93 pages • 3 hours read
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Evan visits his secret project, a shelter in the bush he began building after the brawl at the food line. Over the course of a few weeks, he built a tipi, something he learned from an outdoor survival magazine. The shelter is a contingency for his family against the growing civil unrest. Evan builds a small fire in the tipi and is soon lulled into sleep.
He has another nightmare. He is in the morgue, the scene lit by a pulsating, crimson sun. All that remains of the bodies is tattered blankets. A deep growl alerts him to the arrival of a disfigured, monstrous creature, emaciated and covered in brown hair. Though the features are distorted, it clearly has Scott’s face. It lunges at him.
Nicole does laundry in a pot on the useless electric stove while her children play with toy blocks. Though she is no longer keeping track of time, she reckons it to be past the peak of winter. Signs of spring are beginning to appear. Nicole boils snow for drinking water and stores it in the basement.
Tyler arrives, asking for Evan. He bears bad news: Aileen has died.
Evan struggles not to break down as he and Tyler tow Aileen’s body to the morgue. Evan was very close with the elder. When they get to the morgue, they make the unpleasant discovery that there is no room for Aileen; they will have to move the bodies into a more efficient configuration. Twenty-two people have died, not counting Mark Phillips, whose body remains as a grim warning sign at the edge of town. They rearrange the bodies, trying not to think of the “daunting, traumatic” work of digging so many graves in the spring.
Evan and Tyler remember the location and cause of death of each person. As they move them, Evan has the horrifying realization that one body is missing. Suddenly, Scott’s words and his own nightmare fall into place: Evan surmises that Scott has stolen a body for food. He tells Tyler, “That’s what he meant in the food lineup when he said we were going to need him. I think he knows we have stories and stuff that say we can’t do that, so he has to start it” (197). Evan hopes Aileen’s spirit has moved on. He tells Tyler it is up to them to confront Scott.
Evan, Tyler, and Isaiah go to the duplexes to confront Scott. They keep their rifles shouldered; Evan knows Scott is the type to shoot first. They carefully venture around the back of the complex, where they can tell a fire is burning. They find Scott, Brad Connor, and Alex Richer standing around an oil drum firepit over which simmers a large black pot. They all feign a friendly attitude, until Scott curtly tells them to state what they came for.
Evan asks if Scott has been by the garage lately; Scott knows he means the morgue. Evan asks him what is in the pot, and Scott replies that it is an experiment. Scott tells Evan that he could survive all alone in the woods; it is the tribal community that needs him, not the other way around.
Cam suddenly arrives from inside the duplex. His coveralls are saturated in blood. Evan calls out to him. Cam looks at his bloody hands and begins sobbing. Evan directly accuses Scott of stealing a body; Tyler shouts that Scott is a cannibal.
Scott draws his gun, and before anyone can react, he fires three shots. Evan crumples. He turns his gun on Tyler and Isaiah, but before he can shoot, his head explodes. They turn to see Meghan Connor on the deck, holding a rifle. She holds the other men at gunpoint as Tyler rushes to help Evan. Isaiah steps forward to look in the pot.
Isaiah and Tyler pull a body on a sled to the edge of town. When they reach the incline, they tip the body over. Scott’s corpse slides down, coming to rest near Mark Phillips’s frozen corpse. It will wait there until the thaw, when “the crows and wolves would arrive for a taste of flesh” (206).
Two years later, Nicole surveys her stripped-down home. Most furniture and other possessions have long since been removed. She ignores any feelings of nostalgia. She resists the temptation to go back to the pile of keepsakes she stashed in the basement. She goes outside, where Dan, Patricia, her father, and Maiingan and Nangohns are waiting. Her mother, Theresa, hugs her; Nicole wipes a tear from her eye.
Unable to sustain themselves in an area so marked by tragedy, the community is dispersing. A “core of dedicated people” sought to reestablish their community elsewhere (212). She asks her kids if they are ready to go see their daddy, and the group departs. Nobody looks back.
In the final section of the novel, things escalate quickly toward the novel’s climax: the final confrontation between Evan and Justin Scott, and the final push for the reservation community to reject outside influences for its survival. Cam’s alliance with Scott is depicted almost as Cam coming under a curse or spell. While Rice is not clear as to what Cam has done, he emerges from the duplexes at Scott’s headquarters covered in blood. His reaction—bursting into tears like coming out of a “deep spell”—implicates him in the theft (and most likely the butchering) of the corpse on Scott’s orders. Scott is definitively linked to the mythical creature, the wendigo, by Evan’s final, prophetic dream. The wendigo is a creature born of the fears and taboos surrounding cannibalism in Anishinaabe culture. Evan surmises, “I think he knows we have stories and stuff that say we can’t do that, so he has to start it” (197). Given his dubious background and his hints about the horrors he witnessed before coming to the reservation, Scott’s eagerness to engage in cannibalism is doubly suspicious.
When Scott shoots Evan, Rice makes great use of suspense to keep Evan’s fate ambiguous until the Epilogue. As Isaiah and Tyler drag a sled laden with a corpse toward the edge of town in Chapter 31, it is not evident whose body it is until halfway through the chapter. Scott’s death brings only pity: “No one would ever know what had driven him or what had brought him to their town. Now they felt only relief that he would be gone” (206). Nicole’s stoicism toward packing up her family artifacts and the wording used to describe the situation enhances the ambiguity and suspense. Rice writes, “She and Evan had always planned to get married eventually. […] But holding that kind of event made no sense now, and they’d never be able to mark an anniversary anyway” (210). This seems to imply that Evan has died; however, it instead points to the fact that following the collapse of the modern world, keeping track of time beyond the seasons makes little sense. When she tells her children, “Let’s go see Daddy. He’s waiting for us,” it breaks the suspense and tension: Evan is alive, waiting for them in the new community they have established deep in Anishinaabe territory.
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