28 pages • 56 minutes read
Naturalism is a literary movement that emerged in the late 19th and early 20th centuries, primarily in the United States and France. The genre is an extension of realism but with a more deterministic worldview. Naturalism posits that individuals are shaped and controlled by external forces such as heredity, environment, and social conditions. Characters are often depicted as victims of these forces, and their destinies are predetermined. For example, in “South of the Slot,” the characters inhabit roles ascribed to them based on their income, education, and other social factors. Naturalist works often explore the darker aspects of human existence, portraying characters caught in circumstances beyond their control. Prominent writers of the genre include the French author Émile Zola and the American writer Stephen Crane.
Naturalist literature frequently focuses on the lives of the lower classes, depicting the struggles of everyday people. Writers explore the challenges faced by characters in poverty or working-class situations. This is exemplified in “South of the Slot,” as most of the story’s action takes place within the working-class community of San Francisco. Freddie’s transformation into Bill is influenced by the environment and circumstances he encounters in the working-class district.
Naturalist writers often incorporate a scientific approach to storytelling. They may use detailed observation, documentation, and analysis to portray characters and their environments. This scientific method reflects a desire to present a more objective and accurate representation of reality. In London’s story, this approach is illustrated in the detached tone of the third-person narrator who, nevertheless, offers detailed descriptions of San Francisco’s sights, sounds, and smells.
The sociohistorical context of US cities in the early 20th century is illustrated in London’s depiction of San Francisco. The late 19th and early 20th centuries marked a period of significant industrialization and urbanization in the United States. As cities became centers of manufacturing and commerce, this created job opportunities in urban areas, attracting people from rural regions seeking employment in factories, mills, and other industries. Advances in technology, such as the widespread adoption of machinery and the introduction of new farming techniques, boosted agricultural output but also resulted in a surplus of labor in rural areas, prompting many farm workers to move to cities. The influx of people from rural areas contributed to the development of urban neighborhoods with distinct social and economic characteristics. “South of the Slot” focuses on San Francisco and the uneven distribution of wealth and capital that derived from urbanization. London’s story explores the stark contrasts between different social classes. The “Slot” in San Francisco refers to the district south of Market Street, which was known for its working-class population. The narrative highlights the socioeconomic disparities between the upper class, represented by Freddie, and the working class struggling in the industrialized urban environment.
The Progressive Era (1890-1920) was characterized by efforts to address social and economic problems resulting from industrialization. Reforms aimed at improving living and working conditions, regulating big business, and addressing social inequalities were introduced. The early 20th century was also characterized by labor unrest and social struggles. Workers were fighting for better working conditions, fair wages, and improved labor rights. The formation of workers’ unions played a crucial role in the battle against exploitative capitalist employment practices. Strikes and labor disruptions were a common tactic of the working class to challenge the power of landlords and factory owners. “South of the Slot” touches upon these issues as Bill experiences the difficulties faced by the working class during his time in the industrial neighborhood. A strike and replacement labor riot feature prominently in the second half of the story.
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By Jack London