64 pages • 2 hours read
Summary
Background
Chapter Summaries & Analyses
Character Analysis
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Tools
Defiant culture prizes heroism and condemns anything that appears to be cowardice, and the culture largely equates heroism itself with defiance. Defiance and obedience are therefore diametric motifs in the text. One of the original ships that crashed on Detritus was called the Defiant, and the surviving humans have since made this concept a central part of their culture. Given the near-constant attacks from the Krell, the humans use the concept of defiance to cling to their own survival and resist the efforts of their oppressors.
Spensa lives by this motto, but she learns that real defiance is not as prized as her leaders claim it to be, for Admiral Ironsides and her cronies are far more interested in forcing Spensa to obey their unfair judgments than in celebrating her innate defiance. Ironically, Spensa remains true to her culture’s deepest values by actively defying her leaders’ overt wishes. When Ironsides denies Spensa food or a bunk at the base, Spensa decides, “I didn’t need their charity. I was a Defiant” (105). Ironsides, however, would have been happier if Spensa had simply acquiesced to her pressure rather than defying her. FM is one of the first of the cadets to articulate what most of the cadets have noticed: the discrepancy between their culture’s values and what their leaders desire. As FM observes, “Defiance is not ‘Defiant’ to them unless it doesn’t actually defy anything” (263). In the end, Spensa chooses to defy Ironside’s orders when she goes into the sky, and she is rewarded with answers to existential questions that her people have always puzzled over.
This motif runs throughout the novel, and although Spensa begins to notice hints of it, FM identifies and condemns it when she objects to how the war is run and suggests “throw[ing] off the mantle of military government” (189). She recognizes that war has forced the Defiants to become hardened, but she also claims that their own cultural values have enslaved them and prevented them from questioning their superiors. She asserts, “We should be teaching our children to be more caring, more inquisitive—not only to destroy, but to build” (190). She is committed to fighting to protect her people, but she refuses to be trapped by the nationalism and autocracy that run rampant in Defiant culture and politics.
Spensa partly agrees with FM’s stance; she sees the flaws in Defiant culture, but she has also lived her life in one of the caverns that is closest to the surface and therefore most at risk of Krell bombings. She notes that FM’s words are “easy to say when you lived in the deep caverns, where a bomb wouldn’t kill your family” (190). Spensa also understands the need for a certain measure of wartime authoritarianism to ensure humanity’s survival, even if she agrees that the government has taken this trend too far.
The concept of “hearing the stars” is a recurring motif in Skyward. At first, hearing the stars symbolizes, for Spensa, the freedom that she imagines she will feel when she becomes a pilot. However, as she learns about how her father behaved before the Battle of Alta and learns the truth about the battle, she realizes that hearing the stars is one of the symptoms associated with the mysterious “defect” that some people are believed to have. The powerful members of Defiant culture, like Ironsides, believe that Spensa has this defect and that it symbolizes the potential for developing a mental health condition and exhibiting cowardice. Spensa eventually learns that she has inherited an innate ability to hear and navigate between the stars: a gift that her great-grandmother once used to navigate the Defiant through space. At the end of the novel, when she and M-Bot discover the secrets of humanity’s past, Spensa reclaims her ability to hear the stars and embraces it as a power and a gift rather than a “defect.”
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By Brandon Sanderson