32 pages • 1 hour read
Content Warning: This section of the guide contains descriptions and references to abuse and coercive control, accident, and death.
Tone is the attitude that the writer expresses toward the subject of their text. The story is told from the perspective of an unknown narrator who is who is observant, polite, and detached. This is indicated, for instance, by the narrator calling the two main characters “Mr.” and “Mrs. Foster” throughout the story, which maintains a sense of distance despite the intimacy with which the couple’s lives are described. This detached tone serves the story’s ambiguity, as it creates questions around intent and the narrator’s—and the reader’s—ability to be omniscient, and therefore to judge the behaviors and motivations of both Mr. and Mrs. Foster. The tone prevaricates, appearing to avoid making judgment while showing the deliberate cruelty of Mr. Foster very clearly: The narrator makes cautious statements such as “Mr. Foster may possibly have had a right to be irritated” (47) and “[a]ssuming (though one cannot be sure) that the husband was guilty” (48), which suggest his guilt while maintaining a scrupulous sense of the distance of the outside observer. The narrator’s tone toward Mrs. Foster’s potential guilt is similarly detached, judging from outward appearance and not revealing the extent of Mrs. Foster’s knowledge or culpability: “[T]here was something in her manner […] which appeared to hint at the possibility of a return in the not too distant future” (58).
Simile is a figure of speech that directly compares two things, typically using a word such as “like” or “as.” Dahl uses two similes to describe Mr. Foster, both of which are bestial. When Mr. Foster is enjoying the effects of purposefully triggering his wife’s anxiety, he is “like a quick, clever old squirrel from the Park” with his “peculiar way of cocking the head and then moving it in a series of small, rapid jerks” (50). The “quick cleverness” of the squirrel signifies his manipulation and observance of his wife’s distress. Later, his legs are “like a goat’s legs […]. [H]e paused to sniff the air and to examine the sky” (55). These comparisons to animals highlight Mr. Foster’s lack of humanity in his treatment of Mrs. Foster. As they are indicated as being part of her perception of her husband, these similes show Mrs. Foster’s increasing realization about the inhumanity of her husband and her growing sense of his pomposity and ridiculousness.
Repetition is deliberately repeating sounds, words, and phrases for the purpose of creating an intended effect. In this story, repetition is used to indicate the degree of agitation that Mrs. Foster is experiencing while Mr. Foster purposefully tries to slow her down so she will miss her flight. Readers see repetition in form of Mrs. Foster repeatedly asking her hired help for the time and whether she will miss the flight (48, 49, 50, 51, 55, 56) with increasing levels of anxiety as she becomes later and later. As her agitation increases, there is repetition employed in her panicked statement “I’m going to miss it. I know, I know, I know I’m going to miss it” (49). When they are on the way to try to catch the flight the first time, Mr. Foster’s cruelty is accentuated in his repeatedly saying that she is bound to miss the flight, even after she begs him to stop (51, 52).
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By Roald Dahl