65 pages • 2 hours read
Frederick Barrandov Sr. is imprisoned for fixing clock faces without permission in his home country. He has an uncanny ability to fix things, but the government took his actions as a political statement. His wife helped him organize the whole thing, but Frederick took the blame himself. He spends three years in prison and then moves to Cheshire, where he gets a job as the chief maintenance officer at the Hotel Glissando.
Frederick’s son, Frederick Barrandov Jr. (“Freddy”), does not feel that he lives up to his father, but his family and the hotel expect him to follow in his father’s footsteps. Freddy works as a nursery-school teacher, which disappoints his mother, who handles all of his father’s assignments at the hotel. What his family offers at the hotel is more like a concierge service than just maintenance. They fulfill just about every request, with the only rejected request being one for an iguana-skin wallet. Unlike Freddy, his sister Odette is good at maintenance, and he believes that she should be the one to take over their father’s position. However, Freddy’s mother tells him that he has a week to begin working for Hotel Glissando.
Freddy’s girlfriend, Aisha, is a filmmaker and shows him a short film of hers called Deadly Beige; it features a brother and sister played by puppets, who are long-standing Party members in Cold War Moscow. They get assigned a series of tasks that essentially suggest that the Party wants them both dead. The siblings are voiced by Tyche and Chedorlaomer, who are friends with Aisha.
Freddy shows the film to Odette while she’s working at the hotel. At that moment, a man walks by and greets Freddy. He reveals himself to be Jean Claude, Freddy’s godfather, who was believed to have drowned while sailing the world years ago. He confesses that he faked his death to get away from his wife and child. Freddy learns that Chedorlaomer is Jean Claude’s son, and he tells Jean Claude that Ched is in Aisha’s film. Jean Claude tells Freddy that he doesn’t like Chedorlaomer’s girlfriend, Tyche, and offers to pay him to break them up. Freddy agrees after seeing how much Jean Claude is willing to pay, and he considers this his first Glissando job.
Freddy has Aisha introduce him to Chedorlaomer and enlists her help to break up Ched and Tyche. She suggests getting Tyche together with Freddy’s roommate Pierre, who she says gives “relationship-ruining head” (304). Freddy underestimates how much Chedorlaomer and Tyche are in love, and the Pierre plan fails. However, he takes the cups that they drank from and runs their DNA to see if they’re related. They aren’t, but Freddy tries to falsify the DNA results. He tries to lie to them that they are half-siblings, stammering even though he desperately wants them to believe the lie, knowing how inseparable they are.
Freddy lives under the shadow of his father’s legacy. This story is about growing up and finding oneself as much as it’s about living up to familial pressures. Freddy and Chedorlaomer are foils: Both young men have parents who want to control their children’s destinies. Ched’s absent father wants to dictate whom Ched should date, though he doesn’t even know Ched as an adult. Similarly, Freddy’s parents believe that he should be working at the hotel with his father, learning his father’s trade.
Another parallel between Ched and Freddy is that they are both grappling with Love in Its Many Stages. Freddy desires to have a relationship with Aisha that is as passionately intimate as Ched’s relationship with Tyche; the two are so close that they emit a single, intoxicating scent. Aisha, however, refuses to have penetrative sex with him. It isn’t clear whether her refusal stems from unresolved trauma over the Matyas incident, but the story suggests that it’s more complicated. In moments of clarity, Freddy recognizes that while “[f]ull carnal knowledge of this woman eludes [him]” (291), he knows her in many ways that are at least as meaningful. Likewise, he speculates that Aisha may want their relationship to be predicated on something other than “lust.” Although their relationship is both romantic and sexual, it evades the “normal” progression of such a relationship in favor of something more ambiguous. Nevertheless, Freddy struggles to see Aisha’s actions as anything but rejection and is consequently drawn to Ched and Tyche. His lie that they are half-siblings is an apparent attempt to test just how powerful “lust” is—i.e., whether it can overcome the aversion to incest—to gauge its relevance to his relationship with Aisha.
The Hotel Glissando is a surreal place that seems to exist outside of the everyday world. It could represent a sort of purgatory state. Freddy recalls seeing a man with a stab wound making a call as he bled out in the hotel’s phone booth. Jean Claude also visits Freddy at the hotel after years of presumed death. The hotel is perhaps a liminal space where people go when transitioning between life and afterlife.
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By Helen Oyeyemi