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47 pages 1 hour read

Woman of Light

Fiction | Novel | Adult | Published in 2022

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Symbols & Motifs

Clairvoyance

Content Warning: This section of the guide describes and discusses the novel’s treatment of racism and stillbirth.

The motif of the clairvoyant woman or girl spans four generation in Woman of Light. The original clairvoyant is Desiderya, referred to as the Sleepy Prophet in Pardona. Those around her believe her gift to foretell events is sporadic, saying “her spirit antenna was often broken. But, sometimes, many times, it worked just fine” (xviii). Kali Fajardo-Anstine does not explicitly frame Simodecea—the wife of Desiderya’s adoptive grandson Pidre—as a clairvoyant, but mentions her intuition regarding the burgeoning tents of miners and other laborers in Animas. On the other hand, Simodecea’s daughters—Sara and Maria Josie—possess Desiderya’s clairvoyance. When Maria Josie has visions of their mother’s death by firing squad, Sara advises she force herself to forget; thus, both sisters abandon their gift. The focal clairvoyant of all four generations, however, is the last to appear in the novel: Luz. First consulting tea leaves, then coffee grounds, and then no medium at all, her gift develops beyond that of a fortuneteller. She embraces this gift. The title Woman of Light refers to Luz herself, made apparent by her name—the Spanish word for light. Her clairvoyance illuminates the past and future, allowing her to recount her family’s story and unite all four generations.

Displaced Children

Luz’s family is made up of displaced children, the concept serving as both motif and symbol. Pidre’s birth mother abandons him in the wilderness, Pidre’s wife Simodecea orders their daughters—Sara and Maria Josie—to run away as she is arrested, Maria Josie delivers a stillborn child, and Sara must send away her children—Diego and Luz—because she can no longer care for them. Eleanor Anne, one of Diego’s lovers, gives up their daughter Lucille because her family will never accept a child with a Chicanx father out of wedlock. What drives these traumatic separations is the turbulence of a changing Colorado—which the novel’s parents try to combat. Pidre’s birth mother and Eleanor Anne give birth to children considered unacceptable in their society, and thus leave them to others’ care. Sara, Maria Josie, Diego, and Luz likewise escape their respective parents’ fate out of their parents’ love. Overall, the changing world is not favorable for the birth and nurture of children. The children who do survive this world symbolize greater displacement, such as immigration. By nature, immigrant characters end up in places far from where they were born. As the unwelcoming attitude of white residents reveals, immigrant characters face more hostility than hospitality.

Losing and Saving Loved Ones

In the novel, the motifs of losing and saving loved ones speak to the larger cycle of life and death—exacerbated by Luz’s family being people of color, and thus frequent targets of racism. Simodecea loses two husbands to death by gunfire; in turn, Sara and Maria Josie lose both parents to death by gunfire. Maria Josie delivers a stillborn child, and Sara is abandoned by her husband and forced to send away her children; in turn, Diego and Luz are abandoned by both parents. Diego wanted to marry Eleanor Anne and raise their daughter, but had to run from them to avoid white hostility. At Lizette’s wedding, Luz loses both her fiancé Avel and love interest David out of impulse. While the characters do live in world defined by racism and misogyny, their losses are still the results of their decisions. Part of the novel’s tragedy is how characters live with difficult decisions. However, despite losing their parents, sibling pairs Sara and Maria Josie and Diego and Luz find acceptance in loving homes. Ironically, after Maria Josie loses her stillborn son, she saves another son (David) from drowning. When Lucille loses her mother Eleanor Anne, her father Diego eventually finds her and brings her into a family that will accept her. Like the shared gift of clairvoyance, loss and salvation bring linearity to the novel.

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