50 pages • 1 hour read
Although the novel provides a critique of the criminal justice system and its treatment of Kenna by compelling her to sign away parental rights as part of her imprisonment, the novel centers its emotional and psychological argument not on Kenna as a convict or as a drunk driver but rather as a mother.
There are fathers in the novel, but they are either absent or flawed. Patrick, for instance, cannot find his way to honest expressions of emotions. He represses his feelings and mistakes throwing punches for emotion. This is a novel that uses the bond between a mother and child to symbolize unconditional love, support, and faith in the integrity of the maternal bond. Ironically, Kenna is shaped by the novel’s only flawed mother-child bond. Kenna’s conversation in prison with her absentee mother as she struggles to secure at least some rights with her daughter marks a difficult moment in the novel. Abandoned by her mother’s on again-off again affections, Kenna finds in her prison friendship with Ivy the mother she always needed, a woman whose compassionate advice and steadying calm provide Kenna with the strength to survive postpartum depression.
Because the first weeks of Kenna’s release center on Mother’s Day, the novel underscores the symbolic importance of that bond. Kenna will not be Kenna until she is part of Diem’s life. Diem, for all the love and support her grandmother has provided, will not be Diem until she admits her mother into her life. Grace’s refusal to allow Kenna even to meet Diem, however, is the novel’s example of a mother’s love distorted by hate rather than sustained by love. It is only in reading Kenna’s letter that Grace drops the hate and expresses what the novel argues is the natural condition of a mother: loving, accepting, and empathetic. As soon as Grace understands Kenna’s perspective, Grace feels “an overwhelming sensation of peace” and says, “I’m responsible for keeping your daughter from you for five years, and there’s no excuse for that” (300). That is the consummate Mother’s Day moment, a grieving mother embracing a grieving mother and who together will now confirm the importance of a mother’s love by raising Diem together.
It begins as a joke between Kenna and Scotty, hopelessly in love and just beginning to understand the depth of their feelings for each other: “It was bliss,” Kenna recalls, “a bliss we thought would last forever” (113). Browsing through an antiques store, Kenna and Scotty both see the same beautiful ring: “It was dainty and gold and looked like it belonged on the finger of someone straight out of the 1800s” (114). They are both impressed by the gorgeous ring: “It was honestly the prettiest ring I had ever seen” (114). However, because both are still in school and working minimum wage jobs, the $4000 price tag makes the ring a fantasy.
On their way out of the antiques shop, however, Scotty buys Kenna tiny novelty hands, rubber tips that go on each finger, each one with five fingers. They are a novelty gag gift, an impulse purchase kept in wire baskets near the registers. Kenna is surprised by the gift. She is tempted to laugh it off, but since that day, long after the accident, that gift means so much to her because it was Scotty’s last gift to her. When she plays with the silly fingertips, the hands seem to be waving goodbye: “It was by far the stupidest gift anyone had ever given me, but by far my favorite” (115).
The antique ring and the novelty rubber hands symbolize the young, unspoiled love between Kenna and Scotty. When Kenna dons the cheap rubber hands on her fingers, the two laugh and kiss—Scotty even kisses each of the fifty toy fingers. That moment encapsulates Kenna’s love, a moment at once silly and intense that will reveal the depth of her feeling only after the accident destroys that relationship: “We didn’t get to live our dream. And now we never will” (116).
In making her peace with Kenna, Grace reveals that Scotty, just before the accident, asked his parents to help him purchase the $4000 ring on the condition he would repay them. In gifting Kenna now with the ring, it becomes the symbol of Kenna and Scotty’s love that will always be an essential element of her life, even as Kenna moves into a new phase of her life and meets a new love. The ring symbolizes her past without the pain. Grace suggests that Kenna give the ring to Diem when it is time for her to marry. In this, the ring becomes a symbol of the enduring love between Scotty and Kenna, a love expressed in the spirit of Diem.
The novel begins and ends with the wooden cross Grace staked into the ground near the site of the accident. The cross bears only the inscription of the date of Scotty’s death. Certain that Scotty would have hated such a public display of emotions and equally certain that his mother had the idea for the wayside cross, Kenna stops the cab as she goes into town and pulls up the cross. She defies Scotty’s mother who has made clear to Kenna she is not welcome in her daughter’s life.
In a novel that explores the dynamics of grief, how death upends a family, and how each member then struggles to understand that loss, the wayside cross symbolizes that process. It marks the site where Scotty died, particularly powerful given the details that emerge only after the accident: Kenna left Scotty because she thought he was already dead, but he was still alive and bled to death over the course of six hours.
The wayside cross symbolizes Grace’s unmanageable grief; she revisits and refuels her sorrow every time she passes it. That endless grief will keep the wounds fresh and the pain vivid. At this point, both Kenna and Grace are filled with negativity—Grace blaming Kenna for the tragedy, and Kenna seeing in Grace someone committed to keeping her from her child. The cross perpetuates that hostility and those negative feelings, hence Kenna’s brazen theft of the cross in broad daylight, one that even the cab driver cautions her is “bad karma” (2).
The novel closes with Kenna returning the wayside cross, which measures her emotional growth. The past cannot be forgotten, but it can be put in a restorative context. Because the two have found their way to empathize with each other, restoring the memorial now suggests a strategy for living in the moment but never allowing the past to slip into shadows. The cross will now remind Grace and Kenna to enjoy those happy memories of Scotty gone too soon. As Kenna decides on the way back from returning the memorial cross, “Now that I have forgiven myself, the reminders of [Scotty] only make me smile” (318).
After the Epilogue, Hoover provides a 20-item song list that reflects, presumably, the playlist that Ledger gifts to Kenna. The songs are upbeat, catchy, and joyful. Music is a critical element in Kenna’s healing from the trauma of the accident.
Scotty loved music. Kenna recalls listening to his stereo in his truck while they would kiss. On the night of the accident, the two headed to their favorite lakeside spot. Scotty turned up the volume on the radio, and they swam in the lake. Kenna realizes later that this moment marked the last few hours of Scotty’s life.
Because music now only reminds her of her grief and makes more immediate the depth of her loss, she finds it easiest to avoid music. For most of the novel, Kenna claims to loathe music. She admits she seldom heard music in prison—the “one good thing about it" (162). Now she sits in the unnerving quiet of her small apartment. When she starts working in the kitchen at Ledger’s bar, she is annoyed by the dishwasher, a lively free spirit who loves moonwalking around the wet kitchen floor to music that pumps from speakers by the dishwasher. Because the kitchen is itself noisy, he turns up the volume to help him carry the beat. Kenna looks forward to her breaks where she heads to the quiet of the alley: “Every song is a reminder of something bad in my life, so I would rather hear no songs at all” (162). She gratefully accepts noise-canceling earbuds from one of the servers. When Ledger asks about the headphones, Kenna is direct: “I hate music” (176).
In contrast, Ledger makes music an element of his bar’s ambience. He sees music as a way to enliven the world, give expression to emotions, and release energy. For Mother’s Day, Ledger gives Kenna a link to a playlist, “20 songs that have absolutely nothing to do with anything that could remind you of anything sad” (234). The gesture causes Kenna to smile and then cry at the same time. Ledger hopes music will help Kenna because her “loneliness is starting to hurt [him]” (234).
In the closing scene as Kenna, Diem, and Ledger head out to return the wayside cross, Ledger plays his own playlist in his truck. Kenna laughs, smiles, and even sings along. Music is now Scotty’s gift to her, not his curse.
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By Colleen Hoover
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