48 pages • 1 hour read
Content Warning: This section of the guide includes references to the source text’s description of sexual assault and molestation of a minor.
The well in the meadow is a symbol of Lily’s suppressed trauma. When Lily returns to the well, she has a vision of herself as a young child after she murdered Chet. Lily’s vision connects to the symbolism of the well because her moral system derives from her childhood trauma with Chet and his murder. Since Lily never psychologically heals from Chet’s molestation, she remains stuck in the past, unable to soothe her younger self. However, Lily promises the girl that she will always put her survival over everything else in life, which means continuing to murder people when she feels threatened.
Since the well represents Lily’s trauma, it also holds her deepest secrets. The fact that the new owner is going to level the field foreshadows the way that Lily’s secrets are on the verge of exposure. Swanson builds suspense with the well because just as Lily believes that no one will ever catch her for her crimes, David’s letter reveals that someone is going to find the well and the bodies inside. Although the novel ends before Lily reacts to the letter, she knows that everyone will soon know her secrets, no matter how hard she tried to hide them.
Monk’s House is a symbol of the chaos in Lily’s childhood. David names Monk’s House after Virginia and Leonard Woolf’s house because he wants to equate himself with the literary grandeur of Virginia Woolf. Although the house affords Lily many freedoms in her childhood, she remembers it as the location of her parents’ extravagant parties that normally end in drunkenness and arguing. Since the house is also the location of Lily’s trauma with Chet, she remembers it as an ominous house and one that she longs to escape. Lily kills Chet to protect the sanctity of the house, which she considers a haven until he enters it. Lily remembers that she loved to swim in the pool at Monk’s House, even though her mother never kept it clean. However, once Chet lurks around the pool, watching her in her bathing suit, Lily stops going into it. Lily decides to kill Chet is because she wants to preserve the innocence of her childhood and her home life in Monk’s House.
The Severson’s house in Kennewick is a motif that represents the façade of Miranda and Ted’s marriage. Since Miranda oversees the construction of the house, her insecurities and feelings about the marriage slip into the house’s physical nature. Kimball thinks that the house is monstrous because of the largeness and the excess of money that does not fit into the quiet nature of the Maine landscape. The excessiveness of the house correlates to Miranda’s feelings about the marriage: she only sees it for its financial value and so she squanders the money on the house because it is meaningless to her. The house also represents the moment that Miranda’s fascination with the marriage falls apart because as soon as she starts constructing the house, she decides to seduce Brad with the intention of murdering Ted. Lily deciding to lure Miranda to the house and have Brad bludgeon her to death reveals a sense of poetic justice because Miranda dies in the house where she planned to murder her husband.
The Old Hill Burying Ground is a symbol that highlights the presence of death. Lily meets Ted at the cemetery when they finalize their plan to murder Miranda. Although Ted is hopeful of his future with Lily in the cemetery, the fact that they kiss in the graveyard foreshadows his upcoming murder. The cemetery symbolizes how death follows Lily everywhere she goes because of the way that she handles her problems. It also reminds Lily of her own idea about life and death: that a long life is not guaranteed for everyone. In the graveyard, Lily reminds herself that she does not feel guilty about the people she has murdered, but she does remember the loneliness and isolation of refusing to trust anyone around her. The graveyard reminds Lily of the isolation she feels because of how she has surrounded herself by death. She longs for community and for someone to care about her, but she does not know if that is possible for her.
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