43 pages • 1 hour read
Jane Neal, a 76-year-old former schoolteacher, is found dead in the woods near the small town of Three Pines, Quebec, Canada, on the Sunday morning before Thanksgiving. Chief Inspector Armand Gamache of the Sûreté du Québec examines the scene.
The narrative shifts back two days. Jane arrives late to drink coffee with her friend and neighbor Clara Morrow. Jane tells Clara about an incident she witnessed that morning, in which three masked boys threw duck manure at Olivier Brulé and Gabri Dubeau, a gay couple who run the local bistro. Thinking she recognized the boys, Jane called out three names. The boys ran away.
Jane tells Clara that she has decided to submit a painting for an upcoming local art show. This comes as a shock to Clara since Jane has never shown any of her art to anyone. An artist herself, Clara is on the jury to decide which works will be admitted to the show. Jane cries after revealing her decision, telling Clara that she is “surprised by joy” (7).
That afternoon, the jury meets to consider Jane’s submission and others. Jane’s work, titled Fair Day, depicts the parade that concluded the county fair in childish strokes and bright colors. Two jury members vote against it, while Clara and Peter, her husband, who is also an artist and on the jury, perceive a difficult-to-define brilliance in the painting and vote to accept it. The final jury member sides with Clara and Peter on the grounds that Fair Day “challenges” viewers.
That evening, several of Peter and Clara’s friends gather for dinner in their home, including Myrna Landers, a bookstore owner who brings an unconventional floral arrangement filled with gifts; Ruth Zardo, an ill-tempered elderly poet; Ben Hadley, Peter’s best friend; and Jane. Olivier and Gabri, also present, recount the morning’s incident, including Olivier’s decision to kiss Gabri’s hand while the boys flung manure at them and shouted anti-gay slurs. Later, Philippe Croft, one of the boys, offered an apology at his father’s behest. He then agreed to do 15 hours of unpaid work at the bistro. Gabri thanks the group for helping clean up the mess.
Commenting on Philippe’s apology, Clara paraphrases Oscar Wilde, suggesting that “conscience and cowardice” are the same thing (20). The group discusses things they might do if they could get away with them, even murder.
As they sit down to eat, Jane reveals that Fair Day was accepted. As the others congratulate her, she explains that the work has a “special meaning” and looks at Ben, whose mother, Timmer Hadley, died on the day of the parade. Seeing that Myrna gave a copy of W. H. Auden’s collected works to Gabri and Olivier, Jane quotes the poet: “Evil is unspectacular and always human, and shares out bed and eats at our own table” (24). She invites everyone to join her in her home for drinks after the exhibition in two weeks’ time.
Gamache receives a call from agent Yvette Nichol on Sunday morning, informing him of Jane’s death. Gamache bids farewell to his wife, who leaves to attend their niece’s christening. Waiting for Nichol to arrive, he searches a map for Three Pines, but the village is nowhere to be found.
At home, Nichol searches frantically for her wallet, not knowing that her father hid it. An immigrant from Czechoslovakia, her father made up stories about relatives being killed by political authorities in Czechoslovakia to “fit in, to sound heroic” (30), and his stories inspired his daughter to join the police force. Now, with Nichol assigned to her first homicide case, he regrets inventing the stories but feels it is too late to tell her the truth. Nichol’s sister finds her wallet, and Nichol kisses her father goodbye.
Nichol arrives at Gamache’s home on time. Gamache is impressed to see that she brought his preferred brand of coffee as well as a hard copy of the case files, which he reads on the way. Arriving at the crime scene, they find a crowd of townspeople watching as officers gather evidence. Gamache inspects Jane’s spread-eagled body closely, noting an unusual wound in her chest. He then confers with Jean Guy Beauvoir, his second in command, who tells him that Ben Hadley found Jane’s body during his morning walk. Anxious to impress Gamache, Nichol tries to contribute but occasionally embarrasses herself instead.
Gamache, Nichol, and Beauvoir talk to Ben Hadley, who recounts his actions that morning. After waking up at seven o’clock, he went for a walk shortly before eight o’clock and discovered Jane’s body. After a moment of panic, he called 911. Ben admits that he feels foolish for not calling anyone else afterward, especially Peter and Clara.
At Ben’s suggestion, Gamache heads toward the bistro for lunch. On the way into town, he informs the townspeople of Jane’s death and observes their reactions.
An hour earlier, Peter and Clara arrived at church and heard rumors of a hunting accident. Midway through the service, after Jane failed to appear, Clara sent Peter to find out what happened. When Peter returns, Clara is the only one in the chapel. Seeing his hesitation, she realizes the truth.
After observing Clara’s reaction, Gamache makes his way to the bistro. Ruth appears. After Gamache confirms Jane’s death, Ruth violently strikes the ground with her cane and scolds Gamache for sitting around while he should be solving the case. Gamache assures her that he will find the murderer. Gamache asks about Jane, and Ruth tells him about the manure-throwing incident as well as Jane’s brief romance, decades ago, with a lumberjack. Jane wanted to marry him, but when her parents found out, they ended the relationship. The lumberjack died in an accident soon after, and Jane went to school, then returned to Three Pines to teach. She never married.
Gamache learns that Jane’s next of kin, her niece Yolande Fontaine, lives in nearby St. Rémy. He catches a ride there with Olivier, who has errands to run. On the way, Gamache asks whether anyone disliked Jane. Olivier responds that, during his 12 years in Three Pines, he “never heard anything bad about Jane” (58). Yolande, who thinks Gamache is a customer of her real estate business, welcomes him into her spotless home. When she learns of Jane’s death, she shows little emotion and asks for permission to enter Jane’s house to “tidy up” before the police investigate. When Gamache denies her request, she threatens legal action. On the way back to Three Pines, Olivier describes Yolande as “a triumph of image over reality” (61). He adds that Yolande was close to Jane as a child, but they had a falling out at some point. When Gamache mentions Yolande’s request to enter Jane’s house, Olivier tells him that Jane never allowed anyone, even her closest friends, past the kitchen in her home.
Back in Three Pines, Gamache sits in the village green. Ben, who is walking his dog, approaches. He points out Jane’s home, the Morrows’ adjacent home, his own home, and, on a hill on the outskirts of town, a large house that he inherited after his mother’s death. Ben also tells Gamache that the three pines (later replanted) for which the village is named were historically meant to signal the village as a safe gathering place for British loyalists. He complains of continued discrimination against Quebec’s anglophones and asserts his “faith in individuals, not the collective” (50).
Gamache’s team reconvenes over lunch. Nichol sits by herself. Beauvoir and another agent present information suggesting Jane was killed by an arrow, although no arrow was found. Gamache shares his findings, then makes assignments and takes Beauvoir and Nichol with him to visit the Morrows.
Back at home, Clara is overcome by grief and shock. Unsure how to comfort her, Peter makes tea. Sometime later, the agents arrive. Nichol is offended when Gamache asks her to take notes. Gamache asks the Morrows if anyone would benefit from Jane’s death; they can’t think of anyone. They suggest Gamache use the old schoolhouse, now home to an archery club, for headquarters. After leaving the Morrows, Gamache, Beauvoir, and Nichol stop by the local bed and breakfast, owned and operated by Olivier and Gabri, where they meet Gabri, who offers them muffins. He is unable to think of anyone who might benefit from Jane’s death.
The three agents meet Ben at the archery club, which his family owns. Beauvoir marks the building as a crime scene and tells Ben that they intend to search for evidence, since the arrow that killed Jane may have come from the club.
Gamache returns home that night for Thanksgiving dinner with his wife and friends. Peter, looking in on Clara, is jealous of her grief for a moment, then asks himself what Jane would do to comfort her. He lays beside Clara and embraces her.
These opening chapters establish the physical and temporal setting of Still Life. The mystery surrounding Jane’s death is striking for its improbability, much of which has to do with its setting in the sleepy, rural town of Three Pines. Such a remote location would seem an unlikely setting for a murder, or for a hate crime, but both take place as the narrative opens. The murder itself ironically takes place over Thanksgiving weekend, which is celebrated in October in Canada.
Two allusions introduce key thematic material. Jane’s quoting of Auden foreshadows the revelation that the soon-to-be murderer was there at the table with them, suggesting the tension between appearance and reality, while Clara’s quotation of Wilde sets the stage for an exploration of human morality.
Penny adopts a free indirect style to explore the thoughts and motivations of multiple characters. This narration style consists of switching seamlessly between narrative descriptions and word-for-word transcriptions of various characters’ thoughts, as when Nichol chastises herself for missing a clue: “Nichol could have kicked herself. She’d been everywhere Gamache had been and he had noticed that and she hadn’t. What else did he see? What else didn’t she? Damn” (33). By exposing the intimate viewpoints of her characters, Penny captures the tensions and miscommunications that mark most relationships, including Peter and Clara’s relationship, as well as Gamache and Nichol’s.
From the rustic setting to the varied cast of suspects, these chapters fit many of the tropes associated with cozy detective fiction. The character of Gamache is perhaps Penny’s most notable divergence from the norm, since he is an official investigator, not a private or amateur detective, and he lacks the eccentricities and obsessive tendencies common to his literary forebears.
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By Louise Penny