she will never be able to provide an entirely safe space for Reena and Luke. However, her teasing can be read as affectionate, as she stops entirely after making Luke cry a second time. While it is perhaps surprising that she would tease him again, Mrs. Falala has changed significantly from the puzzlingly cruel woman who yanked Luke into her home and seemed to delight in the children’s discomfort in being kicked around by Zora. Since then, Mrs. Falala has genuinely gotten to know Reena and Luke, showing respect for them both as individuals. Learning to draw from Luke shows admiration for his ability, and passing down her showing of cows to Reena, particularly with her beloved Zora, is a kind of inheritance that indicates trust, affection, and love.
Plus, gain access to 8,800+ more expert-written Study Guides.
Including features:
By Sharon Creech
Aging
View Collection
Animals in Literature
View Collection
Brothers & Sisters
View Collection
Childhood & Youth
View Collection
Coming-of-Age Journeys
View Collection
Community
View Collection
Earth Day
View Collection
Family
View Collection
Fate
View Collection
Fear
View Collection
Forgiveness
View Collection
Grief
View Collection
Juvenile Literature
View Collection
Memory
View Collection
Mortality & Death
View Collection
New York Times Best Sellers
View Collection
Safety & Danger
View Collection
Teams & Gangs
View Collection