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The narrator explains that “all this happened, more or less” (7). He adds that while the parts of the story about World War II are real, some names have been changed. The narrator decides to write this book about his experiences as a prisoner of war during World War II in Dresden, Germany. He revisits the town with his friend Bernard V. O’Hare who is skeptical about the narrator’s ability to write about their experiences.
O’Hare and the narrator served in the army together as privates. The narrator became a writer, and O’Hare became a district attorney. They reconnect one evening when the narrator drunkenly telephones O’Hare. He has a habit of drinking heavily and then reaching out to old friends. The narrator explains his plan to end his story about Dresden with an account of a fellow soldier named Edgar Derby who was executed for stealing a teapot after the city was firebombed. O’Hare is uncertain about this but trusts the narrator’s experience as a writer.
The narrator recalls being liberated from a prisoner of war camp. He returned to America, married a young woman, and had children. He attended college and studied anthropology before becoming a writer. In the narrator’s view, people’s experiences in the war “made everybody very tough” (11). He spends years attempting to write about the firebombing of Dresden, but the U.S. government tells him that information about the attack remains classified.
The narrator recalls when he visited O’Hare’s house with his family. After a pleasant dinner, the narrator and O’Hare reminisce. The narrator worries that O’Hare’s wife Mary does not appreciate his presence. She is concerned that the narrator’s book will portray the soldiers as brave young men instead of “just babies” (13). The narrator promises that he will present the innocent young boys exactly as they were. He will call his book, “The Children’s Crusade” (13), a reference to a 1212 Christian crusade that resulted in up to 30,000 children being sold into slavery.
Later that night, the narrator reads about the history of Dresden. In the ensuing years, the narrator struggles to write his book about the bombing because “there is nothing intelligent to be said about a massacre” (15). While stuck in a motel room reading a copy of the Bible, the narrator explains that he finished his book. However, he admits that it is “a failure” (16) because it spends too much time looking backward rather than forward.
The narrator’s novel begins with Billy Pilgrim, who is described as “unstuck in time” (17). A series of images from Billy’s life are presented out of order. Billy keeps returning to moments from his past without any control over where he goes or what he sees. The images include memories from his birth, his childhood, and the outbreak of World War II. Billy is drafted into the military and serves in Europe before he the German army takes him prisoner. He survives the war, returns home, finishes college, and marries a woman named Valencia. After suffering a nervous breakdown, he recovers and sets up a successful business as an optometrist. Billy has two children, Barbara and Robert, who also grow up to be successful. In 1968, Billy is on a plane which crashes. He is the lone survivor. Valencia dies in an automobile accident while he recovers in hospital.
As he struggles to deal with these hardships, Billy travels to New York and speaks on a radio show. He talks about being unstuck in time and claims to have been abducted by aliens from the planet Tralfamadore. Barbara tries to take care of her father, but he continues to insist that he was abducted by aliens. He writes letters to a local newspaper detailing his experiences and explaining how the Tralfamadorians perceive time differently than humans. They are able to see time all at once rather than in a gradually unfolding, one-directional line. Whenever they think of a dead person, they respond by saying “so it goes” (19). Barbara worries that her father is senile.
Billy first comes unstuck in time in 1944 during World War II. He is an assistant to the chaplain, a role which leaves him without friends or responsibilities. After a chaplain in a unit in Luxembourg dies, Billy is sent to Europe to replace him. He joins the unit when it is under attack and finds himself lost and dazed far behind enemy lines. Billy and three other lost soldiers wander for days. One of the men is an equally inexperienced antitank gunner named Roland Weary who watches Billy and saves him from getting killed. Only Weary’s harsh treatment and bullying keep Billy from giving up. The narrator describes Weary as “stupid and fat and mean” (22). He is 18 and unpopular in his hometown of Pittsburgh. He takes out his anger on people weaker than him. His father collects antique weapons and torture devices. Weary talks obsessively about violence and torture while Billy has no interest in the manner. He also has “a dirty picture of a woman attempting sexual intercourse with a Shetland pony” (25) that he insists on showing to Billy. Weary annoys the other men.
One night while walking through a dark forest in the snow, Billy comes unstuck for the first time. He travels forward to his death and then to a point before his birth. He visits places from his life and sees the one time he is unfaithful to his wife. Then Billy passes out.
Weary shakes Billy awake. Billy is back in 1944 and still behind enemy lines. He begs to be left behind, but Weary insists on being a hero. The other two men become annoyed with Weary and Billy and leave. Billy comes unstuck in time again and visits the future. He experiences a dinner thrown in his honor where he is elected as the president of the Lions Club. Billy returns to 1944 just as Weary is about to attack him. The beating is interrupted by a cadre of German soldiers who capture Billy and Weary.
Chapter 1 of Slaughterhouse-Five introduces Billy Pilgrim’s story through the perspective of the narrator. The unnamed narrator is a version of the novel’s author, Kurt Vonnegut, who shared many of the experiences which fuel the narrator and Billy Pilgrim’s stories. For example, Vonnegut was captured by the Germans during the Battle of the Bulge and imprisoned in Dresden during the devastating Allied bombing of the city.
The narrator slowly introduces the specific strangeness of Billy Pilgrim’s story. The way he travels back to Dresden after the war is a rudimentary version of Billy’s leaps through space and time. The narrator revisits his past and relives his experiences though he has control over the situation. The first chapter is a linear story, told in a conventional order, but the importance of returning to an earlier part of one’s life is established. The fragments of memory which return to the narrator, the scraps of songs and poems, and the stories of other people also foreshadow Billy’s experiences. The narrator relives Dresden through fragments of memory just as Billy experiences his life in broken, disjointed fragments. Many of these fragments, included a series of limericks, are destined to repeat endlessly. The narrator’s memories are caught in the same kind of loop which will trap Billy.
Chapter 2 introduces Billy properly into the story. This introduction begins with a rapid recap of the early events of Billy’s dull, uninteresting life. He is a remarkably uninteresting person until the moment when he becomes unstuck in time. Billy is not yet an optometrist nor a skilled soldier. He is defined by his unremarkable nature. The contrast between Billy’s unexceptional past and his strange future make his life all the more captivating. Nothing Billy has done compels the reader to pay attention until he becomes unstuck in time. His humdrum early life is exactly what makes Billy an important figure: He is just like everyone else. He is swept up in the insanity of the war like so many other normal men who found themselves thrown into exceptional circumstances. The half-trained optometrist and failed chaplain’s assistant is a reflection of so many men who are thrust into horrific, traumatizing situations by the extreme events of the war.
The Billy Pilgrim of the early chapters is a sad, pathetic figure who knows and achieves nothing. He is made extraordinary by his unconventional relationship with time. Later, Billy will know all the events of his life at once. This will not make him more competent, interesting, or personable, but it will imbue him with a stoic understanding of the universe which separates him from society. Billy is a quiet failure of a man who eventually embraces this quiet failure as perpetual and infinite.
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