49 pages • 1 hour read
As they drive through New Mexico, Taylor, Estevan, and Esperanza are stopped by immigration. Estevan and Esperanza have dressed in their most American clothing, and Taylor tells the officer that they’re her brother and sister-in-law. When the officer asks about Turtle, Taylor hesitates, and Estevan claims that the baby is his and Esperanza’s. After they pass the checkpoint, he apologizes, telling Taylor that he only said that to avoid suspicion after she paused.
They reach Texas Canyon again and see the comical boulders that initially attracted Taylor to the southwest. As they drive, Estevan reveals that he and Esperanza are technically Maya people and that Spanish isn’t their first language. They’re from different Indigenous tribes in Guatemala, which are often forced to move and oppressed by the government. Taylor reflects on how Indigenous peoples have been historically mistreated, at least since the arrival of Columbus, and asserts that calling a person “illegal” is absurd and meaningless. Esperanza plays with Turtle and sings her a song in one of the Mayan languages she knows.
When they reach Oklahoma, Taylor offers to drop off Estevan and Esperanza at the sanctuary church first, but they offer to accompany her and provide moral support on her quest to find Turtle’s family. They visit the motor lodge where Taylor first stayed, finding that Mrs. Hodge, the former owner, has died and that her daughter, Irene, has lost a lot of weight and now runs the motel. Then, they go to the garage and restaurant where Taylor was first given Turtle. The owners have changed, and the restaurant is much nicer and cleaner now. Taylor despairs that she’ll never find anyone who knows Turtle, but the restaurant owners inform her that the Cherokee reservation is actually further north, in the Ozark mountains, around a place called the Lake O’ the Cherokees. Taylor decides to go there next, and Estevan and Esperanza volunteer to come with her as their first-ever vacation.
The group finally reaches the Cherokee reservation, and Taylor notices that Estevan and Esperanza begin to relax once they’re in an environment where everyone looks similar to them. Taylor is now the odd one out as a white woman. During the drive, Turtle shouts out “Mama” when they pass a gas station and cemetery (275). They reach the Lake O’ the Cherokees and rent a cabin using the money Mattie gave them. The environment is green and lush, in stark contrast to the Arizona desert. Turtle plays outside, and Taylor notices that Esperanza finally seems happier and is very loving toward Turtle. Taylor and Estevan take a boat out on the lake, and Taylor continues to fight her attraction to him.
As they enjoy a picnic together by the lake, Taylor notices Turtle burying her doll, which she has named Shirley Poppy. When Taylor tells her that the doll won’t grow like beans or vegetable seeds do, Turtle repeats the word “mama.” Taylor asks Turtle if she saw her mama getting buried like this, which Turtle confirms. Realizing that this means Turtle’s mother likely died, leaving Turtle with her aunt and in an abusive situation, Taylor devises a new plan. She knows it’s risky, but when she explains it to Estevan and Esperanza, they agree to help without hesitation.
At the offices of Mr. Jonas Wilford Armistead, Cynthia’s social worker contact in Oklahoma City, Estevan and Esperanza pretend to be the biological parents of Turtle, going by the names Steven and Hope Two Two. They pretend that they’re giving Turtle to Taylor for a legal adoption because they can’t care for her due to economic reasons and that they’ve decided to formalize the agreement because Taylor plans to move out of state.
While Estevan is a clever and convincing liar, Esperanza’s performance convinces everyone. She begins to cry real tears, explaining that she loves her daughter but can’t take care of her and that she wants her to grow up with a good heart. The notary public signs and witnesses a document conferring legal guardianship of April Turtle Two Two unto Taylor. After the ordeal, Esperanza seems changed, and her face looks like that of a new person. Taylor feels grateful that they risked themselves and sacrificed their pride to help her and Turtle.
After the adoption hearing is done, Taylor takes Estevan and Esperanza to the sanctuary church. Turtle wakes up to say goodbye to them and Taylor talks with Estevan. They discuss how Esperanza found some catharsis in the adoption hearing, even though it was Turtle and not Ismene that she was giving up. Taylor is sad that she won’t be able to easily communicate with them anymore, but Estevan promises to send word through Mattie. He hopes that one day he can write to her from his home back in Guatemala once things are better there. Before he leaves, he gives her a kiss.
Taylor calls her mother from a pay phone and explains that she’s heartbroken over having to leave Estevan, even though he was never really hers to have. She thanks her mother for her good parenting, and her mother tells her about how much happier she is now that she doesn’t have to clean houses to survive financially. She jokes that she knows so much gossip about the wealthier homes in town that she finally has power and leverage in society.
While Taylor and Turtle wait for the adoption certificate to be processed, they visit a local library and read a book about plants. Taylor reads about the “bean trees” meaning wisteria vines, and learns that they depend on a mutually beneficial relationship with a microorganism in their roots called rhizobia. Taylor explains this to Turtle, telling her that the community of friends they have in Tucson is like their rhizobia.
Before driving back, Taylor calls Lou Ann and informs her that they’ll be heading back soon. Lou Ann announces that she has decided not to move to Montana to be with Angel and that she has started dating another man named Cameron John, who works at the salsa factory. He’s black, and she doubts her mother would approve, but he’s gentle and sweet to her. However, Lou Ann doesn’t plan to move in with him anytime soon. She confesses that she considers Taylor her family, and Taylor agrees.
Taylor receives the official adoption certificate for Turtle, and they prepare to drive home to Tucson. Turtle sings a song about vegetable soup, in which the names of plants mingle with the names of her friends and family.
The end of the novel brings together the notions of community, resiliency, and motherhood, indicating that a more just world is possible when people work together. The Bean Trees balances realism about the major difficulties faced by those in financial difficulty, racial minorities, and immigrants with the hope for the future that activism and collaboration engender. This solidarity enables Turtle to grow up in a happy home environment and allows Esperanza to find closure after her own experience with loss.
Taylor and Turtle find themselves in need of help from others in these chapters in order to ensure a legal adoption for Turtle. Likewise, Estevan and Esperanza need help in getting to a sanctuary church in Oklahoma where they can avoid deportation. Rather than allowing their needs to drive them apart, however, Taylor, Turtle, Estevan, and Esperanza find that they can solve all of these problems by working together. Taylor risks a fine and legal prosecution by agreeing to drive Estevan and Esperanza across state lines, while Estevan and Esperanza risk deportation when they agree to pose as Turtle’s biological parents, but they willingly take on this danger as part of their mutual care for one another.
The novel also explores the concept of solidarity through Estevan and Esperanza’s experiences on the Cherokee reservation. While they aren’t Cherokee, they faced similar persecution and disenfranchisement as Indigenous Maya people in Guatemala. When they arrive on the reservation, Taylor notices how being surrounded by other Indigenous folk transforms their mannerisms, observing, “It must have been a very long time since Esperanza and Estevan had been in a place where they looked just like everybody else, including cops. The relief showed in their bodies. I believe they actually grew taller” (274). The physical similarities between the Cherokee baby Turtle and the Maya woman Esperanza allows for even more mutually beneficial collaboration. Esperanza convinces a social worker that Turtle is her biological daughter, enabling Taylor to legally adopt Turtle and helping Esperanza find the closure and catharsis because of the traumatic experience of her daughter, Ismene, being taken from her in Guatemala. After the meeting with the notary, Taylor notices the physical impact of their solidarity on Esperanza: “She was still drying tears, but her face was changed. It shone like a polished thing, something old made new” (290). This description indicates that reliving the trauma of giving up Turtle as “her baby” helped Esperanza to move on, rather than being detrimental to her mental state.
The novel’s conclusion explicitly connects the small-scale actions of individuals supporting each other in a community to impactful large-scale social movements. Using the allegory of a plant, Taylor compares microorganisms called rhizobia to the characters in the novel. She describes how “the rhizobia are not actually part of the plant, they are separate creatures, but they always live with legumes: a kind of underground railroad moving secretly up and down the roots” (305). The term “underground railroad” connects her and Mattie’s work helping immigrants to the historical networks of people who assisted people escaping enslavement in the American South. Through a biological metaphor, The Bean Trees indicates that people who help one another out of hostile situations can find hope in solidarity and that this impulse to help is as old as the divisions that force people apart. The novel’s final chapters tie together the novel’s major themes: The Power of Resiliency, Balancing Independence and Community, and Motherhood in a Dangerous World. The main characters find resolution through helping each other find the strength to make independent decisions, and to create and carry out communal plans that place children first and teach them how to be as resilient as plants in the desert.
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