55 pages • 1 hour read
During the long journey to Tralfamadore, Billy asks for a book. He quickly reads the only human novel on the ship and struggles to read the Tralfamadorian books. The arrangement of the language on the pages intrigues him. The words are arranged as clusters of symbols, separated by stars. The aliens explain that these clusters function like short, urgent telegrams that are read all at once. The messages do not have a beginning, middle, or end, and there is no cause and effect.
The flying saucer passes through a time warp to reach the alien home world quicker. Billy jumps back in time to his 12-year-old self. He briefly visits the Grand Canyon with his parents and then moves forward ten days. The family visit the Carlsbad Caverns, and Billy prays to be rescued before the ceiling collapses. Billy jumps again. He finds himself in Germany in 1945, when he and his fellow prisoners are marched into a shed. A corporal with one arm and one leg diligently writes their names in a big book. The notation of the names means that the men are legally alive. One of the guards can understand a little English. When an American mutters something offensive, the guard shouts at him. Each prisoner is given a tag with their name and number. When a prisoner dies, the tag will be snapped in two to mark his grave.
The American prisoners meet a group of English soldiers who have been in the prison for four years. That evening, the English officers put on a theatre performance. Billy finds himself laughing hysterically at a musical production of Cinderella. His laughs turn to desperate shouts, and he has to be carried out of the room. Billy is taken to the hospital, tied down to a bed, and pumped full of morphine. The drug makes him jump ahead in time to 1948 when he is in a veterans’ hospital in New York. Billy voluntarily checked himself into a ward for nonviolent patients with mental health issues. Next to Billy is a man named Eliot Rosewater. Eliot introduces Billy to science fiction novels written by a man named Kilgore Trout. Billy and Eliot share a growing belief that life has no meaning. They struggle to come to terms with the horrors they witnessed during the war. Eliot confesses that he shot a teenage fireman whom he mistook for a German soldier. Billy remembers the shock and revulsion he felt in Dresden. Science fiction allows the men to rebuild their idea of the universe, as well as their ideas of themselves.
Billy jumps back to 1945 briefly before returning to the hospital. During a visit, his mother bores Billy. He jumps back to his prison hospital then forward again where he is visited by his fiancée Valencia Merble. Although she is very rich, Billy does not want to marry her. Eliot enters the conversation and discusses a Trout novel titled The Gospel from Outer Space. In the novel, an alien visits Earth and is inspired to write a brand-new Gospel. The new Gospel does not depict Jesus Christ as the son of God, so the humans decide to attack and kill the alien. Billy jumps ahead in time again and finds himself on Tralfamadore. He is stripped naked and housed in a zoo inside a large dome. The Tralfamadorians gather outside the dome and watch him. Billy follows a daily routine in which he eats, washes his dishes, exercises, trims his toenails, shaves, and uses deodorant. The zoo guide outside the dome uses telepathy to lecture the crowd on the human’s behavior. One day, a spectator asks Billy if he is happy in the zoo on Tralfamadore. Billy says that he is as happy on Tralfamadore as he was at home.
The Tralfamadorians do not seem to mind that humans commit murder or engage in wars. Billy reveals that the most valuable lesson he learned on the alien world is that a species can live together in peace. He gives a speech about the horrors, the murders, and the chaos that he witnessed on Earth and declares that humanity may be a threat to the safety and peace of the universe. The Tralfamadorians dismiss his concerns. They believe Billy is ignorant, given that they already know how the universe will come to an end. Their understanding of time allows them to see everything at once. Humans have nothing to do with the end of the universe. Instead, it will be caused by a Tralfamadorian experiment. Billy asks whether the Tralfamadorians could prevent this from occurring if they have prior knowledge. The aliens insist that nothing can be changed—time and the universe are built this way.
That night, Billy jumps back to his home in America where he has recovered and left the mental health hospital. Having graduated from college as an optometrist, Billy now treats people’s defective vision, even though everyone believes their vision of the world is defective. Billy and Valencia get married. On their wedding night, Billy jumps through a rapid string of experiences. He visits the hospital in the prison, the funeral of his father, an argument with his daughter, and the zoo on Tralfamadore. The Tralfamadorians decide to provide a mate for Billy. They present him with a woman named Montana Wildhack, who appeared in pornographic films on Earth. Though initially disinterested, Billy sleeps with Montana a week later. On the night that they have sex, Billy jumps back through time and space to his home in America.
Billy regains consciousness in the hospital at the German prison camp. Paul Lazzaro and Edgar Derby are close to him. Lazzaro demands retribution against Billy for the death of Weary and tells a story about how he killed a dog. Having promised to kill Billy, Lazzaro tells him to enjoy what little life he has left. Billy already knows how he will die, and he records a message which he places in a safe deposit box. The message states that he will be killed on February 13, 1976 at a speaking engagement in Chicago. He will die after talking about his alien abduction and the nature of time. Billy ends his speech to the crowd by explaining that Lazzaro promised to kill him. As he walks from the stage, an unseen gunman opens fire and shoots Billy dead.
Billy travels back to the prison camp where he clothes himself in a set of curtains and the pair of silver shoes which belonged to Cinderella in the British officers’ theatre piece. He overhears an English officer criticize the American prisoners for lacking personal hygiene. The officer wonders whether the Americans even want to survive and lectures them on the importance of looking good. The prisoners are set to leave the prison camp and travel to Dresden that afternoon. This pleases the English officer because Dresden is an interesting city without bomb factories or soldiers. He believes that the men will not need to worry about bombing attacks in Dresden. As the prisoners are marched out of the camp, Edgar and Billy are at the front of the group. Edgar is now the leader of the prisoners. Billy’s silver boots and curtain outfit make him a laughing stock.
Loaded into boxcars, the Americans ride for two hours until they reach Dresden. The men are impressed by the city, which has been exempt from bombing raids thus far. The air raid sirens still sound every day, causing people to scuttle into their cellars while planes fly overhead. The planes always pass over Dresden on the way to other targets. Life in Dresden is civilized with street cars, telephones, and a working electricity grid. Theaters, restaurants, and the zoo are still open.
German soldiers unload the boxcar of Americans in Dresden. The Germans are all badly wounded, very old, or very young. Nevertheless, the soldiers laugh and seem to have nothing to fear, as the Americans are equally injured or broken. The German guards march the prisoners out of the station and into the streets of Dresden. Thousands of locals halt their journeys to watch the procession of prisoners. Billy is unaware of his own absurd appearance or how he and the other Americans must seem to the German townspeople. He thinks about the future he knows will come to pass. In a month, the city will be consumed by fire, and most of the townspeople will be killed. Billy is enthralled by the beauty of the city, especially its architecture. He wears his old coat over his hands like a muff and feels two lumps in the coat’s lining, one shaped like a pea and one shaped like a horseshoe.
The procession pauses at a red light. A German spots Billy’s ridiculous clothes and shouts at him in English. Billy is stunned that the man thinks that he chose to wear the silver boots and the set of curtains. In an attempt to deal with the aggressive man, Billy rips the lumps out of the coat’s lining and shows them to the man. In his hand are a diamond and part of a denture. The procession begins to move again until they reach the Dresden stockyards. The men are taken to an old building which housed pigs. Inside are bunk beds, a stove, and a water faucet. A makeshift toilet is outside. A number painted above the door tells the men their new address: They live in Slaughterhouse-Five.
Chapter 5 explores the importance of books and literature. Billy asks for examples of Tralfamadorian novels when he is travelling on their spaceship. Although he cannot understand the examples they give him, the books provide important insight into how the Tralfamadorians experience time. The arrangement of words on the page reflects the overall structure of Slaughterhouse-Five. Billy’s story does not unfold in one linear narrative. Instead, the events of the book are clustered together in short, sporadic bursts, just like how the text is arranged in the Tralfamadorian books. The alien literature illustrates how Vonnegut tells Billy’s story: as a life lived all at once with no traditional beginning, middle, or end.
The narrator’s role is also challenged in these chapters. Challenging authority is a frequent occurrence in Slaughterhouse-Five. Soldiers challenge their superiors, prisoners challenge their captors, and any semblance of authority is shown to be hollow. The narrator embraces this idea and does not position himself as a singular authority on Billy’s life. The novel’s opening establishes that the events of the book are “more or less” (7) true, but the narrator reminds the audience that he is not an authority on the matter. The introduction of Kilgore Trout functions in a similar manner. Although the science fiction author has a vague grasp of many of the ideas the aliens teach Billy, the narrator points out frequently that Trout is a terrible writer with a small-to-nonexistent audience. The narrator compares himself to Trout, suggesting that authors can never truly grasp everything. The narrator is not to be trusted on every matter, and neither Trout nor any of the characters can provide an exact account of what happened.
Meanwhile, Billy’s role on the Tralfamadorian planet is a more explicit version of his role on earth. Billy is separated from the rest of society and treated as an oddity to be poked and prodded for entertainment. The aliens view him like a pet while the humans view him as a weakling. The prison guards in Germany and the people of Dresden laugh at his absurd appearance, while the Tralfamadorians stare at him for the same reason. Billy is always the object of other people’s attention because he is always separated from the rest of society. His time in the zoo is a physical demonstration of this separation.
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