19 pages • 38 minutes read
Several celestial bodies function as symbols in “Planetarium.” In addition to the previously discussed Andromeda (galaxy and constellation), an important figure in the “night sky” (Line 11) is the moon. It connects the historical figure of Caroline Herschel with the first-person plural speaker: the “moon ruled” (Line 9) Herschel, “like us” (Line 10). Being ruled over by the moon is, symbolically, being controlled by lunar time. Women specifically are ruled by the menstrual cycle, which follows a similar cycle to the moon. The moon itself is often cast as female in myth and literature.
Another celestial figure that Rich includes in “Planetarium” is the constellation Taurus. Taurus symbolically references Zeus in disguise as a bull in Greek myth. Taurus also references the bull of heaven that is connected to Ishtar and Inanna in Babylon and Sumeria, respectively. Rich’s first-person speaker is “bombarded” (Line 34) with a “radio impulse” (Line 32) from “Taurus” (Line 33)—the Tycho supernova. This is the impact of mythology, and the scientific discoveries that use mythological names, on her.
Time is a motif that runs throughout “Planetarium.” It first appears as the capitalized “Clocks” (Line 5), marking its power over people by making it a proper noun. Humans are only given so much time to live—their lives span a certain number of years. The word “years” is repeated twice: the “98 years” (Line 7) of Caroline Herschel’s life illustrates the human lifespan. This contrasts with the “15 / years” (Lines 40-41) it takes for a light wave to travel through a galactic cloud. The experience of time in the rotation of a pulsar is metaphorically represented as a “heartbeat” (Line 30), connecting the celestial body with the human body.
The life of Herschel is compared to the life of the first-person speaker. The “I” of the poem speaks about how, for “all [her] life” (Line 35), she has been in the “path” (Line 36) of signals. The first-person speaker identifies herself as a galactic cloud and as a woman-shaped instrument, further connecting celestial time with human time.
Another motif in “Planetarium” is light. Light explicitly features in the description of a nova as “every impulse of light exploding” (Line 21). The power of light is both destructive and merciful: “the light that shrivels a mountain / and leaves a man alive” (Lines 28-29). This illustrates the dual nature of the light symbolism that Rich uses. Also, a “light wave” (Line 40) is one of many signals that bombard the first-person speaker in the poem. This develops the duality of light—light and radio impulses can pass through people without harm but can shrivel “a mountain” (Line 29).
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