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The conflict between George and Haber is a debate between two distinct views of the acquisition and use of power. Typically, a narrative about struggle over the will to power focuses upon two different characters or forces, each of which desires to possess some type of power. One of the two main characters in the narrative, George, possesses vast power and does not want it or intend to use it. The other character, Haber, wants to use the power George has and ultimately attempts to possess that power for himself. Le Guin endeavors to show that the distinction between them is vast. Haber is a large, bearish, voluble person who is convinced from the outset that what he is doing is for the betterment of others. He is certain his judgments and direction are correct even when the pursuit of them has catastrophic results. In contrast, George is an average, unassuming, passive individual. In the face of Haber’s complete certainty, George has only doubt: he wonders about his mental state and reliability ; he wonders if Haber understands that his dreams change things; he wonders if Haber really means to cure him; and he wonders if he should comply or resist. The only element the two men have in common is isolation. As the narrative progresses and Haber acquire greater authority, he becomes almost completely isolated. George gains the support of Heather and then of the aliens. Communal connection convinces George to stand against Haber’s utilitarian schemes.
Each of the men wrestles with power. Haber cajoles, manipulates, deceives, and outright lies about his work in order to maintain authority over George. He prevents George from remembering what he suggests while under hypnosis. He uses the legal system to prevent George from escaping his control. Though he assures himself that his work is for the betterment of all humanity, Haber enriches, empowers, and glorifies himself. He places great social distance between himself and George, thinking that no authority would question the motives or actions of such an influential, powerful man. Haber’s ultimate aggrandizement comes in the form of an institute for dream study. Le Guin intends this to reveal the extent of Haber’s grandiosity. In one scene, Haber relates to George that he has always dreamed of being the hero, through which the author implies that the will to power and the extent of Haber’s excess has always lurked. Ultimately, it is his acquisition of complete power that brings about Haber’s downfall.
In contrast, George’s awareness of the unlimited power he possesses fills him with dread. While Haber deceives everyone he interacts with, including himself, George’s problem is he cannot find anyone with whom he can share the truth. He complains to Heather that anyone to whom he tells the truth will think that he is unwell. Thus, he keeps the reality of his power to himself and struggles to find a way to keep himself from dreaming. His goal is to abstain from any use of the incredible power he possesses. From the beginning, George warns Haber against using his dreams. George’s fear and shame—having brought about first the death of his aunt and then the depopulation of the planet—causes him to self-isolate. Relief comes for George when he trusts Heather to help him employ his power, resulting in the presence of aliens, who completely understand the problem that he is facing. With their help, he acquires a way to put the brakes on his power and, as he quotes from the words of the popular song, he gets “by with a little help from [his] friends” (157). Le Guin implies that a sustainable will to power comes from the bottom-up among community, rather than the top-down of an isolated individual with privilege and social prestige.
Speculative fiction often charts the downfall of societies into authoritarian rule and, concurrently, the rights of individuals are suppressed, leaving them powerless. Le Guin describes this reality and the process leading to it not as the result of a single, powerful force seizing control and decreeing law and morality, as in the dystopian works Fahrenheit 451 or 1984. Rather, the despotic eventualities she describes—such as the euthanizing of those deemed inferior—have developed as seemingly logical results of the changes brought about by George’s dreams: The more intractable the macro problems become, the more restrictions must be imposed on citizens by authorities to compensate. For example, after the plague that wipes out six billion people, marriage restrictions are relaxed to encourage repopulation; once the population explodes in growth, new laws are decreed to delineate marriage and romantic relationships. Like George Orwell, Le Guin warns against a totalitarian society. However, she implies that such a repressive society could develop gradually rather than suddenly, as with a takeover by a tyrant or group, as in the novel The Handmaid’s Tale.
For Le Guin, however, the primary message of the theme of powerlessness is not merely that a dystopian, authoritarian society—or even current society—could render a person truly powerless. Rather, powerlessness is George’s goal. Even as George complains to Heather that he is powerless to resist the machinations of Haber, he realizes that his best course of action is to submit to the demands of the psychiatrist. As a result of George’s compliance, Haber’s first great failure is his attempt to eliminate George’s power. His alien friends have prepared George for this and he escapes Haber’s actions unchanged and at peace. When Haber attempts to dream the world into perfection, thus nearly ending it—his second great failure—George intuitively understands what he must do. His simple act—destroying Haber’s dream Augmentor—restores balance and ends the threat of an all-powerful individual. Le Guin implies that any authoritarian attempt to render the individual powerless eventually fails as it is unsustainable. Paradoxically, true power seems to reside in those who are often the most powerless, as George and his friends show through their denial of the effective dreams.
Le Guin presents the case throughout the narrative that the will to power is destructive and doomed to failure. One of the most persistent examples of this she offers is the extended list of unintended consequences that result from the changes brought about through George’s effective dreams. Told to dream a solution to overpopulation, George’s dream results in the death of three-quarters of all human beings. Told to dream of a solution to racial division, George dreams every person gray—which erases Heather, whom George knows exists as she is because she is a woman of color. Told to dream of peace on earth, he creates a new conflict between humanity and a race of aliens inhabiting the moon. Told to dream the aliens off the moon, he dreams of them as irresistible invaders of the earth. George’s fear of dreaming partially stems from the unexpected, undesired side effects it invariably produces. Haber sees these unintended consequences as proof of the feebleness of George’s mind rather than an inevitable result of exercising world-shaping power. When Haber instructs George to end overpopulation and the result is a deadly global pandemic, Haber eschews responsibility: “My God, he thought, what has Orr done” (65). Haber demands total control over the world while eschewing any responsibility for the consequences of his own actions, suggesting an immaturity inherent in his utilitarian mindset.
Le Guin makes clear that what George has done cannot readily be undone. As George puts it, his dreams seamlessly “cover” their tracks, becoming part of shared human memory backward to time immemorial. When his dreams cause an unintended disaster, such as aliens invading the earth, George cannot merely “undream” them but must update the reality of his previous dreams. Thus, the aliens cannot simply cease to exist. They become a benign group of merchants and shopkeepers. The vast-reaching unintended consequences of George’s dreams are a metaphorical extension of the ripple effects of human decisions in the real world. As George’s dreams created regrettable, lasting realities, so the actions of human beings—however seemingly worthy and noble—may result in unintended harm. Le Guin, in 1971, would have been aware of Rachel Carson’s book Silent Spring, which describes the unintended but disastrous side effects of the use of pesticides, very nearly exterminating the bald eagle and other bird species. As she deals with the law of unintended consequences, Le Guin posits that virtually all the macro issues she lists in the narrative are the result of human overreach, the unintended consequences of human hubris and the Will to Power. The text posits that the human tendency to overreach disrupts the balance of nature and disturbs humanity’s proper place on the planet.
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By Ursula K. Le Guin